Review: Red Noise, by John P Murphy

Red Noise by John P. Murphy
I got a signed, numbered first edition!

Hardcover

Goldsboro Exclusive Edition

Published May 14th 2020 by Angry Robot

Price: £26.99

Caught up in a space station turf war between gangs and corrupt law, a lone asteroid miner decides to take them all down.

When an asteroid miner comes to Station 35 looking to sell her cargo and get back to the solitude she craves, she gets swept up in a three-way standoff with gangs and crooked cops. Faced with either taking sides or cleaning out the Augean Stables, she breaks out the flamethrower.

The Rosie Synopsis

‘Jane’ or ‘the Miner’ desperately needs food and fuel, so she puts in to an asteroid-based space station, Station 35. Here she is ripped off by the ore company, finds three rival gangs in control and at each others’ throats, while the ‘decent’ population, lead by ‘Mr Shine’ hunker down in the lower depths of the station, except bar-owner/chef Takata and Station Master Herrera, who both refuse to be forced out of the galleria. Jane decides she’s going to clean up the Station and hand it back to ‘decent folks’.

Plans don’t exactly go as expected.

Basically, have you seen any of those old westerns, the ones based on Japanese films, like Seven Samurai, reworked as westerns, or Clint Eastwood’s work, like Fistful of Dollars? Think that aesthetic, but in space.

The Good

The novel calls on the traditions and tropes of westerns and on those westerns based on Japanese films, and obviously on the original Japanese work. So, the protagonist isn’t named, or only briefly, there are rival gangs and corrupt law officers, the place is far from anywhere with no help coming. I have seen an interesting collection of movies over the years but even if I haven’t seen the specific films, I know enough and can get the feeling over the originals, that the book’s references and plot points make sense.

An example of this tradition is in the naming of the protagonist. The ‘Miner’ is unnamed, given nicknames and only once is her real name and some clue about her identity revealed. This is going to be familiar to lovers of dodgy 60s Westerns based on Japanese books and films. Clint Eastwood famously play ‘The Man with No Name’ in the Dollars Trilogy. If you get the aesthetic and understand the tradition it stands in, this is marvelous fun. It’s not the first ‘spaghetti western in space’ sci fi novel, but it’s the first I’ve read and I liked it.

The pace is fast and choppy, moving between Jane and a character called Steven, although he doesn’t go by that name initially – he’s known as Screwball. They are nominally on the same, then opposed to each other and finally they’re allies. Jane doesn’t like people, preferring to stay out in space, mining and tending her orchids and bonsai trees on her little ship. Steven is a hired thug, working for Feeney, the original crime boss on Station 35. Over the course of the book Jane discovers she doesn’t actually hate humans as much as she thinks she does, and Steven finds himself questioning his life choices after a series of unexpected and painful events.

Basically, they follow the character arcs expected in the genre. They both play hero and anti-hero roles at different points and they both have similar motives initially – they need money. They both become more self-aware and ‘better people’ due to their experiences although acknowledging that they aren’t heroes.

As you can imagine from the foregoing, I found the characterisation enjoyable and fitting perfectly for the genre of the book.

The origins of the dispute and the background of the Station are mentioned in different places in the narrative, so the reader learns more as the Miner does. There are logical reasons for Station 35 being where it is when she arrives. None of the characters are surplus to requirements and the main characters as fairly well fleshed out.

Herrera’s insults are fabulous.

The Not-So-Good

Not much. I’d have liked to know more about the ‘universe’ and Herrera gets a bit characateurish at times.

The Verdict

I enjoyed reading this book, it’s given me hours of enjoyment over the three days I spent reading it. I was on the edge of my seat a lot of the time.

Highly recommended.

Extract Post: The Creak on the Stairs, by Eva Bjorg Aegisdottir

PUBLICATION DATE: 28 MAY 2020 | PAPERBACK ORIGINAL | £8.99 | ORENDA BOOKS

The first in the electrifying new Forbidden Iceland series, The Creak on the Stairs is an exquisitely written, claustrophobic and chillingly atmospheric debut thriller by one of Iceland’s most exciting new talents.

When the body of a woman is discovered at a lighthouse in the Icelandic town of Akranes, it soon becomes clear that she’s no stranger to the area.
Chief Investigating Officer Elma, who has returned to Akranes following a failed relationship, and her colleagues Sævar and Hörður, commence an uneasy investigation, which uncovers a shocking secret in the dead woman’s past that continues to reverberate in the present day…

But as Elma and her team make a series of discoveries, they bring to light a host of long-hidden crimes that shake the entire community. Sifting through the rubble of the townspeople’s shattered memories, they have to dodge
increasingly serious threats, and find justice … before it ’s too late.

Continue reading “Extract Post: The Creak on the Stairs, by Eva Bjorg Aegisdottir”

Review: Goldilocks, by Laura Lam

I treat myself to a book subscription, the SFF Fellowship from Goldsboro Books. Goldilocks, by Laura Lam was the April book. It arrived yesterday. I was a bit distracted by a crochet project yesterday afternoon and this morning, but once I got myself organised, I sat down and read my new book.

The Earth is in environmental collapse. The future of humanity hangs in the balance. But a team of women are preparing to save it. Even if they’ll need to steal a spaceship to do it.

Despite increasing restrictions on the freedoms of women on Earth, Valerie Black is spearheading the first all-female mission to a planet in the Goldilocks Zone, where conditions are just right for human habitation.

The team is humanity’s last hope for survival, and Valerie has gathered the best women for the mission: an ace pilot who is one of the only astronauts ever to have gone to Mars; a brilliant engineer tasked with keeping the ship fully operational; and an experienced doctor to keep the crew alive. And then there’s Naomi Lovelace, Valerie’s surrogate daughter and the ship’s botanist, who has been waiting her whole life for an opportunity to step out of Valerie’s shadow and make a difference.

The problem is that they’re not the authorized crew, even if Valerie was the one to fully plan the voyage. When their mission is stolen from them, they steal the ship bound for the new planet.

But when things start going wrong on board, Naomi begins to suspect that someone is concealing a terrible secret — and realizes time for life on Earth may be running out faster than they feared . . .

My Review

This was a slow burner. Narrated by the main character’s daughter, Iris, in 2063, we learn of events in 2033. A group of women scientists and engineers steal a shuttle to get to Atalanta, a ship they helped design and build but from which they had been booted by a misogynist government.


Led by Dr Valerie Black, CEO of Hawthorn, the company originally tasked with designing the Atalanta and planning the trip, and adoptive mother of main character, Naomi Lovelace, an astrobiologist, Dr Hart (ship’s surgeon), her wife Jakkie Hixson, pilot, and Lebedeva, the engineer, steal a shuttle and then the Atalanta and head for Mars to make the jump to Cavendish, an Earth-like exoplanet, around Epsilon Eridani, now renamed Ran. But things aren’t quite going as expected and when a new infection appears on Earth that kills fast, secrets come to light that make the four subordinates question Dr Valerie Black.

I sat and read this in 6.5 hours, I couldn’t put it down. The slow build of tension as Naomi realises things aren’t quite what they ought to be and she loses her hero-worship of the woman who raised her is the main drive of tension, while the science in the science fiction is enough to keep a science buff interested without bogging down a non-science geek.

Valerie was a really vivid character, who was fully realised, while the others had flashes of life but were often in the background. I have seen other readers say they felt the characters were a bit flat, but I think that it might be deliberate. We are reading from the point of view of Iris Lovelace Kan, the second daughter of Naomi, and Dr Black’s son, Evan Kan; for her the most important people are obviously her mother and grandmother. They loom large in her psyche and so they are more realised in her story. I felt like I was reading a biography written by someone a little too close to the people involved, in that sense, with the characterisation.

The plot is taut and breathtaking, or at least I struggled to remember to breathe while I was reading. I really enjoyed the book, although I’d have liked some more background on how the world got from here to there. It’s hinted at, a gradual erasing of rights, a rise in right-wing ideology, ignored until it smacked people in the face.

We can see this happening already. It’s a warning, but there’s also hope. After the disaster changes were made, and although it wasn’t enough early enough, people survived. 

Given it’s VE Day here in the UK and our precious government are using it to whip up nationalist fervour, again, and the dodgy lot they have running her native U.S., I think it’s entirely prescient for Lam to write about changes 13 years from now, where the world is a mess, people still don’t believe climate change is real despite the refugees and wildfires, and rights are eroded for anyone not a rich, white man. The dream of utopia, espoused by Dr Black isn’t an option, nor is running away to another planet. We just have this one, this one chance, to sort things out, to change.

We’re at a turning point. Which way do you want to go?

Blog tour calendar: The Creak on the Stairs, by Eva Bjorg AEgisdottir

Because I like the sound of this book so much, I have ordered a signed, numbered, UK first edition from Goldsboro books, where it is the May ‘Book of the Month’.

I like buying books from Goldsboro Books, and I’m so pleased to see that they and Orenda Books have teamed up.

I am also a member of their SFF Fellowship and so far I have bought two ‘Books of the Month’ plus another book, since the beginning of the month. The books are always so pretty, and so well produced. I love sprayed edges and signed, numbered, 1st editions…

…I have a problem…