The final instalment of the Highbury trilogy, Dear Jane recounts events hinted at but never actually described in Jane Austen’s Emma; the formative childhood years of Jane Fairfax and Frank Churchill, their meeting in Weymouth and the agony of their secret engagement.
Orphaned Jane seems likely to be brought up in parochial Highbury until adoption by her papa’s old friend Colonel Campbell opens to her all the excitement and opportunities of London. Frank Weston is also transplanted from Highbury, adopted as heir to the wealthy Churchills and taken to their drear and inhospitable Yorkshire estate.
Readers of Emma will be familiar with the conclusion of Jane and Frank’s story, but Dear Jane pulls back the veil which Jane Austen drew over its remainder.
He’s crossed seas and mountain ranges to reach them, tangled with dwarves and ogres along the way, escaped the clutches of an icicle wielding irate yeti to rescue them and now they tell him that they weren’t in any great need of help.
A revolution has sparked in the realm of Hudikvar, because of something things Aereon might have said to a troop of homeless youths. Now, King Victarian is after Aereon and anyone associated with him.
Local woodsman, Lars, has agreed to help them flee and be their guide through Oak’s Wood, but even he cannot guess what lies in wait for them within. Not now the Lord of the Primes is about to wake.
‘He’s got a touch of destiny about him, that one,’ said the Dealer.
‘Aye. He’s got a date with her, I’d say,’ said the Trickster.
Publisher: John Blake Publication Date: 8th February 2018 ISBN-13: 978-1786061218
Blurb
When you think of serial killers throughout history, the names that come to mind are ones like Jack the Ripper and Ted Bundy. But what about Tillie Klimek, Moulay Hassan, Kate Bender? The narrative we’re comfortable with is the one where women are the victims of violent crime, not the perpetrators. In fact, serial killers are thought to be so universally, overwhelmingly male that in 1998, FBI profiler Roy Hazelwood infamously declared in a homicide conference, ‘There are no female serial killers’.
Lady Killers, based on the popular online series that appeared on Jezebel and The Hairpin, disputes that claim and offers fourteen gruesome examples as evidence. Though largely forgotten by history, female serial killers such as Erzsebet Bathory, Nannie Doss, Mary Ann Cotton, and Darya Nikolayevna Saltykova rival their male counterparts in cunning, cruelty, and appetite for destruction.
Each chapter explores the crimes and history of a different subject, and then proceeds to unpack her legacy and her portrayal in the media, as well as the stereotypes and sexist cliches that inevitably surround her. The first book to examine female serial killers through a feminist lens with a witty and dryly humorous tone, Lady Killers dismisses easy explanations (she was hormonal, she did it for love, a man made her do it) and tired tropes (she was a femme fatale, a black widow, a witch), delving into the complex reality of female aggression and predation. Featuring 14 illustrations from Dame Darcy, Lady Killers is a bloodcurdling, insightful, and irresistible journey into the heart of darkness.