Author Archives: R Cawkwell

Hi I'm Rosemarie and I like to write. I write short stories and longer fiction, poetry and occasionally articles. I'm working on quite a few things at the minute and wouldn't mind one day actually getting published in print.

Review: HIM ‘Tears on Tape’

Firstly let me declare my biases.

  •      I’m very fond of HIM, they’re probably the only band I fan-girl over
  •       There’s a good chance I’d love this album anyway because it’s the first album of new music      they’ve released since I first heard their music

Now that’s out of the way I’ll get on with the actual review. Bearing in mind what I’ve just said, and my major fan-girling on Twitter on the morning I received my copy of ‘Tears on Tape’ (29/04/2013), it actually took me a while to get in to the album. It was only on my third listen that it started to grow on me; I really liked ‘Love without tears’ the first time through, and then ‘Into the night’ replaced it as my favourite song on the album. The opening riff on ‘Hearts at war’ is very reminiscent of ‘Love Metal’ era HIM.

Ville Valo’s voice has definitely changed in the last few years; it’s not as strong as it once was although he still manages to carry the songs well, and reprises of old hits ‘Buried alive by love’ and ‘Kiss of dawn’ – live from Finnvox, show that he can still sing their older material. Linde’s riffs are great, Mige’s bass sits quietly in the background holding things together, Burton is still a virtuoso on the keys and Gas is still hitting those drums way too hard. I really like the intro ‘Unleash the red’; it sets the tone for the whole album right from the start. More bands should have instrumental intro’s on their albums.

The more I listen to this album the more I love it. It definitely requires listening to several times to really get in to it and hear all the different aspects and, since the lyrics aren’t in the album, to understand precisely what is being sung, but it repays the time in the quality of the work and the pleasure I get from hearing these gents again. HIM have managed to produce another album of melodic, dark and heavy tracks that reference in their sound all their influences. I like the ‘dirty’ effect they’ve managed to get, like you would hear on a real cassette tape as it warps and changes with being played.

 

The album artwork, by Daniel P Carter, is rather gorgeously gothic; the new evolution in the

heartagram as a sigil, the skulls, bleeding hearts and beautiful geometric work is so very representative of HIM, yet so different from their previous album sleeve artwork. I love the cover; it reminds me of the sea under storm clouds. It also reminds me of the afternoon just after the cover art was first released that I spent with my nephew trying to decipher the lyrics written in the world snake. We had fun, and managed to translate the writing (my nephew was very proud of himself). I’m a sentimental git, the music appeals to me, what can I say?

The thing that made me laugh most was the way the album credits were concluded with ‘Ta & Ta Ta’ – thank you and goodbye in Midland’s English (someone’s been hanging around in England for too long methinks).

Right, I’m going to stop verbally fan-girling now and try to sum up.

This album is HIM; it references so many of their influences and yet is different from all of them, it’s a bit heavier than some of their earlier stuff, being closer to Love Metal than Screamworks, and it needs a few listens to really get in to, but it grew on me. A great addition and evolution to the band’s body of work.

Yours, in sonic insanity,

Rose


Aviator Shades

Twitter: @AviatorShades1

Facebook: aviatorshadesband

 

This band were surprisingly easy to find out about; their Facebook page has a comprehensive history of the band and lists all their social media URL’s, as well as influences, genre, and most usefully, who is actually in the band.

Aviator Shades are:

Dave Gorman                                    Singer/Bassist

Jesse Waldron                                   Drums

George Baker                                    Guitar

Shaun Michael Thackeray             Guitar

They are based in Vancouver, although at least one of them isn’t originally from Canada, and they list their influences as ‘Thin Lizzy, Guns ‘N’ Roses, Queen, Iron Maiden, Rush, AC/DC, Whitesnake and ZZ Top’ and their genre as ‘Classic rock, blues and a dash of metal’. I could hear the first two in their tracks but not the ‘metal’ elements. As to social media they have Facebook, Twitter, bandcamp, myspace, reverbnation, youtube and soundcloud accounts, so I suppose you can take your pick of how you consume their music. I personally prefer Sound Cloud because they have a mobile site and my phone likes it better than the reverbnation site or youtube. They plan to have an EP out this year.

Opinion?

I quite liked them; they definitely fit in to their genre declaration of ‘classic rock’. Their songs have catchy hooks and are quite anthemic; the singer’s voice is good. I was trying to work out who he reminded me of. The closest I could get was Meat Loaf, and even that’s not quite right. There’s also something very bluesy about them, almost shading in to folk-music-esque at times, especially on ‘Papa taught me how to sing (the blues)’.

A Second Reflection

Twitter: @ASRband_UK

Facebook: A Second Reflection

 

 

A Second Reflection is currently a solo project by Tim Merrick. Currently he has a few demos available on soundcloud – the links are on the ‘A Second Reflection’ Facebook page. He apparently hopes to have more songs written and recorded ‘soon’

I’ve listened to some of the tracks, they are ‘nowhere near complete’ according to their composer. I found them a little repetitive, although competent, and it will definitely be interesting to see what he does with them.

Ah, the long eighteenth century, how I have missed you.

I was strolling through Twitter a few minutes ago when I came across a post that an historian of the eighteenth century had retweeted. It came from another wordpress blog, called georgianbawdyhouse.wordpress.com; little known fact about me: I find the 18th century fascinating.

Society was poised on the edge of revolution. Not just the violent kind either. It was a time of scientific discovery and social change, the beginnings of industrialisation and empire building. The working class and industrial/urban middle classes were beginning to assert themselves. Some excellent books were also written as well, like ‘Pride and Prejudice’. And if you’ve had a read of any of my old posts you’ll know that’s one of my favourite books.

So occasionally I might reblog posts from georgianbawdyhouse.wordpress.com.
It’s a really interesting blog, by the way.

Bye,

Rose

Middle of the night, random half-asleep post (sorry)

I can’t sleep again so to entertain myself I checked my emails (that can be entertaining and passes a couple of minutes) and then had a play around with the wordpress app I have on my phone. I’ve been looking at the stats for the blog. I’m shocked; in April this year it’s had more than three times as many views as the previous best month, December 2012. I can only assume it’s because of increased awareness. I should have connected my blog up to social media sooner. I pretty certain it has nothing to do with the quality of writing.

Anyway, thanks to everyone who has taken the time to read my scribbles and/or followed this blog. I shall do my best to keep you all entertained and informed in the future.

Bye

Rose

Black Sabbath: God’s existence might be in question but Sabbath’s supremacy is not

Ah, Black Sabbath are back(!) with their new single from the album ’13’ due to be released in June. I can’t stop listening to their new song ‘God is Dead?’; Ozzy Osbourne still has a truly unique voice, Mr Iommi’s riffs are perfection, Geezer Butler is as good a bass player as ever and Tommy Clufetos makes an excellent addition to Black Sabbath as their drummer.

The lyrics question the existence of a God, because of all the religious wars in the world, but in the end Ozzy maintains that he believes that God is not dead. If this song is an example of what the new album will be like then I can’t wait to hear it. This song is a great addition to the Sabbath canon and shows that time has not diminished the ability of Black Sabbath to create great music.

Rose

Review: Reckless Love ‘Night on Fire’

I was just checking my Facebook page and the guitarist for Reckless Love posted the video for their new single ‘Night on Fire’ on his page, which of course came up on my timeline. I have a soft spot for this group of Finns; they’re cheerful, I can’t help but sing along to ‘Coconuts’ and ‘Born to rock’. They write catchy, happy metal – they’re Merry Metalheads and I like their first two albums very much. Since that’s the case I thought I’d watch the video.

This is another catchy song that reminds me a lot of their second album, ‘Animal Attraction’ sonically if not lyrically. I like the video too, even better on the second viewing.

I really am going to get on with listening to those new albums now, promise.

Rose

Strip no Alter

And here is the second band that followed me today:

Strip no Alter

A Brazilian band that describes their sound as ‘a straight and powerful cross-over between heavy metal, hardcore, rock ‘n’ roll and old school punk rock’ that is ‘ironic, immoral and politically incorrect’. This three-piece formed in 2008 and immediately produced an EP.

Members

  • Plinio Scambora – vocals/guitar
  • Erick Johnsons – bass
  • Hud Souza – drums

Music

  • EP Voner (2008)
  •  Album The Hell Soundtrack (2011)
  • Digital EP (iTunes only) The Heaven Soundtrack (2011)
  • Album Vertical Smile (2012)

All but the EP, Voner, are available on the band’s website as free downloads.

Websites etc

Opinion?

They’re not bad, ‘Vertical Smile’ is better than ‘The Hell Soundtrack’. I can’t understand what they’re singing about, but the songs grew on me. I can see the innuendo in the album title, and most of the song titles, so I’ll assume that they live up to their boast of being ‘ironic, immoral and politically incorrect’. I might have to listen to the songs a few times to understand what they are about. The band definitely show their metal and punk influences throughout the album ‘Vertical Smile’, getting heavier towards the later tracks.Might be an interesting band to listen to if that’s the sort of music you like.

Now that I’ve finished listening to the bands I have following my Twitter, I’m going to get on with listening to BMTH’s ‘Sempiternal’, since everyone’s been saying how great it is, Sacred Mother Tongue’s ‘Out of Darkness’ since I’ve been wittering for it for days that I want to hear it and I finally got it on Spotify last night, and finally Black Sabbath’s new single ‘God is Dead?’. Ah, Spotify, how I adore thee? Let me count the ways.

Bye,

Rose