TBR Pile Review: Strange Beasts, by Susan J Morris/


Category: Fantasy, Historical Fantasy
ISBN: 9781399734783
Publication date: October 17, 2024
Format: Hardback
RRP: £20.00

Publisher: Hodderscape

Book Description

When the Gendarmes ask the Royal Society for the Study of Abnormal Phenomena for help, they don’t expect them to send Samantha Harker.

She’s a researcher, more used to papercuts than knife fights. Sam is also the daughter of Dracula’s killer and can see into the minds of monsters. It’s a perilous power, one that could help her crack this case ─ or have her thrown into an asylum.

Dr Helena Moriarty is Sam’s reluctant partner, the Society’s finest agent who has forged a formidable path in her notorious father’s shadow. Professor Moriarty is in hiding, but he still makes his presence known: Hel’s partners have a way of dying in mysterious circumstances.

From Paris’ glittering opera house to its darkest catacombs, the investigation pits Sam and Hel against magic, monsters, and men. And beneath their tenuous partnership, something else is growing . . .

But is trusting Hel the key to solving the murders? Or is Sam just another pawn in a Moriarty game?

With characters drawn from the worlds of Dracula and Sherlock Holmes, Strange Beasts is a twisty puzzle box of a historical fantasy ─ perfect for fans of Genevieve Cogman, Theodora Goss, Freya Marske, T. Kingfisher, and Gail Carriger.

About the author

Susan J. Morris is a fantasy author and editor, best known for a writing advice column featured on Amazon’s Omnivoracious blog and her work editing Forgotten Realms novels. Susan delights in running workshops for Clarion West and in moderating panels for writing symposiums. When not writing or reading, Susan indulges in playing video games, training in Pilates, and experimenting with new plant-based food recipes. She lives in Sammamish, Washington with her partner, two cats, and entirely too many plants.

More about Susan here

Strange Beasts is her debut novel.


My Review

Susan had that pink hair at FantasyCon in October. It’s very distinctive and eye-catching…and distracting.

I read this book for the British Fantasy Society book club meeting on Sunday afternoon. I got an Audible code from the book club organiser because my Goldsboro Books special edition of Strange Beasts hasn’t arrived yet. It was the October SFF Fellowship book, but I had to cancel my subscription because funds are a bit tight. I ordered it impulsively after chatting to Susan a few times at FantasyCon.

Conversations in the courtyard are responsible for a number of books I’ve bought in the last month…

Anyway, I also ordered a copy of the standard hardback from bookshop.org when I found out it would be the first BFS Book Club book and before Dave sent me an Audible code. So, once again, I have multiple copies of a book.

Totally worth it!

The main characters of Sam Harker and Dr Helena Moriarty are well-rounded, complex characters, each working through their own problems and dealing with their own secrets. They’re officially investigating the Beast attacks, but they both have their own secret missions and they’re being manipulated by multiple parties. They struggle to trust, because they’ve been taught by other people that they can’t trust anyone and can’t trust themselves. Their growth as people and the tentative nature of their relationship from start to finish is realistic.

Sam is the view point character, so we read her thoughts and see events from her perspective, and see her fears and confusion as she deals with the things the mission throws at her.

They’re also really fun characters.

Jacob Van Helsing is not a fun character. He’s an absolute dickhead. Sam’s memories of him as a loving child contrast with the adult man poisoned by his father – the Van Helsing who helped kill Dracul – into hating and fearing her as a Channel. His comeuppance is well-deserved, although I don’t like that he got credit for Sam and Hel’s work. I suspect even if he hadn’t chosen to take credit, Mr Wright would have given him the credit, because the Society, and society in general, is incredibly misogynistic.

I did not work out who the killer was until quite late on; there are a lot of red herrings. Even the identity of the alchemist was a red herring really, when you think about it, another piece on the chess board, but not the player moving the pieces around.

I felt the mix of science and magic was really well done – a delicate balance of folklore and early 20th century science was found and use consistently. The details of Paris in 1903 feel realistic, although I’ve only been to Paris once and didn’t get to go into the catacombs, but I can imagine them being full of mythical beasts and human criminals. The descriptions were very vivid and events tightly plotted. There are characters I’d like to know more about but they don’t come back into the narrative, and other characters that the reader learns about slowly. Each character has their own backstory and personal history.

Also, chemistry is magic, and fun to play with. So long as you don’t accidentally gas people or blow things up.

The plot starts with a bang and doesn’t stop. Well, actually it starts with a threat, then a few bangs, and then a monster attack in a carriage…you get the picture. You’re just taking a breath when the next thing happens. It’s fun, but I had to take a day between reading/listening to a few chapters at a time.

I have listened to the first 14 chapters as audio and read from chapter 15 to the end. The audiobook was really well read, with multiple accents! I would not have been able to pronounce most of the French and German names without hearing them first. It’s been a lot of years since I sturdied French and I wasn’t very good at it even then, and my German is non-existent. I could not understand the French phrases. I’m just going to assume they’re all in good French, make sense, and not question it.

If you enjoyed Gail Carriger’s books, I highly recommend this historical fantasy of Bell Époque Paris. It’s darker and the focus is on the developing friendship/potential romantic relationship rather than a ‘destined partners’ type narrative. I love it.


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