Ludluda, the sequel to Gogmagog, takes us on a haunting and delightfully witty adventure in a fantasy world which defies genre.
Luluda tells the story of a journey through a strange modern city whose power is sourced from the ghost of a dragon. Ludwich may no longer be at war with its great political rival overseas, but veteran sailor Cady Meade, survivor of many battles, suspects that the hard-won peace is about to break. She promises to deliver a preternatural ten-year old girl to a coming-of-age festival in the heart of Ludwich. But she has been warned by the prophets that dangers lie ahead.
Cady suspects that the young girl’s fate is entwined with that of the city. When the girl disappears, the old sailor must hunt her down, accompanied by a know-it-all mechanical man whose circuits are slowly grinding to dust. But Cady’s mission has always been to guard Ludwich from enemies both known and occult, and she will never give up.
Following the course of the River Nysis through the city, and beyond, Cady must uncover the final mysteries of the great dragon Haakenur’s life and death and afterlife. Her greatest battle is about to begin.
City-by-city, kingdom-by-kingdom, the Palleseen have sworn to bring Perfection and Correctness to an imperfect world. As their legions scour the world of superstition with the bright flame of reason, so they deliver a mountain of ragged, holed and scorched flesh to the field hospital tents just behind the frontline.
Which is where Yasnic, one-time priest, healer and rebel, finds himself. Reprieved from the gallows and sent to war clutching a box of orphan Gods, he has been sequestered to a particularity unorthodox medical unit.
Led by ‘the Butcher’, an ogre of a man who’s a dab hand with a bone-saw and an alchemical tincture, the unit’s motley crew of conscripts, healers and orderlies are no strangers to the horrors of war. Their’s is an unspeakable trade: elbow-deep in gore they have a first-hand view of the suffering caused by flesh-rending monsters, arcane magical weaponry and embittered enemy soldiers.
Entrusted – for now – with saving lives deemed otherwise un-saveable, the field hospital’s crew face a precarious existence. Their work with unapproved magic, necromancy, demonology and Yansic’s thoroughly illicit Gods could lead to the unit being disbanded, arrested or worse.
Beset by enemies within and without, the last thing anyone needs is a miracle.
My Review
I immediately started listening to House of Open Wounds after finishing City of Last Chances, and am now impatiently awaiting the release of Days of Shattered Faith. Where book one does and industrial fantasy take on the revolts and rebellions of the Industrial Revolution and the Enlightenment, book two takes us to the battlefield hospital, a la M.A.S.H., with outlaw priests and tortured souls performing miracles to save the lives of their conquerors.
We follow Yasnic who has become a smuggler of gods and his punishment for rebellion against perfection is to work in a field hospital, patching up Pall soldiers along with a crew of outcasts, led by a poisoner and a necromancer. It’s a bit bewildering for the priest, who is and isn’t a priest. He’s in an on and off relationship with his god. He falls in love with a daemon and discovers one of his colleagues is a king. It’s quite harrowing, especially when his god starts healing soldiers.
Who can no longer fight. This sedition spreads through the army as people discover that actually they quite like not dying horribly in battle. It causes a bit of a stir.
Other stuff happens, but you’ll have to read the book for yourself.
I enjoyed the development of Yasnic’s character and his relationship with his god. It’s complicated and he goes through a lot of emotions as he trues to break away. Like anyone, or any society, moving away from religious belief, he realises he depended on his god for companionship and that the relationship is abusive and co-dependant, and finally breaks free, although longing for the simplicity of his previous life. It’s subtly done and though provoking.
The language is evocative and highly descriptive. I love the change of perspective between characters, seeing events from different sides, although we mainly follow Yasnic. We get a glimpse of the complex histories and societies of the world, and the inherent hypocrisy of ‘perfection’ and imperialism is cleverly explored. The lies of imperialism are skewered nicely.
The magico-scientific basis of religion and technology is consistent, although different cultures and traditions manipulate the same forces in their own ways, and have their own explanations. I quite enjoyed the way Tchaikovsky uses the use and abuse of Divinati magic to point out the complications of trying to force one system into working within another, and the loss of context and safe guards that go with it. It is particularly resonant as I was also listening to a book about indigeneity in North America and the cultural of indigenous practices and their co-option by non-indigenous Americans. If you take the practices of of their context, then the power of the practice is removed or even corrupted (think wellness wankers using sweat lodges and killing people).
Tchaikovsky always has a point to his work, or at least I can always glean a theme and lessons in reading his books. That may just be a me thing, but even so, I end up thinking.
This book is the second in the series and I think it could happily stand alone, as you get enough background for the characters and the world in reading it, but reading in order helps to put some events in context and in the wider world.
Excellent narration. Love the accents.
Another fantastic book from Adrian, highly recommended.
Category: Fantasy, Historical Fantasy ISBN: 9781399734783 Publication date: October 17, 2024 Format: Hardback RRP: £20.00 Publisher: Hodderscape
Book Description
When the Gendarmes ask the Royal Society for the Study of Abnormal Phenomena for help, they don’t expect them to send Samantha Harker.
She’s a researcher, more used to papercuts than knife fights. Sam is also the daughter of Dracula’s killer and can see into the minds of monsters. It’s a perilous power, one that could help her crack this case ─ or have her thrown into an asylum.
Dr Helena Moriarty is Sam’s reluctant partner, the Society’s finest agent who has forged a formidable path in her notorious father’s shadow. Professor Moriarty is in hiding, but he still makes his presence known: Hel’s partners have a way of dying in mysterious circumstances.
From Paris’ glittering opera house to its darkest catacombs, the investigation pits Sam and Hel against magic, monsters, and men. And beneath their tenuous partnership, something else is growing . . .
But is trusting Hel the key to solving the murders? Or is Sam just another pawn in a Moriarty game?
With characters drawn from the worlds of Dracula and Sherlock Holmes, Strange Beasts is a twisty puzzle box of a historical fantasy ─ perfect for fans of Genevieve Cogman, Theodora Goss, Freya Marske, T. Kingfisher, and Gail Carriger.
About the author
Susan J. Morris is a fantasy author and editor, best known for a writing advice column featured on Amazon’s Omnivoracious blog and her work editing Forgotten Realms novels. Susan delights in running workshops for Clarion West and in moderating panels for writing symposiums. When not writing or reading, Susan indulges in playing video games, training in Pilates, and experimenting with new plant-based food recipes. She lives in Sammamish, Washington with her partner, two cats, and entirely too many plants.
Susan had that pink hair at FantasyCon in October. It’s very distinctive and eye-catching…and distracting.
I read this book for the British Fantasy Society book club meeting on Sunday afternoon. I got an Audible code from the book club organiser because my Goldsboro Books special edition of Strange Beasts hasn’t arrived yet. It was the October SFF Fellowship book, but I had to cancel my subscription because funds are a bit tight. I ordered it impulsively after chatting to Susan a few times at FantasyCon.
Conversations in the courtyard are responsible for a number of books I’ve bought in the last month…
Anyway, I also ordered a copy of the standard hardback from bookshop.org when I found out it would be the first BFS Book Club book and before Dave sent me an Audible code. So, once again, I have multiple copies of a book.
Totally worth it!
The main characters of Sam Harker and Dr Helena Moriarty are well-rounded, complex characters, each working through their own problems and dealing with their own secrets. They’re officially investigating the Beast attacks, but they both have their own secret missions and they’re being manipulated by multiple parties. They struggle to trust, because they’ve been taught by other people that they can’t trust anyone and can’t trust themselves. Their growth as people and the tentative nature of their relationship from start to finish is realistic.
Sam is the view point character, so we read her thoughts and see events from her perspective, and see her fears and confusion as she deals with the things the mission throws at her.
They’re also really fun characters.
Jacob Van Helsing is not a fun character. He’s an absolute dickhead. Sam’s memories of him as a loving child contrast with the adult man poisoned by his father – the Van Helsing who helped kill Dracul – into hating and fearing her as a Channel. His comeuppance is well-deserved, although I don’t like that he got credit for Sam and Hel’s work. I suspect even if he hadn’t chosen to take credit, Mr Wright would have given him the credit, because the Society, and society in general, is incredibly misogynistic.
I did not work out who the killer was until quite late on; there are a lot of red herrings. Even the identity of the alchemist was a red herring really, when you think about it, another piece on the chess board, but not the player moving the pieces around.
I felt the mix of science and magic was really well done – a delicate balance of folklore and early 20th century science was found and use consistently. The details of Paris in 1903 feel realistic, although I’ve only been to Paris once and didn’t get to go into the catacombs, but I can imagine them being full of mythical beasts and human criminals. The descriptions were very vivid and events tightly plotted. There are characters I’d like to know more about but they don’t come back into the narrative, and other characters that the reader learns about slowly. Each character has their own backstory and personal history.
Also, chemistry is magic, and fun to play with. So long as you don’t accidentally gas people or blow things up.
The plot starts with a bang and doesn’t stop. Well, actually it starts with a threat, then a few bangs, and then a monster attack in a carriage…you get the picture. You’re just taking a breath when the next thing happens. It’s fun, but I had to take a day between reading/listening to a few chapters at a time.
I have listened to the first 14 chapters as audio and read from chapter 15 to the end. The audiobook was really well read, with multiple accents! I would not have been able to pronounce most of the French and German names without hearing them first. It’s been a lot of years since I sturdied French and I wasn’t very good at it even then, and my German is non-existent. I could not understand the French phrases. I’m just going to assume they’re all in good French, make sense, and not question it.
If you enjoyed Gail Carriger’s books, I highly recommend this historical fantasy of Bell Époque Paris. It’s darker and the focus is on the developing friendship/potential romantic relationship rather than a ‘destined partners’ type narrative. I love it.
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I reviewed this book when it was first published last year. The paperback was recently published so I’m sharing the details and my review as part of the tour to celebrate the paperback publication.
Since the hardback was published last year the following has happened:
WINNER of the Cultura’s Best Fiction Book of 2023 (France’s biggest book chain), plus Crime Fiction
Book of the Year at seven different festivals
High-spec signed paperback with foil and embossing
NUMBER ONE BESTSELLER in France with seven hardback reprints and counting…
Johana has been shortlisted for the CWA Crime in Translation Dagger
FIRST in a new series set in Sweden – The Lidingö Mysteries
Book details
Publication Date: 7 November 2024
Format: Paperback
Price: £ 9. 99
Publisher: Orenda Books
Description
Art expert Emma Lindahl is anxious when she’s asked to appraise the antiques and artefacts in the infamous manor house of one of Sweden’s wealthiest families, on the island of Storholmen, where a young woman was murdered nine years earlier, her killer never found.
Emma must work alone, and with the Gussman family apparently avoiding her, she sees virtually no one in the house. Do they have something to hide?
As she goes about her painstaking work and one shocking discovery yields clues that lead to another, Emma becomes determined to uncover the secrets of the house and its occupants.
When the lifeless body of another young woman is found in the icy waters surrounding the island, Detective Karl Rosén arrives to investigate, and memories of his failure to solve the first case come rushing back. Could this young woman’s tragic death somehow hold the key?
Battling her own demons, Emma joins forces with Karl to embark upon a chilling investigation, plunging them into horrifying secrets from the past – Viking rites and tainted love – and Scandinavia’s deepest, darkest winter…
Born in Marseille, France, and with a degree in Political Science, Johana Gustawsson has worked as a journalist for the French and Spanish press, and television. Her critically acclaimed Roy & Castells series, including Block 46, Keeper and Blood Song, won the Plume d’Argent, Balai de la découverte, Balai d’Or and Prix Marseillais du Polar awards, and is now published in 23 countries. A TV adaptation is currently under way in a French, Swedish and UK co-production. The Bleeding was a number-one bestseller in France, receiving critical acclaim across the globe, and Yule Island has won multiple awards, including Book of the Year with France’s biggest retailer, Cultura, and has been optioned for the screen.
Johana lives in Sweden with her Swedish husband and their three sons.
I reviewed Gogmagog in March and will be reviewing Ludluda later this month.
This duology by Jeff Noon and Steve Beard is a sea-faring adventure that has tapped into the minds & hearts of readers who love strange and mythical perspectives on the UK. Ahead of Ludluda‘s publication, Angry Robot is excited to announce the very first in-person event with Jeff & Steve. Who better for them to be talking to then the fantastic Adrian Tchaikovsky! The panel will be chaired by New York Times and USA Today bestselling author Dr Una McCormack.
Join them at 7pm on Tuesday 3rd December for a wonderful chat and evening with special, exclusive, tote bags of goodies for attendees!
For an indie publisher like Angry Robot, an event at Foyles in December is a
big deal
I’m very pleased for them and wish I could get to it, because I would love to get my copies of Gogmagog, Ludluda, and Vurt signed. However, London in December is not my idea of fun – there are too many people doing their shopping and it’s rather expensive to stay in London in December. Plus, train tickets less than four weeks out will be extortionate.
However, I really hope people who can get there will go, and have a great time.
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In this month’s instalment, Sarah reveals her true identity, and Maria realises just how dangerous Aurox is.
Enjoy!
Chapter 11 – Sarah McLintock – Aurox
Maria was solidly asleep, and snoring loudly in the guest room, it was safe for Sahrai to be herself now. She stripped, stretched and shifted.
Her wing nubs strained to grow, pushing against the caps the Elder had insisted be installed while she was on this mission. Her snout lengthened, eye and nose ridges rising. Her human ears shrank into her skull, leaving her ear holes unprotected. Her tail unwrapped from its place along her spine, curling around her newly lengthened feet and claws. Her haunches thickened, while her arms became smaller.
PUBLICATION DATE: 7th NOVEMBER 2024 PAPERBACK ORIGINAL | £ 9. 99 | ORENDA BOOKS
Description
Two years ago, Alexander Blix was the lead investigator in a missing person’s case where a young mother, Elisabeth Eie, had been kidnapped. The case came to a standstill when Blix’s own daughter was killed and he was arrested for avenging her. Blix is a now free man again, but Elisabeth’s kidnapper has found him, leaving evidence of her murder in Blix’s mailbox.
The police are unwilling to accept Blix’s help. Even if he was acquitted of his crime, his career in law enforcement is over. But Elisabeth’s murderer continues to pursue him, leading Blix to his new victims, while making it clear that he knows details from Blix’s private life that the former investigator has never shared with anyone…
Meanwhile, Emma Ramm has been contacted by a teenage girl, Carmen, whose stepfather has been arrested on suspicion of killing a childhood friend. But there is no body. Nor are there any other suspects…
Blix and Ramm can rely only on each other. And when Blix’s fingerprints are found on a child’s drawing at a crime scene, the present comes uncomfortably close to the past. A past where a victim has found their very own form of therapy. And it is clear that someone is watching…
Shocking, relentless and unbearably tense, Victim marks the return of the international bestselling, blockbuster Blix & Ramm series from two of Norway’s finest crime writers.
It’s that time of year again when I remind everyone that Guy Fawkes was a religious extremist and so were his co-conspirators. Guy Fawkes changed his name to Guido while fighting in the Spanish army against protestants in the Netherlands. It made him sound more Spanish and Catholic. Insert me rolling my eyes at the vanity right now.
Everything Is Better With Dragons 