Format: Hardcover Expected publication: June 1, 2023 by Puffin Classics ISBN: 9780241545423 (ISBN10: 0241545420) Language: English
Ten captivating stories of adventure and resilience celebrating LGBTQ+ characters, published as an illustrated collection of queer classics for the first time.
These are the fairy tales that history forgot – or concealed. Tales in which gender is fluid and where queer stories can have a happy ending.
Yes, I know I said I wasn’t going to do weight loss or weight management programmes anymore, after the last one fucked my mental health over, but I did that one for 18 months. This has only been a 6-month programme., because I refuse to pay the full monthly price. I got some sort of deal through Hello Fresh.
Actually, that’s a good point; Hello Fresh leads people to the WW website if you choose one of their WW Personal Points meals. Clearly they have some sort of partnership and benefit from driving consumers from their respective websites to each other. It’s somewhat sick that they take advantage of people like that. I was just looking for something good in my discounted meals.
I decided to turn the experience into an experiment. I’m going to take things month-by-month and write a bit each month. There will be an explanation in the September 2022 section.
Narrated by: Katherine Parkinson, Bill Nighy, Peter Serafinowicz Series: Discworld, Book 31, Discworld: Industrial Revolution, Book 3 Length: 11 hrs and 26 mins Unabridged Audiobook Release date: 23-02-23 Language: English Publisher: Penguin Audio
Summary
Brought to you by Penguin.
The audiobook of Monstrous Regiment is narrated by Katherine Parkinson, star of The IT Crowd and Here We Go. BAFTA and Golden Globe award-winning actor Bill Nighy (Love Actually; Pirates of the Caribbean; Harry Potter and the Deathly Hallows) reads the footnotes, and Peter Serafinowicz (Star Wars: Episode I – The Phantom Menace; Shaun of the Dead) stars as the voice of Death. Featuring a new theme tune composed by James Hannigan.
‘THAT’S THE TROUBLE ABOUT THE GOOD GUYS AND THE BAD GUYS! THEY’RE ALL GUYS!’
In the small yet aggressive country of Borogravia, there are strict rules citizens must follow. For a start, women belong in the kitchen – not in jobs, pubs, or indeed trousers. And certainly not on the front line.
Polly Perks has to become a boy in a hurry if she wants to find her missing brother in the army. Cutting off her hair and wearing the trousers is easy. Going to war however, is not.
Polly and her fellow raw recruits are suddenly in the thick of a losing battle. All they have on their side is the most artful sergeant in the army and a vampire with a lust for coffee.
It’s time to make a stand.
The first book in the Discworld series-The Colour of Magic-was published in 1983. Some elements of the Discworld universe may reflect this.
My Review
I always enjoyed this book, right from the first time I read it when the hardback came out. Terry Pratchett took on gender in this novel and questioned everything. He acknowledged the complexities of gender and explores the attitudes of societies that have very strict gender roles and hierarchies.
Polly Parks is a barman’s daughter in Borogravia, and she needs to find her brother. He went off to war and nothing has been heard of him since. She joins a regiment, the cheese mongers, who are led by Sergeant Jack Jackrum, a legend in the army. The squad – a few humans, a troll, a vampire, a dodgy, political, corporal and the ebullient sergeant Jackrum – are the very last of Borogravia’s army recruits.
We also see Vimes and the Watch in their diplomatic roles.
I happen to love this book, and this edition of the audiobook is really good. Kathrine Parkinson is a good narrator. I’m not sure about some of the pronunciation but I managed to get into it and really enjoyed it.
Dellaria Wells – petty con artist, occasional thief, and partly educated fire witch – is behind on her rent. To make ends meet, Delly talks her way into a guard job in the city of Leiscourt, joining a team of unconventional women to protect an aristocrat from unseen assassins.
It looks like easy money and a chance to romance her confident companion Winn – but when did anything in Delly’s life go to plan? With the help of a necromancer, a shapeshifting schoolgirl and a reanimated mouse named Buttons, Delly and Winn find themselves facing an adversary who wields a twisted magic and has friends in the highest of places.
My Review
I think I got recommended this book as another example of a ‘cosy fantasy’ after I enjoyed Legends & Lattes. This book was originally published by Ace in 2021, and a new Penguin edition will be published in July. I might get the Penguin edition too, although the covers are the same. Ace books tend to be a bit rough and the printing quality can be not great, and this book isn’t an exception.
I’ve ordered the Penguin edition of Unnatural Magic, which is being published in July; it’s the other book in this series and was originally published by Ace in 2019. I’ll compare the quality of both and order the other editions if I think there’s any point.
Dellaria Wells is desperate for funds and can’t find her mum. In Leiscourt, her ability as a Firewitch marks her out among the poor and makes her an object of derision for the rich. Unfortunately, her ability to get in her own way and mess things up has led to any advantages her skills and natural talents might have given her being more a cause for trouble than a benefit.
She stumbles into a gig as a bodyguard for a wealthy woman about to get married. Here she meets some ‘properly trained’ magicians, all women. She is immediately attracted to a half-troll called Winn, who is an amazing shot and reasonable at illusions. Her dad also happens to know some very important people. Delly sets her cap at Winn, a prospect for possible expensive gifts, but finds she actually really likes Winn. The job looks easy, a bit of romance and enough money to pay the rent for a few months.
Except things get a bit dangerous when they’re attacked by the creations of necromancers and the bride is almost killed by one of the party. When another of the party is murdered by the necromancer and the guilty party goes on the run, the job changes – this time it’s about revenge and the pay is a lot better.
Delly, Winn and co head back to Leiscourt to find the murderer and bring down a crime ring providing drugs that are currently killing lots of people, including Delly’s mum.
Delly seems to be a rather uncomplicated person until we get into the meat of the story, when we discover her complicated relationship with her mother, who is addicted to drugs and alcohol, and was a neglectful parent. As a child she is neglected and as an adult she has to look after her mother. She is angry and sad when she discovers her in hospital or in bars. She hopes for her to be a better person and is distressed when her mother reverts back to her usual behaviour.
Delly also has a complicated relationship with Winn; Winn sees the best in her, which Delly can’t see in herself. She is convinced that Winn is being duped by her own sense of goodness. They do love each other but Delly can’t say it even after they save each others’ lives.
Mrs Totham is cool. I found her very sympathetic and increasingly funny as she goes from being a bird-obsessed elderly lady to a revenge-obsessed necromancer (sorry, body scientist) after her daughter is murdered.
The plot is entertaining and gets complicated as the crew start investigating a couple of crimes – a murder and a drugs gang. The excitement builds as they finally bring down their enemy and a house explodes.
The setting is something like a Victorian London with magic, and some customs that seem strange to the reader. It took me a bit to get used to things. I still don’t quite get some of the background like ‘householders’ and ‘Hexos’. What are these things? The society is fairly open to relationships that certainly would not have been acceptable in Victorian London.
It was a fun read and I’m looking forward to reading Unnatural Magic in July.
Narrated by: Colin Morgan, Peter Serafinowicz, Bill Nighy Release date: 07-07-22
Rincewind, and by extension the faculty of Unseen University, have a lot of adventures, fight all sorts of monsters, sometimes with a half-brick in a sock, and visit the far corners of the Disc.
Rincewind goes off to the both the Counterweight Continent and Fourecks, as well as over the edge of the Disc. He meets the Discs first tourist, the Discs greatest hero, a kid with amazing magical skills and another without any, some very tall ladies, a strange kangaroo, and plays football. In the process we see the way the University changes as an institution, and the social developments in Ankh-Morpork.
Some of the books were written in the early years of the Discworld, so there are attitudes that reflect that. Terry Pratchett was always trying to be a better person and you can see his social attitudes changing over the course of the novels, but the Rincewind/Wizards books are heavily weighted towards his early years. There is a massive improvement in his writing skills and his social conscience between The Colour of Magic and Unseen Academicals. There are legitimate criticisms of the orientalism in Interesting Times, and the treatment of women in The Colour of Magic and The Light Fantastic. I highly recommend The Truth Shall Make Ye Fret podcast for discussions about this.
Colin Morgan isn’t bad as a narrator, but his voices for Rincewind and some of the wizards are wrong. Sorry, they just are. I prefer Steven Briggs’ versions.
Narrated by: Sian Clifford, Peter Serafinowicz, Bill Nighy Release date: 27-10-22
Death and then his granddaughter Susan StoHelit have a series of adventures across the Discworld, narrated by Sian Clifford, who also narrated Hogfather. I reviewed that one and the Witches books last May.
Sian Clifford isn’t too bad as a narrator and Peter Serafinowicz has a good DEATH voice. Bill Nighy’s footnotes are delivered in a deadpan tone that works well. I enjoyed the stories; I haven’t read them for a long time, so these books were a lovely reminder of how much I enjoyed them the first time around. I think I enjoyed some of them more now, because I read most of them as a teenager, and that was a while ago, given that I’m 40 in less than 4 weeks.
The development of Death and Susan as characters is particularly obvious if you listen to the books in order. By this I mean that Terry Pratchett was obviously developing the characters and the Discworld over time, and that the characters grew as people. Death becomes more human as he interacts with people, and Susan starts to understand her nature better. Their relationship also develops from almost disbelief to an uneasy alliance.
We also get to see The Sweeper in action and Albert doing something other than frying a pudding. If you don’t know who these people are, I highly recommend reading/listening to these books. Well worth it.
The audiobook of The Truth is narrated by Mathew Baynton, star of Ghosts, Yonderland and Horrible Histories. BAFTA and Golden Globe award-winning actor Bill Nighy (Love Actually; Pirates of the Caribbean; Harry Potter and the Deathly Hallows) reads the footnotes, and Peter Serafinowicz (Star Wars: Episode I – The Phantom Menace; Shaun of the Dead) stars as the voice of Death. Featuring a new theme tune composed by James Hannigan.
‘A lie can run round the world before the truth can get its boots on.’
William de Worde has somehow found himself editor of Ankh-Morpork’s first newspaper. Well, with a name like that…
Launched into the world of investigative journalism, alongside reporter Sacharissa Cripslock, William soon learns that the news is a risky business. For a start, his colleagues include a band of axe-wielding dwarfs and a recovering vampire with a life-threatening passion for flash photography.
It’s a big news week: the most powerful man in the city has been arrested, leaving Ankh-Morpork without a leader. And a dangerous criminal organisation will do anything to control the story…
The Discworld novels can be read in any order but The Truth is a standalone.
The first book in the Discworld series—The Colour of Magic—was published in 1983. Some elements of the Discworld universe may reflect this.
My Review
I’ve been listening to all of the new Penguin editions of the Discworld books and I’ve finally got around to reviewing one this year. I listened to The Truth over the last couple of days. I will probably be writing reviews over the next few weeks for all of the audiobooks I’ve listened to from the new Penguin editions. It may take some time.
I enjoyed this new edition of The Truth. I like the story anyway, but it was interesting to hear someone else’s interpretation of the characters. Mathew Baynton used slightly different emphasis on occasion which gave different interpretations to the sentences.
Mr Pin reminds me of the joking impressions of David Beckham – that squeaky voice and slightly ignorant tone. It definitely fits him as a character. I still don’t like the way these Penguin editions have characterised Drumknott, though. He’s been given a sibilant tone to his accent, like a snakes hiss. I think it’s a misinterpretation of the character.
Generally, I still prefer the Stephen Briggs editions, but this one is acceptable listening.
In this stunning conclusion to N. E. Davenport’s fast-paced, action-packed sci-fantasy duology, elite warrior Ikenna and her rogue cohort must outrun bounty hunters, their former comrades, and a megalomaniacal demi-god, all in the hopes of saving their friends and enemies from the racist and misogynistic oppression that threatens the continents from all sides.
After discovering the depth of betrayal, treachery, and violence perpetrated against her by Mareen’s Tribunal Council and exposing her illegal blood-gift to save her Praetorian squad, Ikenna becomes a fugitive with a colossal bounty on her head.
Yet, somehow, that’s the least of her worries.
Her grandfather’s longtime allies refuse to offer help, and the Blood Emperor’s Warlord is tracking her. She’s also struggling to control the enormous power she was granted by the Goddess of Blood Rites…and come to terms with the promises she made to get such power.
Amidst all of this, the Blood Emperor wages a full-scale invasion against Mareen and leaves a trail of decimated cities, war crimes, and untold death in his wake. As the horrors increase, Ikenna and her team realize they must assassinate the Blood Emperor and quickly end the war. But the price to do so is steep and has planet-shattering consequences.
The price to do nothing, though, is annihilation.
War has erupted. Alliances are fracturing. And Ikenna is torn between her loyalties, her desires for revenge, and the power threatening to consume her. With the world aflame, only one thing is certain: blood will be spilled.
My Review
I enjoyed this book. I stayed up all night reading it. This may not be the most coherent review due to lack of sleep. Seriously, I sat down at half eight last night to read a few chapters before bed and realised I read all night when it started getting light, and finished reading the book at 6:03 a.m., and was stunned for a few moments. I have the Illumicrate Exclusive Edition which has blue edges and a red cover. It matches/contrasts with my Illumicrate Exclusive Edition of The Blood Trials. I also reviewed that book as part of the blog tour and was excited to find out what happened next.
The book begins some short time after the end of The Blood Trials; Ikenna and her team have spent time among the northern Microstates trying to gain allies for their war against both the Blood Emperor and the Tribunal of Mareen, but aren’t having much luck. They turn to a criminal syndicate for the means to fight their war, but don’t get to spend long with their new ally because they get attacked by Praetorians from Rhysian War House and mercenaries.
Eventually, they end up in the hands of Ajani, the Apis of Accacia – the second in command of the Blood Emperor, Nkosi. Ikenna and Ajani do not get on well, but for the good of Iludu, they make an agreement to work together long enough to kill Nkosi and put Ajani on the throne of Accacia. Ikenna doesn’t trust Ajani and assumes he’s going to kill her when he gets a chance, and Ajani doesn’t do much to reassure anyone on her team.
After a traumatic encounter with Krashna, the ancient god of Mareen, and being saved by Kissa, the goddess of Kanai, Ikanna learns that she needs to commune with her goddess, Amaka, to gain more control of her powers, but she doesn’t listen and things start to go very wrong with their plans. Eventually, Ikenna listens and comes into her power and learns that she is more than just a blood-gifted warrior. Her ancestry is more complex than that.
This is sci-fantasy. The cultures are technologically advanced but also use magic, some of the countries are stratified societies and monarchies, and most have a difficult relationship with religion. I quite enjoy this mix of magic and technology.
Ikenna and Darius’s relationship develops and their conversations addressing their personal issues is one of the best parts of the book. The fights are really fun too. Ikenna is slowly developing as a person, she is still often childish but has moments of maturity which improve her as a character. The team are becoming a cohesive unit, and they survive repeated attempts on their lives, from both the Mareen Republic and the Accacian Empire, as they try to gather allies to reset the planet.
The latter chapters which cover the war with the Tribunal and Ikenna’s revenge on Selene Rhysian and her family, feels a bit rushed. I can see a further series where Ikenna and the Invictus squad fight the gods, and Selene and Enoch team up to give Ikenna problems.
This is really two books squished into one, and it would have been best to end it at page 291, and then have the events after the death of Nkosi and the rearrangement of the world in a third book. The war against the Tribunal and the battle at the Krashna’s Citadel should have been the a third book. I don’t think this is the author’s fault, but a publishing decision. I would love to see Nia Davenport get a chance to write the two novels this was meant to be.
PUBLICATION DATE: 11 MAY 2023 HARDBACK ORIGINAL | £16.99 | ORENDA BOOKS
Blurb
A snobbish Danish literary author is challenged to write a crime novel in thirty days, travelling to a small village in Iceland for inspiration, and then the first body appears…
Copenhagen author Hannah is the darling of the literary community and her novels have achieved massive critical acclaim. But nobody actually reads them, and frustrated by writer’s block, Hannah has the feeling that she’s doing something wrong.
When she expresses her contempt for genre fiction, Hanna is publicly challenged to write a crime novel in thirty days. Scared that she will lose face, she accepts, and her editor sends her to Húsafjörður – a quiet, tight-knit village in Iceland, filled with colourful local characters – for inspiration.
But two days after her arrival, the body of a fisherman’s young son is pulled from the water … and what begins as a search for plot material quickly turns into a messy and dangerous investigation that threatens to uncover secrets that put everything at risk … including Hannah.
Paperback Publication date: April 20th 2023, The History Press
Blurb
Robin Hood, Dick Turpin, Ronnie Biggs, the Krays … All have become folk heroes, glamorised and romanticised, even when they killed. But where are all the female crooks? Where are the street robbers, gang leaders, diamond thieves, bank robbers and gold smugglers?
Queens of the Underworld reveals the incredible story of professional female criminals from the 17th century to today. From Moll Cutpurse who ruled the Jacobean underworld, to Victorian jewel thief Emily Lawrence and 1960s burglar Zoe Progl, these were charismatic women at the top of their game.
But female criminals have long been dismissed as either not ‘real women’ or not ‘real criminals’, and in the process their stories have been lost. Caitlin Davies unravels the myths, confronts the lies, and tracks down modern-day descendants in order to tell the truth about their lives.
‘A riveting dive into the criminal underworld and the women who queened it there’ – Helena Kennedy QC
‘A rollicking account of all kinds of crime committed by women, who have not only been forgotten or ignored, but who put their male counterparts to shame’ – Julie Bindel, The Spectator
Everything Is Better With Dragons 