Cover reveal: Medusa’s Children by Keith Antar Mason

Blurb:

MEDUSA’S CHILDREN by Keith Antar Mason

From performing in the alleys of LA, Keith Antar Mason recounts his experience of getting on stage at the ICA in London with The Hittite Empire Performance Art Collective, an all-Black Intergenerational Men’s Cultural Elite.  

The narrative of the London trip and snippets of the author’s experiences back in LA is effortlessly interwoven with visceral and evocative images from Black History, as memorised in his genes: 

We are the nightsticked 

Billyclubbed 

Strangeways 

Strangefruits 

Survivors 

Every summer is a Red Summer 

Medusa’s Children is a one voice rant, a prose memoir, a wish poem. 

This is a memory written in 

Ashes and Fog 

Our Life on Mars 

Stone cold word killers 

Spitting Knowledge and Truth 

Mother Medusa 

Make us 

Subliminal Seducers 

MEDUSA’S CHILDREN will be published in October 2020

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Cover Reveal: The Coconut Girl by Sunita Thind

The Coconut Girl is a collection of poems containing material that is from the Indian, female point of view with an insight into Punjabi culture. We also follow the author through the hallucinogenic state of the brain following cancer treatment, and in her experience of life in multi cultural Britain.

The protagonist in the poems is at the same time deeply vulnerable and strongly independent. Overall her strength of character shines through

The Coconut Girl features poetry of deep imagery, not least in some of the poems exploring the experience of the female body post-operatively, such as in My Womb Is A Park Of Carnage.

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Review: Giveth and Taketh, by Rota

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Was Donald Trump able to become President because God abandoned us? Are Jews white? Does Hell have better weather than Heaven? 

In Giveth and Taketh, Rota addresses all of these questions, discussing his own experience and political theology as a Jewish person in the Trump-era while also exploring broader issues of race, mental health and grief.

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Cover Reveal: The Eliza Doll by Tracey Scott – Townsend

Ellie lives in a campervan with her dog, Jack, selling her handmade dolls at craft fairs. There is one doll that she can’t bear to finish until she comes to terms with the truth of what has happened.

The Eliza Doll is an uncompromising family drama about upheaval, off-grid living and living on the dole in 1980s England.

Set in East Yorkshire and Iceland from the eighties to the present.

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Cover Reveal: The Gossips’ Choice, by Sara Read

Blurb

“Call The Midwife for the 17th Century” 

Lucie Smith is a respected midwife who is married to Jacob, the town apothecary. They live happily together at the shop with the sign of the Three Doves. But sixteen-sixty-five proves a troublesome year for the couple. Lucie is called to a birth at the local Manor House and Jacob objects to her involvement with their former opponents in the English Civil Wars. Their only-surviving son Simon flees plague-ridden London for his country hometown, only to argue with his father. Lucie also has to manage her husband’s fury at the news of their loyal housemaid’s unplanned pregnancy and its repercussions.

The year draws to a close with the first-ever accusation of malpractice against Lucie, which could see her lose her midwifery licence, or even face ex-communication.

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Cover Reveal: ‘I Can See The Lights’, by Russ Litten

Blurb

The prose poems in I Can See The Lights are earthy and raw, but also incredibly sensitive. It’s pretty much guaranteed that more than one of them will bring you to tears. Characters are vividly brought to life, and stark but warm environments evoked in a down to earth, yet almost painterly manner by Russ Litten’s uncompromising voice.

Tales of home, of un-belonging, of strife at sea – of a northern city’s beating heart. Told in a mesmeric, stripped-down tone, this collection is a work of genius.

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