Everything Is Better With Dragons

SYNOPSIS

A world where petals are currency and flowers are magic.

A man battling a curse of eternal old age. A girl who can be his boon. But it’s not all tulips and roses. There are also nettles and thorns.
Where Delights persist, Sorrow must follow.

In the city of Sirvassa, where petals are currency and flowers are magic, the Caretaker tends to the Garden of Delights. He imparts temporary magical abilities to the citizens of Sirvassa, while battling a curse of eternal old age.

No Delight could uplift his curse, and so he must seek out a mythical
figure. A god.

When a Delight allows a young girl the ability to change reality, the Caretaker believes he’s at the end of his search. But soon a magical rot takes root in his Garden, and the Caretaker must join forces with the girl and stop it from spreading.

My Review

Thanks to the publisher for sending me a copy of this book and to Anne Cater for organising this blog tour.

The blurb doesn’t do this book justice. Also, the Caretaker doesn’t realise what Iyena could do, and who she was, until after she cures the rot and dies.

Okay, that’s a bit of a spoiler. Iyena dies and is reborn, and it’s magnificent!

We start with an epic battle between a Florral and a Champion, the semi-divine magicians of the Inishtis and Abhadis, two tribes of humans who have been fighting forever. The Inishtis use floral technology; the Abhadis use metal technology. In the centuries that follow the epic battle, two cities rise: Sirvassa, home to floral technology, a stronghold of the Inishtis, a city of flowers and petal rains, and the Garden of Delights, overseen by the Caretaker, one of the few remaining Florrals; and Alderra, industrial capital of the Three Realms, the Abhadis stronghold, a place of flying machines and railways, a place where the Champions still have a home, a city they protect.

The Caretaker, protector of the Garden of Delights, and Sirvassa in general. He gives Delights made from the flowers in his Garden to the people of Sirvassa, giving them a temporary taste of the magic Florrals used at will. He is worried about developments in the city, something is going on, especially after Ministry officers from Alderra arrive and the Mayor of Sirvassa becomes weak. The Caretaker is dealing with his own problems. His experiments in curing the curse have made things worse.

Meanwhile, a girl, 15, arrives in Sirvassa, with her father. Iyena is the daughter of an Abhadi father and and Inishti mother, and born in Alderra. Separated, Iyena has no idea where her mother is or why she left her with her father, but immediately feels at home in Sirvassa, her mother’s home city. Her father is a stern, distant man, who works for the Ministry of Miscellany in Alderra, has brought them to stay with Maani-Ba, her mother’s sister, ostensibly to see about trading agreements between Sivassa and Alderra.

Iyena goes to school, and is enchanted by everything, from learning from books rather than oral learning, to the beasts that pull the carriages, to the fluttering ribbons that cross the city above the roofs, to a boy named Trehan. Making friends and learning about this new society, her maternal inheritance, brings her joy. She learns about the Garden of Delights after Trehan shows off his current Delight. With some forgery, she gets permission to visit the Garden and receives a Delight.

After that it all gets a bit political; there are explosions, sudden changes to the school curriculum and teaching, a fancy dinner at the mayor’s bungalow, fights between the Caretaker and Champions, death and rebirth, freedom and battles to maintain the cultural diversity of the Three Realms.

I was enchanted by this novel. I was about two thirds through it when I got a sense of terrible dread, that Sirvassa would be destroyed by the Minister’s plots; I had to put the book down because I couldn’t face the thought. After a couple of days I went back to the book, because I had to know what happened next. I think I struggled because the sneaky colonialism of Sirvassa by the Alderrans reminded me too much of events in the real world. The wholesale changing of school curricula, the re-writing of history, trying to co-opt Sirvassan cultural traditions, and the ‘if we can’t have it, destroy it’ attitude, remind me of historical colonialism and current colonial states. We’re bearing witness to several such colonial events right now, with all the attendant propaganda, murder and re-writing of history. Anyone with empathy would feel dread at reading it in fiction, when we’re already bearing witness in the real world.

The novel has a much happier ending than the consequences of historical colonialism and the realistic consequences of current colonial efforts. Any Florrals around who can save the world?

The writing is quite lyrical, and compelling reading. The descriptions are beautiful and colourful.

The relationship between the Caretaker and Trulio is paternal, and the way it ends is devastating. The confusing relationship Iyena has with her parents, her distant but present father, and absent but close in memory mother, especially after she meets her aunts, prompt many of Iyena’s actions. She’s pushed from one to the other, by the actions of her father and his friends. I particularly found the relationship between Iyena and Maani-Ba touching. There’s a lot of love and care between them, and secrets. Maani-Ba stands by Iyena when she goes through her change of state, and is instrumental in the rebellion after Iyena becomes afraid of her own abilities. The character development of the main characters is gentle but present.

The touches of Indian culture and inspired mythology, the contrast between the industrial Alderra and the floral Sivassa, the hints of a greater world beyond, really bring the world building to life.

Highly recommended.

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ABOUT THE AUTHOR

Amal Singh is a writer of science fiction and fantasy from Mumbai, India. He has numerous short story publications to his credit, in venues such as Clarkesworld, F&SF, Apex, Fantasy, among others. His story What is Mercy?, published in Fantasy Magazine, was longlisted for the BSFA Award in 2021. While he has held jobs of IT Analyst, Database Administration, and SOP consultancy in the past, he is now fortunate enough to do something that involves full-time writing.
By day, he juggles screenwriting, audio-writing, and Creative Production, working on web-shows and movies. In his spare time, he enjoys cooking and running.
amalsingh.substack.com / X: @Jerun_ont

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