Moojag and Nema are back for a final roller coaster of an adventure, this time to save Box Hill from total destruction and rescue a bunch of mossy sloths from nasty Brix’s celebration feast.
But their new, slow-moving friends have a secret weapon and together they’re all set to prove that saving the Real World literally takes guts!
My Review
Moojag and Nema are back, the Conqip have invaded and are threatening to destroy Box Hill. With the help of various parents and grandparents (Adam’s dad and granddad reappear), a colony of sloths, the fruit-happy Pofs, and a gang of Gajooms, the evil plans of the Conqip are defeated and the island saved, although not without loss. We learn more of the history of the families, the secrets of the Conqips and how they came about, and see the responsible use of future technology in action.
This one was fun, and the cover is very colourful. There are bits of information sprinkled about and it ends with hope for a better future, even if Moojag does go off to live in the woods with the sloths. The families are reunited, and the danger to their world is removed. Some of them have gone to London Tops to help others surviving in London. There’s a future in sight.
There are also a lot of Beatles references, most of which I didn’t get because I don’t listen to the Beatles.
Reading the books one after the other, I might have got a few events mixed up; the stories follow straight on from the one before and I read them in quick succession. The overall arc is visible to me, and it’s a lovely story, but the details get a bit jumbled. There is a lot of to-ing and fro-ing for the characters, as they race across islands and Gajoomdom, and I got a little confused at times about who was doing what. It is the nature of children’s fiction that sometimes adults don’t quite get the story.
I actually really enjoyed this one, and the sloths digestive victory made me laugh. The development of the relationships over the course of the stories makes sense, as the reader learns with Nema about how things got the way they were and the reasons people act the way they do. There was something satisfying about the conclusion.
A lovely series of bonkers adventures for children, in a possible future world. Age recommendation for series 8+
Format: 288 pages, Paperback Published: November 9, 2020 by Spondylux Press ISBN: 9781838097806
Book description
When Nema and her friends discover a hidden sugar-hooked society holding lost kids, they find their perfect world in danger. The strange, sticky place hides the truth about Nema’s missing brother, and a plot to destroy the free world she knows. But only they can reverse a code to prevent a rock candy robot invasion and rescue the captives. Fail and they might never make it back home…
This dystopian, cli-fi mystery is a quirky adventure featuring a neurodivergent cast and autistic/dyslexic/adhd main characters, for readers 10 years and up. Highly recommended as a family read due to the thought-provoking concepts and subject matter introduced.
Set in the utopian world of post-catastrophe ‘Surrey Isles’, Britain 2054, where neurodivergents live in harmony with nature and technology, and the hidden dystopian ‘Gajoomdom’.
Anyone who has ever felt different or had trouble fitting in will identify with this story about finding the strength to be your true self. A fun, Alice-esque adventure revealing what it means to be neurodivergent, in a way that’s relatable to all.
Price: £20.00 Fiction: FICTION / Fantasy / Historical Product format: Hardback ISBN: 978-1-80552-020-7 Pages: 336 Imprint: FLAME TREE PRESS
Blurb
Mairead and Constance, two powerful witches, meet in the early days of the 1745 Jacobite uprising. While the men of the village are away fighting, the villagers face threats from both the Black Watch and raiders, and the women are confronted with their vulnerability. They enlist the help of Nicnevin, fae queen of witches, to bring men made of earth to life to help protect their village. But just who do they need protection from? And what will happen when the village men return?
Publisher Independently published Publication date 5 Aug. 2025 Language English Print length 284 pages ISBN-13 979-8284534489
BOOK DESCRIPTION
Murder has come to the city of Tronte…
Holtar didn’t become a necromancer for the prestige—he did it because talking to the dead is marginally easier than dealing with the living. Unfortunately, his latest case has given him a fresh problem: the corpses aren’t talking.
Epilogue – A month (I.G.A.S.S. Standard) later, on Ascend
Maria flopped on to xyr settee, drained from spending all day on a video call giving evidence in the trial of the former human governor of Aurox. For a week xe’d been giving depositions against the regime on Aurox and their crimes, including the harassment Maria and Sahrai had received from Josh Dalton, the senior security officer. It had upset xyr when evidence of the abuse of the bovids had been presented and the testimony of human prisoners forced to labour on Rocky Horror.
Although a geologist by trade, Suah had been on enough new planets to have picked up basic skills in cultural analysis. Observing the Auroxians had been a distraction from the horror of events since arriving on Aurox. She shuddered, remembering the day the research party had been attacked.
I woke up feeling off so I had a steady morning and made my appearance at the con hotel in time for my second panel – Queer in Fantasy at noon. It was supposed to be streamed but staffing changes prevented it. Sian took another picture of me. I’m pointing at the book on the table, it’s I Want That Twink Obliterated from Bona Books. I was expressing my excitement.
Chris McCartney, Katie Bruce, and Christopher Caldwell were also on the panel, which was moderated by Burdock Broughton, who writes as April Steenburgh. I was beginning to feel unwell so I didn’t have much helpful to add. I mainly listened to everyone else and asked for a list of the books they’d all recommended. People have said that I made good comments but I have my doubts. I was overwhelmed and had brain fog for most of it.
After this panel I went to the quieter area and did some embroidery. I also made a quick visit to the dealer’s room to buy a book from AK Faulkner, Blind Man’s Wolf, and then planned to head to the ‘Creative Lives’ panel, but I got into the room and the bright lights were too painful, so I sat in the dark corridor, ate my sandwich and read Blind Man’s Wolf.
I attending the only reading I’ve been to this con, by Stephen Cox and AK Faulkner. Stephen Cox read from his Sapphic Victorian murder mystery, The Crooked Medium’s Guide to Murder, while AK read from Jack of Thorns and Blind Man’s Wolf.
After that I attended the ‘The Role of Reviewers’ panel in the same room. As a reviewer I was interested in how others saw their role, and also I didn’t need to more from the sofa I’d taken up residence on. Then I moved on to the Academic Hour, and listened to early career researchers talk about their research. The talk about Romanian folklore in fantasy was particularly interesting.
At six in the evening my throat started to feel scratchy, and I coughed my way through the ‘Editing and Editors’ panel. Luckily I was at the back and out of the way so I don’t think I bothered anyone. It was interesting, but by this point I was not able to take a lot in. I learnt that editors generally want the best for the writers and there is tension when they work for publishers because they have to balance the demands of publishing as an industry with the needs of the writers they work with.
At 7 p.m. it was the charity raffle. This is a Fantasycon tradition and stalwart Red Cloaks Babs and Marleen came through once again. They announced the ‘big prizes’ and were drawing the smaller prizes afterwards. I didn’t win anything.
Finally, at 7.30p.m. I made it up to the main room for the British Fantasy Awards. The awards were streamed although there were some technical difficulties.
This is a new award, organised in partnership with the BFS, BSFA, and UKIE to recognise excellence in World Building in Speculative Fiction, whether in books or games. It was presented by Brian Aldiss’ son, Tim.
The BFS awards were compared by Joanne Harris after Tim and Allen finished talking. I’m going to share the results, which are now available on the BFS website.
I judged this one so I already knew the winner. It was actually the first award to be presented after the Aldiss Award, but I’m working through a pre-printed list. The award was presented by Anne Landmann and collected by the author.
This award was presented by the venerable Suniti Namjoshi, a Guest of Honour at the Convention. It was collected by someone I vaguely recognise but I don’t know their name.
Presented by BFS Chair and excellent author, who’s new book I will be reviewing 6th December, Shona Kinsella. Award collected by editor, Ian Whates.
Best Newcomer – Frances White – Voyage of the Damned – Penguin Michael Joseph
Award presented by Taika Bellamy and collected by the author. I reviewed Voyage of the Damned and enjoyed it, but after listening to the Christophers at the Queer in Fantasy panel I’m wondering about the validity of m/m romance written by women. Who is the target audience?
This was presented by Ian Whates and collected by a representative.
BFS Art Competition
Sophie Jonas Will – Snicket and the Fireflies
Madelina Gaubelonga – The Long Wait
Carlie AF – Lonely Spire
The announcement was made by Jenni Coutts and the artists will have their work printed in the Autumn 2026 issue of Horizons, the BFS periodical.
BFS Short Story Competition
Mull, by J.W. Anderson
The Sphinx, by Marian Gordon
Iterate, by Nathaniel Spain
The announcement was made by Stephen Poore and the winners will have their stories published in BFS Horizons.
The Karl E Wagner Award – Rosemary Pardoe
This award is presented for outstanding contributions to the genre, and this year’s winner was a founder member of the BFS. Shona Kinsella made the announcement.
Legends of Fantasycon – Marlene and Babs the Red Cloaks.
This award is presented to people who make Fantasycon what it is – a joyous celebration of Fantasy. The award was announced by Karen Fishwick and eventually accepted by Babs and Marlene after they’d got a pint at the bar.
After the awards I had a drink with a group of friends and headed back to my hotel because I felt unwell.
Today I was on my first panel, The Way We’re Wired, about neurodivergence in fantasy. The moderator was David Green, and the other two panellists were Janet Forbes from World Anvil and indie writer Roxan Burley.
I was supported by a few people I know, and my friend Sian, deputy chair of the BFS, took a picture for me to commemorate my first panel.
Before this panel, I attended another panel, Mapping in Fantasy. The moderator was Adrian M Gibson and the panellists were Alicia Wanstall-Burke, James Logan, and Joy Sanchez-Taylor.
Joy Sanchez-Taylor is an academic from CUNY, James Logan is trad published, and Alicia Wanstall-Burke is indie published.
I have James Logan’s book The Silverblood Promise and I’ve bought all three of Alicia’s books based on the description of the maps. I really want one of Joy Sanchez-Taylor’s books, but academic books are expensive.
I made extensive notes on the conversation, so this is a bit of a summary.
The panel discussed their relationships to maps, expressing childhood memories of travelling with paper maps and learning to read them. For Alicia, maps also help her to write as they allow her to visualise a space and the way it effects the story. They discussed how the choices made on the presentation of a map can tell the reader something about the world. Joy Sanchez-Taylor especially emphasized the way reorientating the world can express and explore new ways of thinking.
The panel went on to discuss whether or not a fantasy needs a map. James Logan expressed that although he has maps of his world they aren’t included in his books because he likes to keep things malleable, so that he can move cities around if he needs to, giving him more options for the future. Alicia Wanstall-Burke brought up the question of who owns the map? A map might be a symbol of power or it might be a tool to navigate a territory and be subject to change as the land changes. James Logan, from his perspective as an editor in a major publishing house, expressed that it can be expensive to commission an artist and a cartographer, so changing the map for the next book in a series is not going to happen. Joy Sanchez-Taylor mentioned the importance of maps for visual learners and discussed the pressure on authors to have a defined map, but that they can have known and unknown areas so that the story world can expand.
Next, the discussion moved on to how the layout of the world affects the story. Alicia Wanstall-Burke discussed how the world can provide barriers to technology, information, and culture, and when cultures separated by the physical barriers meet, there can be conflict, and that can drive the story. James Logan likes to keep the world fresh for himself and for readers, so he sets each story in a different city, providing a sense of scale. They went on to discuss the way maps change perspective and the commissioning process.
I also attended the ‘Here be Dragons in Fantasy Fiction’ panel, (moderator: Charlotte Bond; panellists: Aliette de Bodard, Michael R Miller, Andrew Knighton). It was fun listening to other people who love dragons as much as I do, and I’ve got two of Aliette de Bodard’s books in my Amazon basket now, because Dragons and their murder husbands…
I attended Stewart Hotston’s book launch, and got myself a signed copy of Project Hanuman.
In the evening I attended the Disability in SFF panel, moderated by Annie Summerlee, with panellists Lizzie Alderdice, Susie Williamson, Katie Bruce and Kit Whitfield. I know Katie Bruce and Kit Whitfield and wanted to support them, as well as being interested in what they had to say. The panel was streamed and is on the member’s area of the WFC 2025 website if you didn’t get to see it.
After that, I attended the Flame Tree book launch. We got a lovely speech from Lee Murrey, a hilarious one from Ramsey Campbell, and an amazing reading from Anna Smith Spark. I treated myself to a stack of books from Flame Tree yesterday, but I was tempted buy more today.
After the launch I spent several hours chatting and drinking with friends and new acquaintances, until we got chucked out of the con bar and went down to the hotel bar, until I left at 1 a.m. We’ve overwhelmed the hotel slightly, I don’t think they realised how much SFFH people like to drink.
I wasn’t planning to buy anything today, but I gave in and spent lots of pennies visiting the FlameTree Press table, the Wizard’s Tower table, and the Portal Bookshop table, as well as a couple of indie author tables
I have pretty much spent half my book budget and may need to reduce it further to get a suitcase to take them home in.
I’ve treated myself to three notebooks from FlameTree, some teas from the Bird & Blend shop, and a pocket watch from a jewellery maker.
I definitely need a waistcoat now.
I’m having a break in hotel room. I’ll go back to the con about half four for the 5pm workshop I’ve signed up for. Until then I’m resting amd writing.
Paperback
Everything Is Better With Dragons 