Review: The Island of Animaux, by Milo McGivern

Blurb 

Imagine an island that shouldn’t exist. A very strange place that has never been discovered by humans and that is populated only by speaking animals, very few of whom know about the bigger world beyond. An island that somehow changes its position on the planet each day, to prevent it from being found. Welcome to the Island of Animaux!

And welcome to five different but connected tales of Aubrey the Turkey and his pals. Stories of all shapes and sizes, with large slices of fun and even bigger portions of naughtiness. See Aubrey get his comeuppance at the fair, have a disaster when he tries to open a zoo, visit a vampire and stumble across Clifford Platypus, try to win a singing competition and then fall madly in love, at least until Walli Hog arrives. See Georgina the Goat despair at Aubrey’s behaviour. Watch as Wesley the Weasel makes the turkey an offer he shouldn’t refuse. See Clifford have fun in making Aubrey do terrible things. And join in with Aubrey and Clifford as they are mesmerised by Walli’s tale of her lucky escape.

Please enjoy the stories. And don’t be afraid to laugh, particularly at Aubrey’s expense. But please, please, please – remember to keep the latest position of the island top secret!

Author Bio


Milo McGivern is the writing name for Steve Humphries. Steve has spent many years working in finance. He has travelled extensively although is most happy when he is at home in Berkshire. Steve enjoys casual story writing and the Aubrey the Turkey tales were first imagined over 30 years ago. ‘The Island of Animaux’ is the first book in the ‘Tales from Animaux’ series.  It was followed by ‘Monsieur Le Chef’ and ‘A Surprise Party’.

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Review: Bitter Flowers, by Gunnar Staalesen, translated by Don Bartlett

PUBLICATION DATE: 21 JANUARY 2022 | ORENDA BOOKS | PAPERBACK ORIGINAL | £8.99

Blurb

Fresh from rehab, PI Varg Veum faces his most complex investigation yet, when a man is found drowned, a young woman disappears, and the case of a missing child is revived. The classic Nordic Noir series continues…

PI Varg Veum has returned to duty following a stint in rehab, but his new composure and resolution are soon threatened when three complex crimes land on his desk.

A man is found dead in an elite swimming pool.

A young woman has gone missing.

Most chillingly, Veum is asked to investigate the ‘Camilla Case’: an eight-year-old cold case involving the disappearance of a little girl, who was never found.

As the threads of these three apparently unrelated cases come together, against the backdrop of a series of shocking environmental crimes, Veum faces the most challenging, traumatic investigation of his career.

ABOUT GUNNAR STAALESEN

Granite Noir fest 2017. Gunnar Staalesen.

One of the fathers of Nordic Noir, Gunnar Staalesen was born in Bergen, Norway, in 1947. He made his debut at the age of twenty-two with Seasons of Innocence and in 1977 he published the first book in the Varg Veum series. He is the author of over twenty titles, which have been published in twenty-four countries and sold over four million copies. Twelve film adaptations of his Varg Veum crime novels have appeared since 2007, starring the popular Norwegian actor Trond Espen Seim. Staalesen has won three Golden Pistols (including the Prize of Honour); Where Roses Never Die won the 2017 Petrona Award for Nordic Crime Fiction, and Big Sister was shortlisted in 2019. He lives with his wife in Bergen.

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Review: Demon, by Matt Wesolowski

Pub date: 20 January 2022
ISBN 13: 978-1-913193-98-0
EPUB: 978-1-913193-99-7
Price: £8.99

THE BOOK
In 1995, the picture-perfect village of Ussalthwaite was the site of one of the most heinous crimes imaginable, in a case that shocked the world.

Twelve-year-old Sidney Parsons was savagely murdered by two boys his
own age. No reason was ever given for this terrible crime, and the ‘Demonic Duo’ who killed him were imprisoned until their release in 2002, when they were given new identities and lifetime anonymity.

Elusive online journalist Scott King investigates the lead-up and aftermath
of the killing, uncovering dark and fanciful stories of demonic possession,
and encountering a village torn apart by this unspeakable act. And, as episodes of his Six Stories podcast begin to air, King himself becomes a target, with dreadful secrets from his own past dredged up and threats escalating to a terrifying level. It becomes clear that whatever drove
those two boys to kill is still there, lurking, and the campaign of horror has
just begun…

THE AUTHOR


Matt Wesolowski is an author from Newcastle-Upon-Tyne in the UK. He is an English tutor for young people in care. Matt started his writing career in
horror, and his short horror fiction has been published in numerous UK- and US-based anthologies such as Midnight Movie Creature, Selfies from the
End of the World, Cold Iron
and many more. His novella, The Black Land, a
horror story set on the Northumberland coast, was published in 2013. Matt
was a winner of the Pitch Perfect competition at Bloody Scotland Crime Writing Festival in 2015. His debut thriller, Six Stories, was a bestseller in the USA, Canada, the UK and Australia, and a WH Smith Fresh Talent pick, and TV rights were sold to a major Hollywood studio. A prequel, Hydra, was published in 2018 and became an international bestseller, Changeling (2019), Beast (2020) And Deity (2021) soon followed suit.

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TBR Pile Review: Every Star A Song, by Jay Posey

ISBN13 9780008327170

Blurb

Jay Posey returns with the much-anticipated second installment of the critically acclaimed Ascendance series following a powerful woman who can destroy planets with a single word but who is suddenly faced with an adversary that threatens the entire universe.

Far in the future, human beings have seeded themselves amongst the stars. Since decoding the language of the universe 8,000 years ago, they have reached the very edges of their known galaxy and built a near-utopia across thousands of worlds, united and ruled by a powerful organization known as the Ascendance. The peaceful stability of their society relies solely on their use of this Deep Language of the cosmos.

Elyth—a former agent of the religious arm of the Ascendance, The First House—is on the run after the events of Every Sky a Grave, when she and the fugitive Varen Fedic exposed the darker side of Ascendance hegemony on a planet called Qel. Though she just wishes to put the past (and Varen) behind her, she is soon tracked and cornered by the Ascendance agents. Surprisingly, they aren’t there for punishment. Instead, they offer her a deal in exchange for her help in exploring a new planet that seems to have appeared out of nowhere. If she agrees, her sins against the Ascendance and the First House will be forgiven.

Elyth reluctantly agrees to join the team of elite agents (including some former allies-turned-enemies) but almost as soon as they touch down on the planet’s surface, things start to go awry. Strange sounds are heard in the wilderness, horrifying creatures are seen stalking the forests, and even the landscape itself seems to change during the night.

But as expedition members start dying, two things become clear: the planet is conscious, and it’s trying to kill them.

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Review: Cultish – The Language of Fanaticism, by Amanda Montell

55338982
Hardcover, 320 pages
Published June 15th 2021 by Harper Wave
ISBN: 0062993151 (ISBN13: 9780062993151)

Blurb

The author of the widely praised Wordslut analyses the social science of cult influence: how cultish groups from Jonestown and Scientology to SoulCycle and social media gurus use language as the ultimate form of power.

What makes “cults” so intriguing and frightening? What makes them powerful? The reason why so many of us binge Manson documentaries by the dozen and fall down rabbit holes researching suburban moms gone QAnon is because we’re looking for a satisfying explanation for what causes people to join—and more importantly, stay in—extreme groups. We secretly want to know: could it happen to me? Amanda Montell’s argument is that, on some level, it already has . . .

Our culture tends to provide pretty flimsy answers to questions of cult influence, mostly having to do with vague talk of “brainwashing.” But the true answer has nothing to do with freaky mind-control wizardry or Kool-Aid. In Cultish, Montell argues that the key to manufacturing intense ideology, community, and us/them attitudes all comes down to language. In both positive ways and shadowy ones, cultish language is something we hear—and are influenced by—every single day.

Through juicy storytelling and cutting original research, Montell exposes the verbal elements that make a wide spectrum of communities “cultish,” revealing how they affect followers of groups as notorious as Heaven’s Gate, but also how they pervade our modern start-ups, Peloton leaderboards, and Instagram feeds. Incisive and darkly funny, this enrapturing take on the curious social science of power and belief will make you hear the fanatical language of “cultish” everywhere.

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TBR Pile Review: Those They Called Idiots, by Simon Jarrett

52612667
Hardcover, 304 pages
Published December 30th 2020 by Reaktion Books
ISBN:1789143012 (ISBN13: 9781789143010)

Those They Called Idiots traces the little-known lives of people with learning disabilities from the communities of eighteenth-century England to the nineteenth-century asylum and care in today’s society. Using evidence from civil and criminal court-rooms, joke books, slang dictionaries, novels, art and caricature, it explores the explosive intermingling of ideas about intelligence and race, while bringing into sharp focus the lives of people often seen as the most marginalized in society. 

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Review: The Quiet People, by Paul Cleave

PUBLICATION DATE: 25 NOVEMBER 2021 | ORENDA BOOKS | PAPERBACK ORIGINAL | £8.99

Cameron and Lisa Murdoch are successful New Zealand crime writers, happily married and topping bestseller lists worldwide. They have been on the promotional circuit for years, joking that no one knows how to get away with crime like they do. After all, they write about it for a living.

So when their challenging seven-year-old son Zach disappears, the police and the public naturally wonder if they have finally decided to prove what they have been saying all this time… Are they trying to show how they can commit the perfect crime?

Multi-award winning bestseller Paul Cleave returns with an electrifying and chilling thriller about family, public outrage and what a person might be capable of under pressure, that will keep you guessing until the final page…

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Pen & Sword Pile Reviews

I’ve got four for you this evening; I’ve been saving them up. Pen & Sword send me a lot of books, ones I’ve agreed to review, but you know how it is, my eyes are bigger than my belly when it comes to books, so I generally have to read a few at a time then review them all in groups. Sometimes there’s even a theme.

Today there is a theme. Daily life in various historical periods. I’ve just finished reading ‘How to survive in Ancient Egypt’, which I had been waiting on to do this set of reviews.

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TBR Pile Review: Fearing the Black Body – The Racial Origins of Fatphobia, by Sabrina Strings

Book Cover
Format: 283 pages, Paperback
Published: May 7, 2019 by New York University Press
ISBN: 9781479886753 (ISBN10: 1479886750)

Blurb

In her first book, sociologist Strings (sociology, Univ. of California, Irvine) explores the historical development of prothin, antifat ideologies deployed in support of Western, patriarchal white supremacy. Beginning in the aesthetic ideals circulated by Renaissance thinkers and artists and bringing her narrative up into the 1990s, Strings charts how white Europeans and Anglo-Americans developed ideals of race and beauty that both explicitly and figuratively juxtaposed slim, desirable white women against corpulent, seemingly monstrous black women.

The work is divided into three sections. The two chapters in the first part consider how Renaissance white women and women of colour were depicted as plump and feminine, separated by class, yet belonging to the same gender. The second part of the work charts the rise of modern racial ideologies that yoked feminine beauty to Protestant, Anglo-Saxon whiteness. Later chapters and the epilogue consider how Americans normalized the “scientific management” of white women’s bodies for the purpose of racial uplift, a project that continued to situate black women as the embodied Other.

My Review

I’ve been reading this book on and off over the last few months as other commitments permitted; I found it fascinating and always picked up some new information every time I went back to it. I finished it last night with a feeling of disappointment that it wasn’t longer, but also interested in reading more by the author and on the topic.

BMI is, as I have said many times, bullshit, made-up and irrational. That it is still used by the medical profession is a travesty. Historical attitudes to fatness have varied with time and place, but scientific evidence does not support the vilification of fat people. In fact, Ancel Keys, who essentially invented the BMI and pushed for it to replace actuarial tables for insurance and medical purposes, admitted he found fat people ugly and assumed they were unhealthy. You cannot tell anything about a person’s health from a ratio of height to weight, or their appearance.

This book covers Europe and the U.S., because the author is USian, and the U.S. wouldn’t exist without European colonisation, so it covers the period from the Renaissance to the last years of the twentieth century. Five hundred years and three continents it a lot of space and time to cover.

When European’s started Othering people to justify slavery, weight was one of the things they chose to stigmatise. It coincided with Protestant disgust with bodies, with anything that might be fun, and later with changing ideas about ‘polite’ behaviour. By accusing African people of being lazy, gluttonous and dishonest, they could link that to intellect and justify colonisation and enslavement. And of course, to keep Europeans on top of the heap, the same rules had to be applied to Europeans, especially middle and upper class women.

Later still, eugenics came into play and whole new fields of scientific racism and sexism opened up for those white men determined to hold their places at the top of society. In the U.S. one of the ways they did this was to racialise Jewish, Irish, Southern (particularly Italian) and Eastern Europeans as the different groups migrated to the Americas across the 18th and 19th centuries and into the 20th century. They used the same lazy propaganda that earlier European ‘scientists’ had used to racialise and other Africans and then the indigenous populations of the Americas and Australia.

Body size and shape was used as a stick to beat people with. A ‘too thin’ rich white woman was a danger to the nation (whichever nation it was), a ‘too fat’ rich white woman, equally so, at different times. A fat black or African woman – signs of laziness and greediness – moral incontinence and hypersexuality. Because reasons.

Racist shitbags don’t actually have logical reasons, they take their beliefs and make up pseudoscience to support it. Fat hate is the same. It doesn’t matter how much evidence you have to show that ‘normal weight’ doesn’t exist, and that weight variation is just a normal part of human diversity (like the levels of melanin in the skin), they’ll still scream that fat kills.

Strings is a professional, and writes like one, unlike me; I’m just blunt and don’t mind swearing if I think it’s appropriate. I’ve seen other reviews that claim the writing is dry; I disagree. I found it clear and precise, although I would have been interested in more analysis and references from African and African American sources, but I doubt they were available given the systemic erasure and silencing of Black people in the last five hundred years.

The structure of the book puts the different strands of evidence into context and builds on Strings’ argument in a structured and organised way. Strings draws on popular and scientific literature, art and cultural movements to explore the topic and build her arguments. This is not ‘popular history but rewards careful reading and consideration.

Children’s Picture Book Review: Bessie Bibbs’ Ginormous Fibs, by Chris Jones

Blurb 

Bessie Bibbs’ just can’t help but tell fibs. And whilst her intentions are good, they keep getting her into trouble … with very messy consequences! 

Author Website:

yearntolearn.co.uk


My Review

Thanks to Chris and Claire for my copy of this book and to the Love Books team for organising this blog tour.

What did I like?

The story is simple but effective. The rhyme works well and it is funny. The monsters are really quite cute and they have individual characteristics that make them stand out. While the authors state at the beginning that the book is for reading to children, I think it’s just right for beginner readers needing something to practice with.

What didn’t I like?

Nothing. I enjoyed it all.

What do I think of the illustrations?

I really liked the illustrations, they’re fun and the muted colour palette is perfect. The colour pop of the ice cream at the end is perfect.

Would I read other books by the author?

Yes, and then send them on to my cousin for his children who are at about the right age to enjoy them, 3 – 5 years old.