THE HITCHHIKER’S GUIDE TO THE GALAXY meets 1984. In the near-future, all decision-making is automated, until one man makes a brazen choice of his own, with global consequences.
Welcome to QualityLand, the best country on Earth. Here, a universal ranking system determines the social advantages and career opportunities of every member of society. An automated matchmaking service knows the best partners for everyone and helps with the break up when your ideal match (frequently) changes. And the foolproof algorithms of the biggest, most successful company in the world, TheShop, know what you want before you do and conveniently deliver to your doorstep before you even order it.
In QualityCity, Peter Jobless is a machine scrapper who can’t quite bring himself to destroy the imperfect machines sent his way, and has become the unwitting leader of a band of robotic misfits hidden in his home and workplace. One day, Peter receives a product from TheShop he absolutely, positively knows he does not want, and which he decides, at great personal cost, to return. The only problem: doing so means proving the perfect algorithm of TheShop wrong, calling into question the very foundations of QualityLand itself.
Hardcover, 352 pages
Published January 7th 2020 by Grand Central Publishing (first published September 22nd 2017)
ISBN:1538732963 (ISBN13: 9781538732960)
My Review
I recieved a copy of this novel from Orion in return for an honest review.
In a world where everything is controlled by algorithms, and a few massive corporations control everything and know everything about you, Peter Jobless is a Level 9 Useless who runs his grandad’s second hand shop. Except repairing anything is illegal and he just has a building full of damaged goods. He keeps getting sent pink dolphin dildoes and doesn’t want them. When a beautiful stranger hi-jacks his car his solution presents itself. Helped by Kiki, the beautiful stranger, and a collection of slightly faulty AI controlled devices including a drone afraid of heights, a sexdroid that can’t get it up and a battle robot that can’t follow orders, he seeks justice. Meanwhile, there’s an election campaign taking place, between a rabidly right-wing ideologue and an android with progressive ideas. Eventually Peter and the new president meet, with explosive results.
I really rather enjoyed this book. It was funny, insightful and the characters were sympathetic, even the despicable ones. The author tackles questions of AI development, consumer and business ethics, nationalism and how we make the world a fairer place with humour and no preaching. It does really seem that logical explanations can’t beat emotions in politics, but John of Us tries.
In a post-apocalyptic world the human race has evolved beyond us through genetic engineering – and we’ve been left behind to make amends for the damage inflicted on the earth.
The reversal of the extinction of long lost animals is key to our reparations and all of these are housed in the Museum of Evolution – along with another species of human that hasn’t existed for 30,000 years.
Elise belongs to the lowest order of humans, the Sapiens. She lives in an ostracised community of ecological houses, built to blend with an idyllic landscape. Deciding to widen her stagnating life in the manufacturing base, she takes a chance opportunity to become a Companion to a previously extinct species of human.
But Elise has secrets of her own that threaten to be exposed now that she is away from the safety of her home. And while living in the museum, Elise realises that little separates her from the other exhibits…
This is a review of Testing Pandora (Xandri Corelel #0), Failure to Communicate (Xandri Corelel #1) and Tone ofVoice(Xandri Corelel #2), but that would make the blog post title really long.
I am caffeinated, sorry. Been to Maccys for breakfast with my sister and we had two Millionaire’s Lattes each. Might make this review a bit bouncy.
In the far future, genetic engineering is used to strip all sapient species of disability. But when humans have a brief fad of natural birth, disabled children start reappearing. They’re quickly termed “Pandoras,” the value of their very lives brought into question, and laws are put into place to prevent their births from happening ever again.
Xandri Corelel is one of these Pandoras, a young autistic woman scorned by her family and fighting to eke out a living on the streets of Wraith. Then she meets Chui Shan Fung, captain of the first contact and refugee ship Carpathia. Captain Chui has been watching her, and knows about the talent for understanding alien species that Xandri has cultivated. She wants Xandri as part of her crew–but first, Xandri must pass a test to see if she’ll even fit in.
Wary but hopeful, Xandri joins the Carpathia at Psittaca, a newly-discovered planet peopled by parrot-like sapients. Learning to understand this new species is the easy part compared to trusting her new crew mates. As Xandri continues her diplomatic efforts with the Psittacans, it becomes apparent that the Carpathia’s crew aren’t the only ones to have discovered the planet, but these other visitors don’t have good intentions. In order to protect this beautiful new world, Xandri must find it in herself to overcome years of abuse and neglect, and trust in her new crew.
As one of the only remaining autistics in the universe, Xandri Corelel has faced a lot of hardship, and she’s earned her place as the head of Xeno-Liaisons aboard the first contact ship Carpathia. But her skill at negotiating with alien species is about to be put to the ultimate test.
The Anmerilli, a notoriously reticent and xenophobic people, have invented a powerful weapon that will irrevocably change the face of space combat. Now the Starsystems Alliance has called in Xandri and the crew of the Carpathia to mediate. The Alliance won’t risk the weapon falling into enemy hands, and if Xandri can’t bring the Anmerilli into the fold, the consequences will be dire.
Amidst sabotage, assassination attempts, and rampant cronyism, Xandri struggles to convince the doubtful and ornery Anmerilli. Worse, she’s beginning to suspect that not everyone on her side is really working to make the alliance a success. As tensions rise and tempers threaten to boil over, Xandri must focus all her energy into understanding the one species that has always been beyond her: her own.
Xandri Corelel has spent six months living among the Ongkoarrat after her unceremonious firing from the crew of the Carpathia, and though she misses her home, she has settled into her new life. Then Diver arrives with news that changes everything.
The Hands and Voices–squid- and whale-like symbiotic aliens–are masters of bio-engineering and grow a wide variety of species of coral. Now they are in the process of creating coral that can withstand vacuum, with a most stunning end goal: To grow entire spaceships out of living organisms. The Starsystems Alliance is desperate to lure the Hands and Voices into the Alliance and bring this new technology into the fold. And the Voices and Hands are willing, with one stipulation.
They will only negotiate with Xandri and the crew of the Carpathia.
Returned from exile, Xandri is given the lead on this new mission. She quickly discovers that willingness isn’t the problem; the Hands and Voices want to join, but they want full equality in their membership–including the ability to attend council meetings in person. Amid the sunshine and surf of the tropical, idyllic planet of Song, it seems the biggest hardship Xandri and her friends will face is the task of re-rigging a spaceship to carry creatures the size of killer whales.
I’ve got Testing Pandora and Tone of Voice as ebooks, and Failure to Communicate as a paperback, and I’ve just realised I can get Tone of Voice as a paperback too, so I’ve ordered it. As I write I’m still only 43% of the way through Tone of Voice, but I love these books so much I had to tell you all about them.
You’ve read the very comprehensive book descriptions, right? You don’t need me to re-cap, do you? Because I can. But there might be spoilers.
I won’t then.
Just talk about the writing, Rosie, and try to focus.
Kaia Sonderby is a very fluid writer and her characters spring to life. There are no stereotypes or caricatures. In Xandri we have a sympathetic, realistic depiction of an autistic woman. She is complex and traumatised from years of abuse, and the Carpathia is the first place she feels at home, but she struggles to trust her colleagues.
She battles the inner voice that tells her not to show too much emotion, or any, in case it’s the wrong one; it’s her mother’s voice. The same voice tells her she’s not good enough and nobody will like her, and why can’t she be ‘normal’? The voice of abuse, control and punishment. Her new crew, and friends, help to drown out that voice with acceptance and love. She’s confused by these feelings, too.
She’s not supposed to be able to feel them or empathy. Not according to her parents. Or the ‘experts’ they took her to as a child. Yet, she is an expert at identifying the mannerisms of other species, at reading their body language and negotiating with them. She’s learnt to be, in order to survive. She’s fascinated by the universe, by all the wondrous beauty around her. The descriptions of synesthesia make me slightly jealous, to hear colours and taste sounds must add so much depth to perception of the world. I love the descriptions of Xandri’s experiences as she navigates life. I recognise those experiences as something we have in common. The feeling of utter joy in beauty and beauty in everything, the wonder at the universe, confusion in personal relationships, the feeling of the physical power of a crowded place forcing air out of the lungs, something you can touch. Shutting down. The need for quiet. Forgetting to eat. Being absorbed in an interest to the exclusion of all else.
Kaia writes from personal experience of being autistic and assigned female at birth. Her characters range across species, gender and sexuality, relationship arrangements, as well as neurological designations. They are sympathetic, even when totally alien and/or the bad guys.
I adore the Psittacans, introduced in Testing Pandora. They are parrot-like and very playful, and their relationship with Xandri is a lovely continuing storyline. The Hands, in Tone of Voice, cephalopod-like symbiotes of the whale-equivalent Voices, are also creeping into my ‘aww they’re so cute, I want one!’ book. I hope they make appearances in future novels.
The developing friendship/romantic relationship between Kiri, Diver and Xandri is by turns sweet and frustrating as they all try to work out where they stand with each other. The alternating perspectives of Xandri and Diver inTone of Voice really illustrate this well as they reflect on events as they happen and the reader sees things from different angles. They love and support Xndri for who she is, not who they think she should be.
The planets the Carpathia crew visit are interesting and different. They make reference back to Ancient Earth when they want to explain something, like the gravity or the air. Song is mostly an ocean planet with heavier than standard gravity, Psittacca is a jungle, with a thick atmosphere and lighter than standard gravity, Stillness has invisible predators, Wraith is dark and heavy, highly populated and urban.
The tech seems reasonable. An advanced sentient species from another solar system that develops FTL travel (slingspace), arrives on Earth and saves humanity from ourselves by sharing tech and finally inviting the Earth sentients to join the Alliance is a different take; normally humans centre themselves in that bit of the back story or plot. As the humans are the ones who are a bit behind, it’s perfectly reasonable for the tech to be a bit different. The AI is particularly advanced, Carpathia is a character in her own right.
I found the idea that people would use gene editing and screening to remove disability from the different species in the universe quite disturbing. Not unexpected, given that in Iceland people selectively abort foetuses with Down’s Syndrome and genetic screening of embryos can be used to prevent Tay Sachs during IVF treatment even now. While germ-line genetic manipulation is illegal, gene therapy for single-gene mutation disabilities and diseases can be treated – although it is extraordinarily expensive. Autism, and neurodivergencies in general, are much more complex, very few autistic people have the same genes that are related to the differences in brain wiring, so deleting us is not happening soon, but frighteningly, it’s something some researchers are working towards in the name of ‘curing’ us.
The only way to cure us is to kill us off and screen all embryos for any of the 1000+ genes involved.
Sonderby touches on this in her novels as the ‘Pandora Question’ is brought up in Tone of Voice. After the fad for children au naturale shows that disabilities continue to exist in germ lines, it’s banned and all people are given free embryo screening if they want children. Later, after the Anmerill muck-up, the questions return. It’s debated in the Starsystems Alliance council meetings and on the news casts. Even Carpathia crew are scared of Xandri. Whether people like Xandri should be allowed to exist, whether they’re dangerous, or even real people, are normal topics of conversation.
Sounds familiar if you have any understanding of the history of autism and the way autistic people are treat still.
I love that the author touches on these subjects, as well as the abusive ‘treatments’ Xandri was subjected to, while other characters try to find out more information from Ancient Earth to change the narrative about the Pandoras, just as Neurodiversity activists work to change the narrative about us now. They may be set 4000 years in the future but they reflect our current situation. Children are subjected to abusive ABA, autistic adults are discriminated against, people debate whether we have the right to exist or should be ‘cured’ as though it were a perfectly reasonable thing to do.
These strands to the narrative aren’t heavy handed, they’re background and if you aren’t involved in the online autistic community you might not pick up on them. I like that, these novels are good stories, not polemic. It’s good autistic representation within a complex universe and with a strong plot.
The near future. Climate change and geopolitical tension have given rise to a new international threat – a world war for water. This most vital of resources has become a precious commodity and some will stop at nothing to control its flow. When a satellite disappears over Iceland, Sim Atkins thinks he knows why. He is given the chance to join the hallowed Overseas Division and hunt for the terrorists responsible. But his new partner Freda Brightwell is aggrieved to be stuck with a rookie on such a deadly mission. Freda’s misgivings are well founded when their first assignment ends in disaster – a bomb destroys a valuable airship and those responsible evade capture. Seeking redemption, the British agents follow the trail to a billionaires’ tax haven in the middle of the Atlantic ocean and uncover a web of deceit that threatens global war. Whom can they trust? As the world edges ever closer to destruction Sim and Freda must put their lives on the line to prevent Armageddon – and protect the future of ‘blue gold’. David Barker’s gripping debut will thrill fans of Richard North Patterson, Scott Mariani and Steve Berry.
Raised by a heartsick AI, she’s programmed to kill. And desperate to flee.
After growing up on an isolated space station, Astra dreams of solid ground. But with an AI guardian plugged into her head–and her nervous system–it’s not like she’s flush with choices. In fact, she’s got just one: use her training to carry out the rogue AI’s revenge. Her first mission? Assassination.
When her target flashes a jamming device that would guarantee her escape from the AI’s grasp, Astra sets out to steal it. But the AI’s plans are more dangerous than she suspected. Corrupted by heartbreak, the wayward computer is determined to infect the star system with a new order of digital tyranny.
Astra’s been raised to care for no one but herself. Now she’ll have to decide if she’s willing to trade the star system’s freedom for her own.
Parting Shadows is a far-future take on Estella Havisham’s journey in Great Expectations, and the first installment in Kate Sheeran Swed’s Toccata System novella trilogy.
Alice
works for Jaffle Tech incorporated, the world’s biggest technology company and
the creator of the Jaffle Port, the brain implant that gives users direct
access to global communications, social networks and every knowledge source on
the planet.
Alice
is on Jaffle Standard, the free service offered to all people. All she has to
do in return is let Jaffle use a bit of her brain’s processing power. Maybe
it’s being used to control satellites. Maybe it’s being used to further space
exploration. Maybe it’s helping control self-driving cars on the freeway. Her
brain is helping Jaffle help the world. And Jaffle are only using the bits of
her brain she doesn’t need…
But
when a kind deed goes wrong, Alice gains unauthorised access to her entire
brain and discovers what she has been missing out on her entire life: music,
art, laughter, love…
Now that she has discovered what her mind is truly capable of, how long will the company bosses let her keep it?
When Pentagon bioterror operative Roberto Diaz was sent to investigate a suspected biochemical attack, he found something far worse: a highly mutative organism capable of extinction-level destruction.
Now, after decades of festering in a forgotten sub-basement, the specimen has found its way out and is on a lethal feeding frenzy. And only Diaz knows how to stop it.
He races across the country to help two unwitting security guards – one an ex-con, the other a single mother. Over one harrowing night, the unlikely trio must figure out how to quarantine this horror again . . . before it’s too late,
Inside the policosmos, the new Regent Adaeze strives for dominance over the all-powerful Senior Forecaster, but the Pale’s humachine citizens are unaware that their city is close to collapse.
Outside on Broad Plain, the exiled human Hector undertakes a dangerous trek to find a safe haven for the orphaned twins.
How can anyone survive as their world shifts underneath them?
It’s been years since the original cataclysm, but life has been structured, peaceful, and most of all uneventful in the Pale. The humachine citizens welcome the order provided by their ruler, the baleful Regent.
However, when one of their own rescues a human boy, Hector, from ravenous ferals on the Outside, their careful systems are turned upside down.
As Hector grows more and more human-strange, the citizens of the Pale grow uneasy.
What will happen when the Outside tries to get in?
Sometimes spaceships disappear with everyone on board – the Lost Ships. But sometimes they come back, strangely altered, derelict, and rumoured to be full of horrors.
Opal is on a mission. She’s been seeking something her whole life. Something she is willing to die for. And she thinks it might be on a Lost Ship.
Opal has stolen Clarissa, an experimental AI-controlled spaceship, from the military. Together they have tracked down a Lost Ship, in a lonely nebula far from colonised space.
The Lost Ship is falling into the gravity well of a neutron star, and will soon be truly lost … forever. Legends say the ships harbour death, but there’s no time for indecision.
Opal gears up to board it. She’s just one woman, entering an alien and lethal environment. But perhaps with the aid of Clarissa’s intelligence – and an armoured spacesuit – Opal may stand a chance.
Everything Is Better With Dragons 