East Midlands Writer’s Conference: Rosie’s review

Bleugh, I’,m dying of a cold. Not a ‘take a couple of paracetamol and get on with it cold’ either. I hate having a screwed up immune system, and would like a new one. Anyway, I’ll get on with the post.

Last Saturday I dragged my diseased self out of bed at a disgustingly early hour to catch a train to Lincoln and then from their to Nottingham. After navigating the Nottingham tram system – it’s really easy if you aren’t having a panic attack, you don’t have to interact with other people to buy tickets or anything – I managed, just in time to get to the conference. I got my goody bag, which included the usual confrency type things – schedules and advertising from the sponsor – and a free book. Yes, someone gave me a free book. This happens quite regularly but I still get excited every time. It’s a children’s book set in the First World War, I might give it to my nephew or niece.

I managed to make it to three out of the four talks I’d planned to go to. The first was about creative writing PhDs. I wasn’t too impressed with a couple of the speakers. One was up himself and the other didn’t answer questions properly. The third was quite interesting though. I came away certain that a PhD was beyond me, because of the critical element. Not having a background in formal literary criticism – I only studied English Literature up to AS Level – I felt like I’d be unable to complete the critical essay portion of the PhD.

I’ve been thinking about it though. I have thought about what I’d like to do for my PhD more seriously since then. I’m thinking about writing a novel intertwining the experiences of Queen Edith, Gytha of Wessex and Edith Swanneck in the weeks around the Battle of Hastings and in the months and years that followed. The critical component would be comparing how these women specifically, and Anglo-Saxon women in general were represented in contemporary literature (from the sixth century to the eleventh) with how they are represented in modern historical fiction focusing on the era.

My initial hypothesis is that women had greater representation in the contemporary literature – in the form of hagiography and ecclesiastical works, for example – than they do in modern historical fiction. To be blunt, you’re more likely to find books about St Dunstan than St Hilda, or Alfred rather than Aethelflaed.

What do people think? Is this a viable area of research?

The second talk I attended was about what happens after a book deal has been signed. There were three published authors on the panel. One wrote YA, another literary fiction. I can’t remember what the women running the panel wrote. It was basically ‘things I wish I’d known before getting a publishing deal’, including that you have to organise your own book launch and it’s a good idea to have it in a book shop because the sales will bump your place on the charts. And provide alcohol, because alcohol makes people friendly and spend money. There were other useful bits of information, about getting cover quotes and balancing doing the post-publication stuff with writing the next book and your day job. It was interesting.

The lunch wasn’t too bad, could have done with more chocolate and cold water. I didn’t manage to network, because I’m no good at that sort of thing. What the hell would I have to say to someone who clearly has more experience in writing and the writing world than me? There was one bloke that I noticed couldn’t stop talking about himself, to anyone and everyone, in a loud and clear voice. He was a stand up who’d just got back from a trip to India. I managed to avoid any long conversations with him by the simple expedient of being me and barely responding to his comments, and of course, looking half dead. Really put me off interacting with other people though, even if I’d wanted to.

The third session was a workshop on narrative drive with Rod Duncan, who writes steampunk novels. It was a large group so he talked and we listened. There was a tree drawing and some graphs. It makes sense in context. No, really it does. It’s a tie between this and the second talk for my favourite/most useful of the day.

By 3 p.m. I felt so awful I thought I would faint, vomit, or both. I left at half three and got an early train home. By half six I was tucked up in bed with my Lemsip Blackcurrant cold and flu, and an ice lolly.

I get dehydrated when I have a serious cold, and ice lollies help with that. It works for me, stop laughing. Taking of, it’s time to retire to my pit with an ice lolly. I’m supposed to be at sewing and craft club tonight but I’m not up to it.

Uni: Week 4

Yes, it’s the weekly update about my MA adventures.

I have my results back for the assignments I handed in at the beginning of term. For my radio drama I got 73% and a suggestion that I might consider writing radio drama for my dissertation. Another tutor suggested I’d have got a higher mark with a less restrictive subject, but I enjoyed it, It’s easy writing stories based on reality because once I get all the character traits and background detail, and the timeline sorted out in my head I can just fit it all together.Continue reading “Uni: Week 4”

Review: ‘A Life Discarded’ by Alexander Masters

Published by: Fourth Estate

Publication Date: 5th May 2016

I.S.B.N.: 9780008130770

Format: Hardback

Price: £16.99

Blurb

Unique, transgressive and as funny as its subject, A Life Discarded has all the suspense of a murder mystery. Written with his characteristic warmth, respect and humour, Masters asks you to join him in celebrating an unknown and important life left on the scrap heap.

A Life Discarded is a biographical detective story. In 2001, 148 tattered and mould-covered notebooks were discovered lying among broken bricks in a skip on a building site in Cambridge. Tens of thousands of pages were filled to the edges with urgent handwriting. They were a small part of an intimate, anonymous diary, starting in 1952 and ending half a century later, a few weeks before the books were thrown out. Over five years, the award-winning biographer Alexander Masters uncovers the identity and real history of their author, with an astounding final revelation.

A Life Discarded is a true, shocking, poignant, often hilarious story of an ordinary life. The author of the diaries, known only as ‘I’, is the tragicomic patron saint of everyone who feels their life should have been more successful. Part thrilling detective story, part love story, part social history, A Life Discarded is also an account of two writers’ obsessions: of ‘I’s need to record every second of life and of Masters’ pursuit of this mysterious yet universal diarist.

My Review

I really enjoyed this book, as much a biography of the mysterious diarist as an autobiography of Masters and his friends during the five years he worked on the diaries and writing this book. I sped through it in a matter of hours, the writing kept me transfixed.

Masters is a sensitive biographer, disclosing new information as he learns it, and dealing honestly with his qualms when he learns that the diarist, Laura Francis is still alive. The writing is fluid and engaging, humorous at times and honest.

5/5

I’ve just started studying the life-writing component of my MA Creative Writing. My tutor suggested we should start reading biographies if we didn’t already to get an idea of the diversity of the form. I’ve read biographies in the past, but this was a refreshing change. It only took me four hours to read this book, so I started another one, before I decided to write this review. The book I’m reading at the moment is a biography of Queen Victoria, in the form of fiction. They’re different ways of writing biography but they both work well.

 

Review: ‘Body in The Box’, by E.R. Fallon

Published By: Joffe Books

Publication Date: 19th December 2017

I.S.B.N.: 9781912106004

BLURB

The frail body of a young boy is found discarded in an old cardboard box. Even in a hard-edged town used to deadly crimes, this touches a nerve.

BODY IN THE BOX is the first book in the Stygian Town mystery series featuring three very different homicide detectives.

Detectives Dino Copper and Terry Jackson have been partners and friends for years. Now a new detective is drafted in to join them: Rebecca Everhart. They must quickly learn to work together on the biggest case of their careers, the disturbing discovery of the ‘Body in the Box’, as it’s known by the captivated media and the city’s worried citizens.

The case takes the three detectives deep inside the lives of the insular Eastern European immigrant community and the world of unlawful medical practices. The case also evokes an eerie childhood memory of Dino’s, where a boy from his neighborhood vanished and was never seen again.

What appears to be a straightforward, modern-day murder case has more to do with the past than the present, and the detectives come to a genuinely unnerving — and life-threatening — conclusion.

Continue reading “Review: ‘Body in The Box’, by E.R. Fallon”

2017 – onwards and upwards

2016 wasn’t a great year for a lot of people and there were political and cultural events that really mucked it up, but for me personally it wasn’t all horrible. Rather than dwelling on the upsetting stuff I’m going to list the positives from last year.

  • I made new friends, some of whom I’ve become very fond of;
  • I tried to be sociable, I even tried dating;
  • I travelled abroad for the first time ever;
  • I started my MA in Creative Writing.

This year, I can only go forwards.Continue reading “2017 – onwards and upwards”

Review: ‘Crucifixion’s a Doddle’ by Julian Doyle

See, I told you I’d get round to reviewing a book eventually. Took me all day to find the energy but at last I have!

Publication Date: 1st November 2016

Published by: Clink Street Publishing

Format: Paperback

I.S.B.N.: 978-1911110385

Price: £11.99 (paperback), £3.49 (kindle)

Continue reading “Review: ‘Crucifixion’s a Doddle’ by Julian Doyle”

A rant against Commercialmass

Nimue Brown's avatarDruid Life

Let me start by saying that if you are celebrating a festival over the winter, as a spiritual festival, then I take no issue with it. If you are, in a more communal way, celebrating family, and friendship and planning things that will make people happy – yourself included – I take no issue with it. All power to you. Winters are gloomy, often depressing times and a bit of warmth and good cheer goes a long way.

Commercialmass is none of those things.

Commercialmass is about spending money you don’t have on things you don’t need – quite possibly to appease people you don’t even like. Commercialmass is false jollity powered by spending and guilt. It’s the pressure to make a big day, even if you are tired, and worn and could do with a rest. It’s the time honoured tradition of pulling threads out of people who were…

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Over 400 followers

When I started writing this blog in August 2011 I wasn’t expecting many readers, but it seems people actually do want to read what I write and since then 401 readers have followed this site. I don’t know how many are still regular readers and how many were just passing through, but you’re all welcome and hopefully I’ll keep you entertained for a few more years yet.

P.S.

If anyone knows anything about writing radio scripts, get in touch, please. I need help with my MA assignment. I’ve never written scripts and have to write 3000 words (15 – 20 pages apparently). I have a story, I just need help with the mechanics – formatting mainly.

Uni: Week 10 – Poetry results and two more assignments to get through.

Interesting day today; we actually started and finished the morning workshop on time. We had a bit of a mixed session, giving feedback on submitted work, content about writing short stories was delivered and then we had a discussion about the business side of  writing – agents, editor, that sort of thing.

Continue reading “Uni: Week 10 – Poetry results and two more assignments to get through.”