TBR Review: Spec Fic For Newbies, vol. 1, by Tiffani Angus and Val Nolan

Description

Release Date March 28, 2023.

Locus Recommended Reading List 2023
BSFA for Best Non-Fiction, Shortlist 2024
BFS for Best Non-Fiction, Shortlist 2024 

Spec Fic For Newbies: A Beginner's Guide to Writing Subgenres of Science Fiction, Fantasy, and Horror. Tiffani Angus (Ph.D.) and Val Nolan (Ph.D.) met at the 2009 Clarion Writers’ Workshop in California and since then have collaborated many times as fans and scholars on panels for SFF conventions and writing retreats.Working together on this book and combining their experience as SFF writers and as university lecturers in Creative Writing and Literature made perfect sense!

Every year they see new students who want to write SFF/Horror but have never tried the genres, have tried but found themselves floundering, or, worse, have been discouraged by those who tell them Science Fiction, Fantasy, and Horror are somehow not “real” literature.

This book is for all those future Science Fiction, Fantasy, and Horror writers. Tiffani and Val are approaching these three exciting fields by breaking them down into bite-sized subgenres with a fun, open, and contemporary approach.Each chapter contains 10 subgenres or tropes, with a quick and nerdy history of each derived from classroom teaching practices, along with a list of potential pitfalls, a description of why it’s fun to write in these subgenres, as well as activities for new writers to try out and to get them started!

My Review

I bought this book at FantasyCon 2023. I’ve got quite a collection of Academia Lunare books now, mostly genre stuff and Tolkien books. Look at the Luna Press Publishing website, under non-fiction and academic, to get a sense of the books I mean. Most of the are small, A6 size, usually with monographs on a uniting subject matter.

This book is different.

Yes, that’s me. I got the laptop camera to work properly. Yes, that’s the Pen & Sword TBR pile behind me.

It’s a guide to the sub-genres of SFFH, with two writing exercises for each sub-genre. I’m not exactly a ‘newbie’, but I don’t know all of the sub-genres, and it was interesting to read about the ones they included.

I enjoyed to quick tour and chatty writing style of this book, especially the genre and sub-genre histories. This book is informed by years of teaching by both authors, and it shows. They’ve clearly come across the same mistakes time and time again, but the enjoyment of both spec fic and teaching also really shines through. I could easily devour a volume on each sub-genre by these authors, but I’m weird like that. I like depth and breadth. I don’t think that’s a criticism of this book, but if you’re expecting in-depth discussions of the nuances of each sub-genre you’re not going to get that. The book provides broad overviews of each sub-genre with reference to specific tropes or movements within the sub-genre.

I enjoyed the tour of 30 sub-genres and the writing left me want more on some subject and no more about others (splatterpunk for example, is really not my thing). There’s enough to get you started on any sub-genre, and that’s what this book is for.

If you’re looking for something to read in a specific sub-genre, I think you could flip to the section in this book and find a place to start in a new sub-genre, because the authors provide lots of examples of works – both film and literary – that sit in a sub-genre.

There are also lots of references if you want to follow up on a particular statement or idea. I like references. More references and access to a database of papers, please. Because I don’t have enough to read…

I found the writing exercises prompted me to come up with new ideas and think it’ll be useful when I’m struggling to put an idea down on paper. I’ve got an idea about zombies and cruise ships, but it’s not going anywhere yet… Anyway, the activities make up a small section of each sub-genre entry, but the information packed in before them informs the activities. I think for a writer at any stage of their career, the activities will prompt the brain to try something new. If you’re a new writer they’ll give you a place to start, and for experienced writers they’re a reminder and refresher when your brain is fried. The writing advice found throughout the text is useful and explained well.

While I read this book from start to finish, I think it could be a good ‘dipping’ book, for those having a go at a new genre or sub-genre. There’s always something new to try – nobody could have written in all thirty of the sub-genres in this book – so dipping in and out as the mood takes you can give the writer practice in a variety of stories.

I have already recommended this book to a very new writer (my nibbling is doing creative writing as part of their OU Open Degree – I’m so proud!) and will be buying volume 2 at FantasyCon in three weeks – Francesca, make sure there’s a copy put aside for me, please!

I mentioned on my book Instagram that I was reading this book and Dr Angus kindly told me to contact her if I need any PhD advice, which I thought was lovely.

Tiffani Angus signed the book. It was signed when I bought it, so Tiffani must have been at FantasyCon last year.

And now, I’m going to bake some bread.

TBL Audiobook Review: Never Say You Can’t Survive, by Charlie Jane Anders

Format: Audiobook
Published: August 17, 2021 by Macmillan Audio
ISBN: 9781250830777 (ISBN10: 125083077X)
Language: English

Description

Things are scary right now. We’re all being swept along by a tidal wave of history, and it’s easy to feel helpless. But we’re not helpless: we have minds, and imaginations, and the ability to visualize other worlds and valiant struggles. And writing can be an act of resistance that reminds us that other futures and other ways of living are possible.

Full of memoir, personal anecdote, and insight about how to flourish during the present emergency, Never Say You Can’t Survive is the perfect manual for creativity in unprecedented times.

My Review

I listened to this book last week and I’ve been digesting it ever since. I am also reading another writing advice book at the moment, so I needed time to separate the two.

In this collection of essays written for tor.com during the pandemic, Anders covers memoir, dealing with catastrophic life events, the utility of positive writing, and writing advice. I enjoy Charlie Jane Anders’ podcast Our Opinions Are Correct, so I’m familiar with her audio work. I don’t generally read YA or comics so I haven’t read any of her books, and this was an opportunity to learn more about her writing style and techniques, as well as receive a bit of a pep talk.

Before I continue, I would like to point out that I cried, a lot, listening to this book. Walking down the street. At the wellbeing centre. On the bus. Seriously, I don’t think I’ve ever had a writing craft book make me cry before! Both the essays that cover her own story and the essays that explore purpose of positive writing in bad times hit me right in the emotions. I probably needed the cry, to be honest.

I have been struggling with my writing recently, for a variety of reasons – work stress, financial anxiety, another ear infection, not being able to get to the pool, just the usual stuff. I’m torn between working on the sci-fantasy star dragons, autistic human and a mysterious disappearance in space story I’ve been sharing monthly with paid subscribers, and working on the fantasy novel I want to write for my PhD (it will contain dragons, autistic people, and shapeshifting. Also murder. But not a murder mystery. The murderer is known, revenge is plotted.) but getting started on the PhD is taking longer than planned, what with me not yet submitting my application and struggling with writing the proposal and writing samples.

Last Friday, after listening to this book for several hours, I sat down and write outlines and a couple of scenes from the end of the novel. I just have to work out how to get back from there to the beginning… There will definitely be murder, pirates, and dragons, that you can be certain of. I was writing for so long I had to reheat my tea! And I’ve had ideas for the space dragon mystery story too, so I’m going to work on that next week. I also made progress on my PhD proposal, so thanks Charlie Jane, I appreciate the kick up the bum.

The author narrates this audiobook, and does rather a good job of it. You can tell she’s been presenting a podcast for a while now. Very smooth, clear diction.

I would say this is one of the best writing guides I’ve read/listened to. There are a lot of writing books out there, but I’ve recommended this one to people already, so I think that’s a positive sign.

Review: Season For Murder, by Anna A Armstrong

Blurb 

Enjoy a visit to the idyllic Cotswolds where the blackberry jam is delicious, the pumpkins are ripe and a killer is plotting death.

Vivian Plover is an unlikely murderer but needs must. If her bumbling husband is ever going to reach the exalted office of Lord-Lieutenant, Vivian, in sensible shoes, twin set and pearls has some murderous work to do. She is beset by challenges, from her godson’s fake fiancée to Dee’s meddling.

With the worthies of Little Warthing falling foul of accidents, can Dee FitzMorris thwart her scheme or will she find herself yet another victim?

Rarely has murder been so amusing.

Indulge in this quirky and humorous cosy crime novel that will keep you entertained from start to finish. Set in modern-day England, amidst the charming British Cotswold countryside, “Season for Murder” delivers a captivating blend of mystery and comedy. With its light-hearted atmosphere and engaging whodunit plot, this British detective series is a must-read for fans of cosy crime murder mysteries.


My Review

I was supposed to review this book for the blog tour but I couldn’t write a positive review. I was feeling very unhappy with this book, but I’ve decided to try to write a constructive review and post it now that the tour is over. I’m also not going to tag the author, because I don’t want to upset anyone.

So, here are my problems:

  • It’s all tell, no show. 
  • The characters are caricatures. I don’t need to read all their inane thoughts. 
  • There’s no mystery, the murderer tells the reader when, how, and why they did it. 
  • The main character isn’t really made clear until a few chapters in. 
  • The author keeps jumping from head-to-head. 
  • It feels like the author read about NPD and decided to make their murderer a caricature of someone with NPD and loudly signal it with one of the minor characters studying narcissistic personality disorder for university. 
  • I got bored, but pushed through in the hopes it’d improve. It didn’t
  • The thing is, if it was better written, it’d be a really good mystery. People in a Cotswolds village mysteriously almost dying, clearly murder attempts, but unsuccessful. 

I had so many questions:

  • Who is the main character meant to be?
    • Is it the older woman who does taekwondo and is involved in her community. She, her daughter, and her granddaughter could have been the main investigators, helped by two admiring police officers, but they aren’t. 
    • Or is it the young couple in a ‘fake couple becomes a real couple through surviving overbearing relatives and murder attempts’ narrative, but they aren’t.
    • Or it could even have been told exclusively from the villain’s perspective, but it isn’t. 

It could have been a sensitive exploration of childhood trauma, the changing nature of wealth and country life, and village pettiness. But it’s heavy-handed, unsubtle, and not funny. I think it’s supposed to be funny, but I could be wrong. 

I do feel sorry for the murderer’s husband, but he needed bringing into the story more, and some of the side characters have an outsized position in the plot, but their scenes barely add to the narrative. There are clearly difficulties in the marriage of one couple, but it doesn’t seem important to the plot, for example. 

I tried to find something positive, but even the complicated relationship between Emily and Tristan, which could have been a driving force for emotion and comedy in the plot, isn’t engaging. The inclusion of an Italian family, a disabled side character and a gay couple in a long-term relationship feel shoved in for ‘diversity’, rather than being a solid part of the plot. The author treats their ‘differences’ from the majority of the characters as something that needs to be mentioned repeatedly, rather than just a thing that is. 
 
It’s like the author wrote down the village gossip and threw in a murdering posh woman and gave her NPD as the cause, to produce a cosy mystery novel. And it doesn’t work like that in fiction! 

I know there will be readers who love the POV shifting and seeing the day to day lives and thoughts of the characters, but my head is loud enough without adding fictional characters thoughts to the jumble,  and it slows down the story and confuses the plot. 


Okay, I failed at writing a constructive review. I tried. It’s up to you though, if you enjoy cosy crime/slice of village life fiction, borrow a copy from the library and see how you feel. I understand there are two other books in the series.


Talking of libraries, when you borrow a book from the library the author gets a small payment. Twice a year, the ALCS collects and distributes payments to authors, writers, and, journalists. I get about £100 a year from ALCS payments; it’s a life saver. Support your local library – they’re one of the few third spaces left where you can just go and hang out, use a computer, read a book, get help. They also support authors.

TBR Review: Winter’s Gifts, by Ben Aaronovitch

Series: Rivers of London (#9.5)
Characters: Kimberley Reynolds
Format: 211 pages, Hardcover
Published: June 8, 2023 by Orion
ISBN: 9781473224377 (ISBN10: 1473224373)

Description

When retired FBI Agent Patrick Henderson calls in an ‘X-Ray Sierra India’ incident, the operator doesn’t understand. He tells them to pass it up the chain till someone does.

That person is FBI Special Agent Kimberley Reynolds. Leaving Quantico for snowbound Northern Wisconsin, she finds that a tornado has flattened half the town – and there’s no sign of Henderson.

Things soon go from weird to worse, as neighbours report unsettling sightings, key evidence goes missing, and the snow keeps rising – cutting off the town, with no way in or out…

Something terrible is awakening. As the clues lead to the coldest of cold cases – a cursed expedition into the frozen wilderness – Reynolds follows a trail from the start of the American nightmare, to the horror that still lives on today…

My Review

A novella from last year that’s been sat on my TBR pile for a while! I’ve been prompted to read it by the arrival of the latest Rivers of London novella. I thought I’d better get up to date.

Kimberley Reynolds is sent to the Great Lakes in the middle of winter to deal with an incident with unusual characteristics, and is snowed in almost immediately. Stuck without back-up, and her contact missing, she must discover what’s going on, what it has to do with an exhibition by the Virginia Gentlemen in 1848 and where Henderson in. Unfortunately, she’s not the only one looking into things, and it gets complicated when the local meteorologist takes her out to the site of the 1848 winter camp. Malevolent forces are at work, a teenage genius loci comes to the rescue, and Kimberly falls in love.

Kimberley Reynolds is a character that pops up in some of the novels but to be honest, she never struck me as a interesting character, or one I’d taken much note of. However, this novella gives the reader more information about her background and develops her character. I enjoy these novellas because they allow Aaronovitch to explore characters and locations without a full novel focused on Peter. He does make an appearance, over the phone and in her head, but it’s mainly about Kimberley and her slowly blossoming romance with William, while investigating both modern and historical crimes.

The dust jacket is cool too.

Recommended for fans of the series.

TBR Review: The Masquerades of Spring, by Ben Aaronovitch

Format: 182 pages, Hardcover
Published: September 5, 2024 by Orion Publishing Co
ISBN: 9781398723887 (ISBN10: 1398723886)

Description

New York City, New York.

Meet Augustus Berrycloth-Young – fop, flaneur, and Englishman abroad – as he chronicles the Jazz Age from his perch atop the city that never sleeps.

That is, until his old friend Thomas Nightingale arrives, pursuing a rather mysterious affair concerning an old saxophone – which will take Gussie from his warm bed, to the cold shores of Long Island, and down to the jazz clubs where music, magic, and madness haunt the shadows…

My Review

A fun novella set in jazz-age New York, with a queer cast and inter-racial love. Nightingale turns up unexpectedly, and Gussie must help him rescue a fae. Interrupting things in the US, and upsetting lots of politicians, businessmen and mobsters, and people of a magical persuasion, events culminate at a drag ball, with policemen amusingly debagged, and explosions on lonely roads.

Aaronovitch conjures the air of excitement and danger that pervades New York in the 1920s and 30s, as jazz clubs and bathtub gin fill the need for escape after the horrors of war, and chronicle a forgotten period of cultural explosion, particularly exemplified by the Harlem Renaissance, in which Black culture and Queer culture flourished, before being appropriated and repressed after the second world war. He also captures the culture of corruption in the city, from police shakedowns for personal gain to gang violence. I loved the inclusion of the drag ball. I’ve heard about them, and how popular they were, but I don’t think they’re particularly well known outside of people interested in Queer history.

Gussie and Lucy are adorable, and I was sure Beauregard is some species of fae, although he might just be a practitioner with connections. I hope Lucy, Gussie and the gang all have long and fun lives, although I think they’d be old before their relationship becomes legal.

I enjoyed the ‘Jeeves and Wooster’ tone of the narrative, and Gussie is a funny narrator. He’s self-deprecating and observant, and astute enough to know when and when not to be himself, even if he has a low opinion of his own intelligence. The references to golden age crime fiction made me laugh – especially when Gussie decides to be a detective for a minute.

Enjoyable novella that introduces new aspects of the Rivers of London universe. Highly recommended.

TBR Pile Review: Who’s Afraid of Gender, by Judith Butler

Format: 320 pages, Hardcover
Published: March 19, 2024 by Allen Lane
ISBN: 9780241595824 (ISBN10: 0241595827)

Description

Judith Butler, the ground-breaking philosopher whose influential work has redefined how we think about gender and sexuality, confronts the attacks on gender that have become central to right-wing movements today. Global networks have formed “anti-gender ideology movements” dedicated to circulating a fantasy that gender is a dangerous threat to families, local cultures, civilization –and even “man” himself. Inflamed by the rhetoric of public figures, this movement has sought to abolish reproductive justice, undermine protections against violence, and strip trans and queer people of their rights. But what, exactly, is so scary about gender?

In this vital, courageous book, Butler carefully examines how “gender” has become a phantasm for emerging authoritarian regimes, fascist formations, and trans-exclusionary feminists. They illuminate the concrete ways that this phantasm displaces anxieties and fears of destruction. Operating in tandem with deceptive accounts of critical race theory and xenophobic panics about migration, the anti-gender movement demonizes struggles for equality, fuels aggressive nationalism, and leaves millions of people vulnerable to subjugation.

An essential intervention into one of the most fraught issues of our moment, Who’s Afraid of Gender? is a bold call to make a broad coalition with all those whose struggle for equality is linked with fighting injustice. Imagining new possibilities for both freedom and solidarity, Butler offers us an essentially hopeful work that is both timely and timeless.

My Review

Interesting, definitely one to re-read and digest. I struggled with parts of the text – it was a bit dense.

The author challenges the phantasm of ‘gender ideology’, pushed by those with a stake in maintaining the cis-heteronormative, patriarchal status quo as part of religious and Right wing ideology. The author takes the reader through the various talking points, and explains how those opposed to equal rights for gender and sexual minorities elide between talking points without logical argument. They assume ‘allowing trans people to live their lives’ automatically means ‘anyone will identify as anything in order to attack children’. There’s no logical way to get from one to the other. This is a way to displace the fear of living in late-stage capitalism, with the attendant global warming and population displacement that comes with it. Instead of focusing our anger and fear on the causes of the world becoming unliveable, humans are distracted by false ghosts, phantasms, bundled under the word ‘gender’.

The book seems to be aimed at a non-academic audience, covering what should be fairly obvious arguments, if you’ve kept up with the whole anti-trans movement. However, it does become very academic and falls into philosophy-speak at times. I did enjoy reading this book, but sometimes, I wish they’d written it in plain English.

It’s late, I’ll write more when I’ve had a think about it.

Book Review: Prey, by Vanda Symon

PUBLICATION DATE: 15th AUGUST 2024
PAPERBACK ORIGINAL | £ 9. 99 | ORENDA BOOKS

On her first day back from maternity leave, Detective Sam Shephard is thrown straight into a cold-case investigation – the unsolved murder of a highly respected Anglican Priest in Dunedin.

The case has been a thorn in the side of the Police hierarchy, and for her boss it’s personal. With all the witness testimony painting a picture of a dedicated church and family man, what possible motive could there have been for his murder?

But when Sam starts digging deeper into the case, it becomes apparent that someone wants the sins of the past to remain hidden. And when a new potential witness to the crime is found brutally murdered, there is pressure from all quarters to solve the case before anyone else falls prey.

But is it already too late…?

Continue reading “Book Review: Prey, by Vanda Symon”

TBR Pile Review: The Cautious Traveller’s Guide to The Wastelands, by Sarah Brooks

Format: 384 pages, Hardcover
Published: June 20, 2024 by W&N
ISBN: 9781399607537

It is said there is a price that every passenger must pay. A price beyond the cost of a ticket.

It is the end of the 19th Century and the world is awash with marvels. But there is nothing so marvellous as the Wastelands: a terrain of terrible miracles that lies between Beijing and Moscow.

Nothing touches this abandoned wilderness except the Great Trans-Siberian Express: an impenetrable train built to carry cargo across continents, but which now transports anyone who dares to cross the shadowy Wastelands.

On to the platform steps a curious cast of characters: a grieving woman with a borrowed name, a famous child born on the train and a disgraced naturalist, all heading for the Great Exhibition in Moscow.

But the old rules are changing, and there are whispers that the train isn’t safe. As secrets and stories begin to unravel the passengers and crew must survive their journey through the Wastelands together, even as something uncontrollable seems to be breaking in . . .


My Review

I picked this book up at the ‘It’s Strange Up North’ event in June. Sarah Brooks is delightful, and signed this book for me. Actually, I think the books sold at that event were officially sold before publication date.

We have here a tale of a train that runs through the Siberian landscape from Beijing to Moscow, but a landscape transformed by some magical power. The land is utterly strange and bizarre creatures live there. It’s dangerous for humans to travel across the ‘Wasteland’, but trade demands that they must, so ‘the Company’ built a railway track and sends one train back and forth across it.

But the landscape is changing, it’s mimicking the the world that is intruding on it and eventually things go very wrong.

In this novel, set in 1899, we follow Marya, a young woman grieving the deaths of her parents, out to find the truth of the last crossing, and Weiwei, the child of the train – born on the train and raised by the crew – who also wants to know what happened. In the process of their separate investigations, they rouse the suspicions of the Company consultants, known as ‘Crows’.

As they seek answers they are changed, and the choices they, and their allies make – the Wasteland Girl, Elena, Alexei the engineer, Suzuki the Cartographer, and The Professor – bring changes to the whole world.

The action builds up as the train travels, there’s tension as they struggle with water shortages and mad English naturalists running off to get samples, while a Russian priest screams about blasphemy, and French aristocrats laze about. Someone has clearly been reading Agatha Christie.

This was something like Murder On The Orient Express, in that there’s a mystery to be solved – what happened on the last crossing? It’s also a historical fantasy of the late nineteenth century, with luxury carriages for the wealthy, crowded third class accommodation, steam trains, fantastical technology, and a landscape that is utterly strange but entrancing. The transformation of the train from a mechanical wonder to another kind of wonder, a terrifying, moving forest, luxuriant and free, a travelling Eden, is the central narrative, around which everything else is built, everything else is just the humans trying to understand it, understand their places in this new reality, and decide if they want to be a part of it or not.

It reminds me a bit of the magic used by Priya in Tasha Suri’s The Burning Kingdoms series. Except the magic isn’t controlled by anyone, the train and the landscape decides where it’s going.

The train and the landscape are intertwined, and the people realise they are intertwined with the landscape too, and the Walls are false promises of strength holding up ultimately weak Empires and greedy corporations.

How lovely! What a wonderous thought, a wonderous world it would be, if the old empires fell because a magical forest rose, rather than because we started murdering each other by the millions.

‘The Company’ is clearly modelled after the East India Companies of the 17th to 19th centuries (Dutch and British – both equally greedy and murderous, with their own armies), with a Victorian railway company thrown into the mix. If the East India Company hadn’t fallen apart by the 1850s, they might have got into trans-continental railways, I suppose, and the trans-Siberian train route has been around for about 100 years. It’s actually three or four connected routes, that started when the Russian Empire decided it would quite like to get to it’s furthest eastern reaches, near China, more easily. You can travel all the way from Moscow to Beijing, which would be fun, if you didn’t have to go to multiple dictatorships to do so. The train network made it easy for Russian troops to support China during the Japanese invasion in the 1940s, but also meant the Chinese and Russians could kill each other easily over bits of territory they both claimed in the 1910s.

I would call them silly buggers, but come on, we didn’t do much better. Empires are bad for everyone.

Anyway, I was quite enthralled by this book. I loved the lavish descriptions of the Wastelands and the way the train transformed. I found Marya and Weiwei, two very different people, to be sympathetic and engaging characters, and the narrative tightly constructed.

Enjoyable historical fantasy. Especially if you like trains. And magical, murderous landscapes.

Review: Key Lime Sky, by Al Hess

Release Date
2024-08-13
Formats
Ebook, Paperback
EBook ISBN
13th August 2024 | 9781915998132 | epub & mobi | £4.99/$7.99/$8.99
Paperback ISBN
13th August 2024 | 9781915998125 | Paperback | £9.99/$17.99/$23.99

Blurb

An alien invasion hits the town of Muddy Gap, but a disgruntled pie aficionado is the only one who seems to remember it…

Denver Bryant’s passion for pie has sent him across Wyoming in search of the best slices. Though he dutifully posts reviews on his blog, he’s never been able to recreate his brief moment of viral popularity, and its trickling income isn’t enough to pay his rent next month.

Driving home from a roadside diner, Denver witnesses a UFO explode directly over his tiny town of Muddy Gap. When he questions his neighbors, it appears that Denver is the only person to have seen anything – or to care that the residents’ strange behavior, as well as a shower of seashell hail, might be evidence of something extraterrestrial. Being both non-binary and autistic, he’s convinced his reputation as the town eccentric is impeding his quest for answers. Frustrated, he documents the bizarre incidents on his failing pie blog, and his online popularity skyrockets. His readers want the truth, spurring him to get to the bottom of things.

The only person in town who takes him seriously is handsome bartender, Ezra. As the two investigate over pie and the possibility of romance, the alien presence does more than change the weather. People start disappearing. When Denver and Ezra make a run for it, the town refuses to let them leave. Reality is folding in on itself. It’s suddenly a race against time to find the extraterrestrial source and destroy it before it consumes not only Muddy Gap but everything beyond. Denver’s always been more outsider than hero, but he’s determined to ensure that a world with Ezra – and with pie – still exists tomorrow.

Key Lime Sky is the second book from AL Hess at Angry Robot – check out his previous work, World Running Down.

https://angryrobotbooks.my.canva.site/key-lime-sky

Al Hess is also a fantastic artist – check out his instagram!

Continue reading “Review: Key Lime Sky, by Al Hess”

Pen & Sword Review: A History of Girl Guides and Girl Scouts: Brownies, Rainbows and WAGGGS, by Julie Cook

By Julie Cook
Imprint: Pen & Sword History
Pages: 184
Illustrations: 32 black and white illustrations
ISBN: 9781399003414
Published: 10th October 2022
£14.00 

Description

A History of Girl Guides and Girl Scouts: Brownies, Rainbows and WAGGGS charts the evolution of the Girl Guides and Girl Scouts from its early days as a movement started before WW1 right through to the modern day. With real life interviews with Girl Guides and Girl Scouts from their 90s down to young children, this book looks at what being a Girl Guide has meant through the ages up to the present day. With dramatic and often emotional stories of what it was like to be an evacuated Brownie in the Second World War, a disabled Girl Guide and with tales of girls’ heroism throughout the two great wars both in the UK and the United States, this book extols the Guiding and Scouting movement as one that has evolved with women and girls’ rights and its hopes for the future.

My Review

Thanks to Rosie Crofts at Pen & Sword for sending me a copy of this book, way back in 2022. I was sent it in return for an honest review.

I wanted to review this book because I was in Brownies and Guides, and have some really good memories of being part of the Guiding movement. I got me through most of my teens and gave me something to do on a Wednesday evening for 7 years, and trips away. I still see my Brownie leader. I was also her Young Leader in a different Guide group when I was 17/18 after I left my original Guide group just before I turned 16. I managed a whole year out of Guides. When I went to university, I joined the Guides and Scouts association there, but didn’t do anything with them. There were so many people and they were not as welcoming as you would expect.

Reading this book brought back memories. I’d completely forgotten about the toadstool and mirror we used as a pool in Brownies to do our Promise. I can’t remember what Six I was in, but I think my sister made it to Seconder in her Six. I must have joined in 1990, or 1991, because I had the ‘new uniform’, a pair of trousers and a jumper, while my sister had the old brown dress and she joined a year before me. You had to wait until there was space before you could join. The leaders, Brownie Owl and Tawny Owl, were school teachers at my cousins’ primary school. We used to play games and make things. My best friend also went to that Brownies, but didn’t stay long because a lot of our games were floor based and she couldn’t take part, and I can’t remember her from then; we met in secondary school in 1994 and we’ve been friends ever since she talked at me until I finally responded. I did a few badges, mostly the walking and camping related ones. I think I tired to do some of the more domestic ones, but I wasn’t very good at the.

I went up to Guides in 1993 when I turned 10. My Guide leader was the vicar’s wife and a Marie Curie nurse. Our Guides, and the Brownies, were attached to the local C of E church. We did a lot of stuff in and around the church and the vicarage, because they had a huge garden, and knew a lot of people. We went camping, to adventure centres, did flower arranging, candle making and jam making, we went to The Body Shop for a special visit about make-up for beauty related stuff, followed by a trip to McDonalds, we went ice skating and to Cleethorpes swimming pool for a special treat. We went to Poacher 96, a big international camp help every four years at Lincolnshire Show Ground. We learnt about child safety and care. I got badges in walking, camping and other random stuff. We got new neckers around 1998, in Royal Stuart Tartan. Before that, I can’t remember what colour we had, or if we even had one.

There was one camp where I wanted to try climbing and abseiling, but I only just managed to climb the climbing wall and had to be helped down the internal stairs of the climbing tower, because I was too scared to abseil once I got to the top. I wet the sleeping bag every night of that camp. I was still bed wetting at that point. Luckily I was sleeping in my own tent, although I shared it with one other Guide who was as anxious as I was. I’d have preferred to have my own tent to myself. That was the camp where the leader went to buy ‘Seventeen’ magazine for a group of fifteen year old Guides (so I must have been 12 or 13) and was scandalised when she realised what was in Seventeen magazine. Some of those girls seemed impossibly more mature and sophisticated than me, even though they weren’t much older really.

At another camp, we stayed in dorms (I had adult nappies for this occasion) at an adventure centre and I fell in a river while canoeing. I don’t mind falling in rivers, that’s fun. We also went climbing on that trip too. I got sunburnt and hid under a rock after doing the easiest climb and abseil.

On one weekend trip to a local water sports centre, my sister and I had a dome tent and we played ‘how many guides can you get in a 2-person dome tent’.

The answer is 12. Twelve teenage Guides full of sugar, who’d just spent the day canoeing around an old clay pit.

I’m sure my experience in a Guide group in the 1990s in a small town in northern Lincolnshire will be different from a Guide in 1990s London or a coastal town in Cornwall.

This book isn’t a deep archival research based book, it outlines the story of Girl Guiding and Girl Scouting in Britain and the US in 1910, and shares the stories of Guides, Scouts, and Brownies from the last 80 years. It was written during the pandemic lockdowns, so the interviews were performed over video calls. Some of the quotes come from previously published memoirs to illustrate the experiences of other Guides.

The book shows there’s a rich social history to be found in the stories of Guides and Girl Scouts, ready to be mined. There are bits and pieces of information in this book that every Guide and Girl Scout should know – like who founded them (Agnes Baden-Powell in the UK, Juliette Gordon-Low in the US) and when, the origins of the names and uniforms, that sort of thing. It also looks to the future and the current needs of girls. GirlGuiding UK regularly surveys members in about the things that are currently important to them and has found some disturbing things about the way girls feel about their bodies and abilities.

Guides and Girl Scouts did consider opening to boys when I was a member, just after Scouting UK and Boy Scouts of American opened up to girls, but they decided that girls need a place away from boys, to develop their identities away from the influence of social expectations of the way children and teenagers of different genders should interact. The GirlGuiding UK website makes it clear that men can volunteer to help units in some capacities, but it is a girls-only organisation and the leaders are all women, for instance, had my grandad still been alive while I was a Guide, he could have taught us knots for a badge and been a tester, but he couldn’t have been a leader, although he’d been a Scout Leader in South Shields while my Dad and Uncle were in the Cub Scouts.

This book was fascinating and reminded me of the fun and adventures I had in my Guiding days. A great addition to any Guide’s library.