TBR Pile Review: World Running Down, by Al Hess

Release Date: 2023-02-14
Formats: Ebook, Paperback
EBook ISBN: 14th February 2023 | 9781915202246 | epub & mobi | £4.99/$6.99/$7.99
Paperback ISBN: 14th February 2023 | 9781915202239 | Trade Paperback | £9.99/$15.99/$16.99

Valentine Weis is a salvager in the future wastelands of Utah. Wrestling with body dysphoria, he dreams of earning enough money to afford citizenship in Salt Lake City – a utopia where the testosterone and surgery he needs to transition is free, the food is plentiful, and folk are much less likely to be shot full of arrows by salt pirates. But earning that kind of money is a pipe dream, until he meets the exceptionally handsome Osric.

Once a powerful AI in Salt Lake City, Osric has been forced into an android body against his will and sent into the wasteland to offer Valentine a job on behalf of his new employer – an escort service seeking to retrieve their stolen androids. The reward is a visa into the city, and a chance at the life Valentine’s always dreamed of. But as they attempt to recover the “merchandise”, they encounter a problem: the android ladies are becoming self-aware, and have no interest in returning to their old lives.

The prize is tempting, but carrying out the job would go against everything Valentine stands for, and would threaten the fragile found family that’s kept him alive so far. He’ll need to decide whether to risk his own dream in order to give the AI a chance to live theirs.

World Running Down is Al Hess’s first traditionally published novel; he is also an incredible artist. Check out his instagram! He also has a website.

Content warnings (from Al Hess’ website): profanity; alcohol use; M/M open door sex and sexual elements; brief violence; brief misgendering and transphobia; body dysphoria; abduction; classism; risk of forced sex trafficking; toxic friendship/codependency; a fictional denomination of Mormonism and discussion of religion

​Rep: trans, gay, lesbian, non-binary, and (briefly mentioned) polyamorous rep; M/M romance
ADHD main character (some people have claimed Valentine for Team Autistic as well, and I am totally okay with that!)


My Review

I picked this book up from the Angry Robot Books stall at FantasyCon, and got a very cool art card with it, drawings of Valentine and Osric. Al Hess did the drawings and the cover of his book. I want the rest of the postcards Al drew for the characters but I don’t think they’re available anymore. I think I’m part of the Angry Robot blog tour for Al Hess’ next book, Key Lime Sky, later in the year. I’m looking forward to that. I’ve also signed up for Hess’ newsletter, so I’ve got the ebook for a pre-curser to World Running Down to read.

The plot: Valentine Weiss is a scavenger in a future Utah, where the cities are a haven of free healthcare, transport and education, where there is food in abundance and stable housing. Outside of the heavily guarded cities are small settlements and encampments living on marginalised land, home to marginalised people – the religious conservatives, the social conservatives, the Queer and the poor. To get in to Salt Lake City, with the medical care he needs – testosterone and surgery – he needs a visa and to pass a citizenship test. But that requires money.

With his friend, Ace, or Audrey, who is hoping to get a visa so she can join her distant family in the city, he takes on various jobs out in the dangerous salt flats and mountains. The pair run fuel runs for small settlements, fight off salt pirates, and search for anyway to make money. One a job to drop off fuel, they find a messenger waiting for them.

This is Osric, an AI Steward forced into an android body. Osric doesn’t understand his body, or what it needs – food, water, sleep, going to the toilet. He’s overwhelmed by all the sensations, and irritated by clothes. So he spends a lot of time taking his clothes off, and only putting them on when he really has to.

Valentine is very attracted to Osric, first physically, and then, getting to know him, to his kindness, intelligence and empathy. Valentine feels so much empathy for his new friend, he’s overwhelmed by care for him, and for everyone else. He helps Osric with basic human tasks and then listens to his message. A job, as yet unknown, for a wealthy person in Salt Lake, with the reward of clothes and a visa.

The clothes are important. Valentine feels more himself in a suit. It helps him cope with his dysphoria. Ace loves the dresses. The trio head to Salt Lake, where an interaction with another Steward at the reception centre helps Osric understand more about how he ended up in an android body, and to set in motion events that would change society, although they don’t know it. The job turns out to be a retrieval of goods – eight female androids stolen by a former brothel manager. Osric, we discover, has been embodied to be the new manager, while Valentine and Audrey are need to recover the androids.

The trio go back out on the road after some contretemps in the brothel, and soon find the androids in a camp of Mormon salt pirates. An awl used as a weapon brings about the discovery that the androids are gaining sentience, and they really don’t want to go back to the brothel.

This brings Audrey and Valentine into conflict. He won’t force sentient beings into being escorts if they don’t want to, but she is desperate for the visa that will get her to her family. Osric needs to go back whether he wants to or not. His body is owned by the brothel, and he wants to return to the collective of the Stewards. What will they do?

Hess is an autistic, trans writer, and I can tell. Not that I’m judging, I really appreciate the representation. Osric is right; clothes are itchy and uncomfortable! I often don’t wear clothes if I can avoid it.

Not being a dread pirate, I can’t tell you how accurate his portrayal of the internal experience of ADHD is, or the struggles with dyscalculia the Valentine clearly has. I do have a lot of AuADHD and ADHD colleagues, friends and relatives, so I can recognise the external manifestations. I also get the frustrations with the world and with people who don’t get it, or won’t take the time to understand.

I identified strongly with both Valentine and Osric, and their struggles with embodiment and identity. It brought up some stuff, okay, I’m working on it. Can I be an android, please? There’s a lot of emotional angst and conflict while the pair work out what they feel and what they want to do. It hurt. I loved it.

Al Hess writes ‘cosy sci-fi’ and I like it. The story are domestic and emotionally charged, placed in a future world that is both better and worse. In the cities, life is materially great, if you don’t think about what’s outside. Life outside if the cities is brutal, but there is love and community, even if it’s hard to get food and medical care. It’s morally complex and questions the utopian ideals of some sci fi.

It’s cosy, gay and neurodivergent adventure in the desert and I really enjoyed this book and I’m looking forward to reading more by Hess. I have already ordered a copy for someone and recommended it be added to the fiction section of the Little Neurodivergent Library at work.

Review: Wormhole, by Keith Brooke and Eric Brown

https://angryrobotbooks.com/books/wormhole/
Release Date: 2022-11-22
Formats: Ebook, Paperback

Blurb

2110 Earth is suffering major resource shortages, and the impact of climate change is peaking, with much of the planet’s equatorial regions turned to lifeless desert and populations displaced. Colonies have been established on Mars and the Moon, but these cannot hope to sustain any more than a scant population of hundreds of citizens.

Attention has turned to the need to discover an extra-solar colony world. European scientists, using discoveries made at CERN, have identified the means of creating a wormhole in the space-time continuum, which would allow interstellar travel. However, to do so they must first physically transport one end of the wormhole to where they want it to be, so setting up a wormhole will always rely on physical travel first of all.

A ship is sent to Mu Arae, earth-like planet discovered 10 years before. It is a journey that will take 80 years, the crew, who will eventually set up the wormhole on the planet, kept in suspended animation. But only a few years into the trip, catastrophe strikes and the ship blows up en route, killing all aboard.

2190 Eighty years after the starship set out.

Gordon Kemp is a detective working in the cold case department in London. Usually he works on cases closed ten, twenty-five years earlier. Now, however, he has been assigned a murder investigation closed, unsolved, over eighty years ago. What he unearths will change history and threatens everything we know about what the powers that be have planned for Earth.

The tragedy that befell the ship 80 years before is not what it seems and the past and the present are radically different to what everyone on Earth believes.

We made the journey. Why has it been kept a secret?


Author Bios

ERIC BROWN – Eric Brown is the BSFA award-winning author of more than 20 novels and as many novellas. He has had many short stories published in Interzone magazine and was, for many years, the SF and Fantasy reviewer for The Guardian

KEITH BROOKE – Keith Brooke is the Philip K. Dick award shortlisted author of more than a dozen novels for adults and teenagers. He was the editor for Infinity Plus magazine and has written non-fiction on the SF genre for Palgrave Macmillan.

Continue reading “Review: Wormhole, by Keith Brooke and Eric Brown”

Review: Red Noise, by John P Murphy

Red Noise by John P. Murphy
I got a signed, numbered first edition!

Hardcover

Goldsboro Exclusive Edition

Published May 14th 2020 by Angry Robot

Price: £26.99

Caught up in a space station turf war between gangs and corrupt law, a lone asteroid miner decides to take them all down.

When an asteroid miner comes to Station 35 looking to sell her cargo and get back to the solitude she craves, she gets swept up in a three-way standoff with gangs and crooked cops. Faced with either taking sides or cleaning out the Augean Stables, she breaks out the flamethrower.

The Rosie Synopsis

‘Jane’ or ‘the Miner’ desperately needs food and fuel, so she puts in to an asteroid-based space station, Station 35. Here she is ripped off by the ore company, finds three rival gangs in control and at each others’ throats, while the ‘decent’ population, lead by ‘Mr Shine’ hunker down in the lower depths of the station, except bar-owner/chef Takata and Station Master Herrera, who both refuse to be forced out of the galleria. Jane decides she’s going to clean up the Station and hand it back to ‘decent folks’.

Plans don’t exactly go as expected.

Basically, have you seen any of those old westerns, the ones based on Japanese films, like Seven Samurai, reworked as westerns, or Clint Eastwood’s work, like Fistful of Dollars? Think that aesthetic, but in space.

The Good

The novel calls on the traditions and tropes of westerns and on those westerns based on Japanese films, and obviously on the original Japanese work. So, the protagonist isn’t named, or only briefly, there are rival gangs and corrupt law officers, the place is far from anywhere with no help coming. I have seen an interesting collection of movies over the years but even if I haven’t seen the specific films, I know enough and can get the feeling over the originals, that the book’s references and plot points make sense.

An example of this tradition is in the naming of the protagonist. The ‘Miner’ is unnamed, given nicknames and only once is her real name and some clue about her identity revealed. This is going to be familiar to lovers of dodgy 60s Westerns based on Japanese books and films. Clint Eastwood famously play ‘The Man with No Name’ in the Dollars Trilogy. If you get the aesthetic and understand the tradition it stands in, this is marvelous fun. It’s not the first ‘spaghetti western in space’ sci fi novel, but it’s the first I’ve read and I liked it.

The pace is fast and choppy, moving between Jane and a character called Steven, although he doesn’t go by that name initially – he’s known as Screwball. They are nominally on the same, then opposed to each other and finally they’re allies. Jane doesn’t like people, preferring to stay out in space, mining and tending her orchids and bonsai trees on her little ship. Steven is a hired thug, working for Feeney, the original crime boss on Station 35. Over the course of the book Jane discovers she doesn’t actually hate humans as much as she thinks she does, and Steven finds himself questioning his life choices after a series of unexpected and painful events.

Basically, they follow the character arcs expected in the genre. They both play hero and anti-hero roles at different points and they both have similar motives initially – they need money. They both become more self-aware and ‘better people’ due to their experiences although acknowledging that they aren’t heroes.

As you can imagine from the foregoing, I found the characterisation enjoyable and fitting perfectly for the genre of the book.

The origins of the dispute and the background of the Station are mentioned in different places in the narrative, so the reader learns more as the Miner does. There are logical reasons for Station 35 being where it is when she arrives. None of the characters are surplus to requirements and the main characters as fairly well fleshed out.

Herrera’s insults are fabulous.

The Not-So-Good

Not much. I’d have liked to know more about the ‘universe’ and Herrera gets a bit characateurish at times.

The Verdict

I enjoyed reading this book, it’s given me hours of enjoyment over the three days I spent reading it. I was on the edge of my seat a lot of the time.

Highly recommended.