Category Archives: Stuff I feel like reblogging

A while ago I came across this Solar System sampler in the Museum’s textiles store. It was uncanny – the arrangement of concentric rings was so familiar and immediately recognisable, but so strange when seen as a piece of Georgian embroidery.

The sampler is a piece of linen 35cm tall and 35cm wide, with the title ‘The Solar System’ followed by five lines of text. At the centre is a large diagram of the six innermost planets orbiting the sun.

The legendary electronic duo Daft Punk released their latest album, Random Access Memories, last week with great fanfare. Regardless of what music has come out so far this year and what’s still to come, this album is destined to be in my top three at the end of December (if I were of the list-making sort). Not only did Daft Punk tease the album for what felt like forever, its soul and funk-heavy tracks show a mature progression. Because everyone under the sun—and a number of rocks—have reviewed it I’m using this space to recommend a few lesser known electronic musicians who will be an excellent addition to any Daft Punk fan’s collection.

Commix / Call to Mind
In 2003, London-based duo George Levings and Guy Brewer signed to Metalheadz, the renowned drum and bass label founded in 1994 by DJ duo Kemistry & Storm and producer Goldie.

Call…

Shared journals were an early form of social media, and the mass-media era may have been a historical aberration. These were two of the claims made by Lee Humphreys, a communications and media researcher at Cornell University, who gave a talk this week at Microsoft Research’s Social Media Collective. I agree with her on both counts, of course, though I would trace the sharing of journals back further, to the commonplace books of the 16th and 17th centuries.

Humphreys has examined in detail how people in the 19th century would share their diaries with visiting families and friends by reading aloud, in order to tell them what had been going on in their lives. She has also analysed the diary entries of Charlie Mac, a soldier in the American Civil War, which he copied out and sent home as letters to his family (and anyone else they wanted…

Four years after the Moulin Rouge opened in Paris in 1889, it hosted an event which was so scandalous that four of the performers were prosecuted for outraging public decency.

The Bal des Quat’z-Arts featured a procession of floats, banners and models dressed as famous historical characters from Ancient Rome and Greece. The famous Cancan dancer La Gouloue (‘The Glutton’) was there in the guise of an ‘Indienne’.

But the highlight of the show was undoubtedly the artist’s model Sarah Brown as the Egyptian queen Cleopatra, held aloft by men clad only in white loincloths.

Her performance has since been described as ‘the world’s first striptease’ although descriptions of her costume vary wildly – some say she was completely naked while others describe a black velour g-string, stockings and a black shirt. Georges Montogueil, writing in Paris Dansant (1898), says:

The parade covers a long space. Here is part of…

The history of cross-dressing is full of fascinating personalities: Joan of Arc was burned at the stake for heresy in 1431 because she persisted in wearing pants; Mary Read was a notorious 18th Century female pirate; Dorothy Lawrence disguised herself as a male soldier to fight in the trenches of World War One.

Others like the music hall star Vesta Tilley openly impersonated men as part of a successful theatre act.

Many of Shakespeare’s plays also feature female characters dressing up as men, although the actors playing them in his day were young men. More recently the TV comedy Little Britain featured two men wandering around town in female dress while insisting: ‘I’m a lady.’

Mary Mudge, however, never sought the limelight. Her ‘secret’ only emerged after her death, aged 85, in the market town of Tavistock, Devon, the birthplace of Sir Francis Drake.

Reynold’s Newspaper reported on March 31…