Walthamstow, 1902: Archie and his police sergeant pal Frank Tyrell investigate the disappearance of teenager Lilian and the discovery of a corpse in the River Lea – Eleanor ‘Nell’ Redfern.
Did her father’s ambitious plans to marry her to a rail magnate cause her to run away to her watery doom? And what about Lilian Steggles, a star swimmer with her eye on the 1908 Olympics – what prompted her to disappear from home and where is she now?
Archie uses his artistic skills to identify Nell and thence to track down her story and that of the other victims of a dastardly scheme to exploit young girls for the benefit of lascivious older men.
When a Prussian smuggler is imprisoned in Morpeth Gaol in the winter of 1703, why does Queen Anne’s powerful right-hand man, The Earl of Nottingham, take such a keen interest?
At the end of the turbulent 17th century, the ties that bind men are fraying, turning neighbour against neighbour, friend against friend and brother against brother. Beneath a seething layer of religious intolerance, community suspicion and political intrigue, The Running Wolf takes us deep into the heart of rebel country in the run-up to the 1715 Jacobite uprising.
Hermann Mohll is a master sword maker from Solingen in Prussia who risks his life by breaking his guild oaths and settling in England. While trying to save his family and neighbours from poverty, he is caught smuggling swords and finds himself in Morpeth Gaol facing charges of High Treason.
Determined to hold his tongue and his nerve, Mohll finds himself at the mercy of the corrupt keeper, Robert Tipstaff. The keeper fancies he can persuade the truth out of Mohll and make him face the ultimate justice: hanging, drawing and quartering. But in this tangled web of secrets and lies, just who is telling the truth?
Alexandra Wilson was a teenager when her dear family friend Ayo was stabbed on his way home from football. Ayo’s death changed Alexandra. His death compelled her to enter the legal profession to search for answers. As a junior criminal and family law barrister she finds herself navigating a world and a set of rules designed by a privileged few. A world in which barristers sigh with relief at the retirement of a racist judge: ‘I’ve got a black kid today and he would have had no hope.’
In her debut book In Black and White, Alexandra beautifully re-creates the tense court room scenes, the heart-breaking meetings with teenage clients and the moments of frustration and triumph that make up a young barrister’s life.
Alexandra speaks with raw honesty about her experience as a mixed-race woman from a non-traditional background in a profession that is sorely lacking in diverse representation. A justice system in which a disproportionately large number of black and mixed-race people are charged, convicted and sent to prison.
She shows us how it feels to defend someone who hates the colour of your skin or someone you suspect is guilty, and the heart-breaking youth justice cases she has worked on. We see what it’s like for the teenagers coerced into county line drug deals and the damage that can be caused when we criminalise teenagers.
Her account of what she has witnessed as a young mixed-race barrister is in equal parts shocking, compelling, confounding and powerful. Alexandra’s story is unique in a profession still dominated by a section of society with little first-hand experience of the devastating impact of violent crime.
Humanity will be extinguished in less than seven days.
Wing Commander Jude Styles is a Starfighter Pilot trying to get pregnant before the world ends. Her wingman, Hamid Ashkami, just wants to block the spam
messages he is receiving from someone claiming to be his dead ex-husband.
Instead, they are locked in a media tour, shown off as the heroes that stopped the alien invasion by destroying the massive mothership known as the “Dead Moon”, persuading the masses that all will be fine if they keep calm and carry on.
Trapped telling the same lies, driven over the edge by post-traumatic stress and the constant flow of alcohol, it is only a matter of time before Jude and Hamid break down – and the fragments of the Dead Moon have already begun to fall from the sky.
Yes, I’m first on the tour. Thanks for that Kelly. And thanks to the author for a copy of this book.
A tale of loss, manipulation, and the search for the truth
What would you risk to turn back the tide?
Essie Glass might have been a typical eighteen-year-old – had life not dealt her an early blow. Struggling to come to terms with the loss of her family in a terrorist attack, and left with nothing, Essie’s not kidding herself about her world. She wants change, and she’ll be honest about it, whatever the cost. From behind her keyboard, that is…
After all, this is England, 2035. Earth’s climate continues its accelerating collapse. A powerful elite controls the disaster-weary population with propaganda, intimidation, and constant surveillance.
By all appearances, Alex Langford is a respected local businessman – until Essie discovers that he’s a murderous conspirator who’d see the planet die for his fortune.
When their paths collide, Essie must decide: how much is she really willing to pay for her honesty?
Her choices, and the events she sets in motion, pit her against both enemies and supposed friends as she risks more than just her life to thwart them.
Will she succeed in revealing the truth? And will she survive?
Michelle lives in Worcestershire, UK, with her husband Daniel, their two young children, and a cat called Lyra Belacqua. By day, she works for the NHS, a job which she has almost as much passion for as fiction.
Her first joyful steps into creative writing were at the age of ten, when the teacher read out her short story in class. A slapstick tale of two talking kangaroos breaking out of a zoo, the work was sadly lost to history. Still, Michelle never forgot the buzz of others enjoying her words.
More recently, she has had several flash pieces published, was long-listed for the Cambridge 2020 prize for flash fiction, and placed first in the February 2020 Writers’ Forum competition with her short story The Truth About Cherry House. Tipping Point is her debut novel.
In SatNav We Trust – a search for meaning through the Historic Counties of England is a journey through ideas of science and belief, all the while searching for meaning and a bed for the night. Or was that the other way around?
On May 1st 2013 I set off from Oxford on the trip of a lifetime. It wasn’t a trip around the world or up the Himalayas, I set off to visit every one of England’s 39 historic counties. These are the counties that used to exist before all the boundary changes that chopped Yorkshire into bits, got rid of evocative sounding names such as Westmorland, and designated the big cities as metropolitan boroughs. I wanted to visit England as it used to be, although that’s not quite how it turned out.
In SatNav We Trust started out as a travelogue exploring all the usual suspects, spectacular landscapes, architectural or engineering wonders, historic towns with their cathedrals and castles. However, it soon developed into a journey through ideas and beliefs, an exploration of how the rational and the apparently irrational jostle for position in human experience. The book discusses our fundamental scientific understanding of the universe when, deep inside us, we might be as irrational as a box of frogs. This context, the exploration of England—the places stumbled across with no day to day plan, created the backdrop for these ideas.
ISBN: 978-1-5272-6030-6
Summary
The book takes the form of a journey through one English county a day. Rather than having a plan, other than a rough anticlockwise direction of travel, the trip was largely spontaneous. This unplanned nature is what drives the narrative, similar to the way a MacGuffin drives a story, and opens the possibility of stumbling across unintended experiences.
The journey is taken in a fifteen-year-old 4×4 referred to throughout as The Truck, along with a sat nav referred to as Kathy (actually the voice of Kathy Clugston from Radio 4). Rather than paying for hotels this was a camping trip to keep the costs down. The logistics of finding somewhere to camp each night provided further challenges. All of these inconveniences, and the unexpected solutions that followed, provided useful metaphors for concepts that arose in the philosophical exploration.
The result of this unplanned approach is that the story only covers the areas of the counties passed through. There are no descriptions of the obvious locations in each county because the journey simply didn’t pass that way. However, this means that there were unplanned encounters with places such as a village falling into the sea, the wonderfully mad Tees Transporter Bridge, or accidentally driving a speedboat with two drunk blokes without any consideration about how to get ashore.
Everything Is Better With Dragons 