Series: Rivers of London (#9.5) Characters: Kimberley Reynolds Format: 211 pages, Hardcover Published: June 8, 2023 by Orion ISBN: 9781473224377 (ISBN10: 1473224373)
Description
When retired FBI Agent Patrick Henderson calls in an ‘X-Ray Sierra India’ incident, the operator doesn’t understand. He tells them to pass it up the chain till someone does.
That person is FBI Special Agent Kimberley Reynolds. Leaving Quantico for snowbound Northern Wisconsin, she finds that a tornado has flattened half the town – and there’s no sign of Henderson.
Things soon go from weird to worse, as neighbours report unsettling sightings, key evidence goes missing, and the snow keeps rising – cutting off the town, with no way in or out…
Something terrible is awakening. As the clues lead to the coldest of cold cases – a cursed expedition into the frozen wilderness – Reynolds follows a trail from the start of the American nightmare, to the horror that still lives on today…
My Review
A novella from last year that’s been sat on my TBR pile for a while! I’ve been prompted to read it by the arrival of the latest Rivers of London novella. I thought I’d better get up to date.
Kimberley Reynolds is sent to the Great Lakes in the middle of winter to deal with an incident with unusual characteristics, and is snowed in almost immediately. Stuck without back-up, and her contact missing, she must discover what’s going on, what it has to do with an exhibition by the Virginia Gentlemen in 1848 and where Henderson in. Unfortunately, she’s not the only one looking into things, and it gets complicated when the local meteorologist takes her out to the site of the 1848 winter camp. Malevolent forces are at work, a teenage genius loci comes to the rescue, and Kimberly falls in love.
Kimberley Reynolds is a character that pops up in some of the novels but to be honest, she never struck me as a interesting character, or one I’d taken much note of. However, this novella gives the reader more information about her background and develops her character. I enjoy these novellas because they allow Aaronovitch to explore characters and locations without a full novel focused on Peter. He does make an appearance, over the phone and in her head, but it’s mainly about Kimberley and her slowly blossoming romance with William, while investigating both modern and historical crimes.
Format: 182 pages, Hardcover Published: September 5, 2024 by Orion Publishing Co ISBN: 9781398723887 (ISBN10: 1398723886)
Description
New York City, New York.
Meet Augustus Berrycloth-Young – fop, flaneur, and Englishman abroad – as he chronicles the Jazz Age from his perch atop the city that never sleeps.
That is, until his old friend Thomas Nightingale arrives, pursuing a rather mysterious affair concerning an old saxophone – which will take Gussie from his warm bed, to the cold shores of Long Island, and down to the jazz clubs where music, magic, and madness haunt the shadows…
My Review
A fun novella set in jazz-age New York, with a queer cast and inter-racial love. Nightingale turns up unexpectedly, and Gussie must help him rescue a fae. Interrupting things in the US, and upsetting lots of politicians, businessmen and mobsters, and people of a magical persuasion, events culminate at a drag ball, with policemen amusingly debagged, and explosions on lonely roads.
Aaronovitch conjures the air of excitement and danger that pervades New York in the 1920s and 30s, as jazz clubs and bathtub gin fill the need for escape after the horrors of war, and chronicle a forgotten period of cultural explosion, particularly exemplified by the Harlem Renaissance, in which Black culture and Queer culture flourished, before being appropriated and repressed after the second world war. He also captures the culture of corruption in the city, from police shakedowns for personal gain to gang violence. I loved the inclusion of the drag ball. I’ve heard about them, and how popular they were, but I don’t think they’re particularly well known outside of people interested in Queer history.
Gussie and Lucy are adorable, and I was sure Beauregard is some species of fae, although he might just be a practitioner with connections. I hope Lucy, Gussie and the gang all have long and fun lives, although I think they’d be old before their relationship becomes legal.
I enjoyed the ‘Jeeves and Wooster’ tone of the narrative, and Gussie is a funny narrator. He’s self-deprecating and observant, and astute enough to know when and when not to be himself, even if he has a low opinion of his own intelligence. The references to golden age crime fiction made me laugh – especially when Gussie decides to be a detective for a minute.
Enjoyable novella that introduces new aspects of the Rivers of London universe. Highly recommended.
Format: 384 pages, Hardcover Published: June 20, 2024 by W&N ISBN: 9781399607537
It is said there is a price that every passenger must pay. A price beyond the cost of a ticket.
It is the end of the 19th Century and the world is awash with marvels. But there is nothing so marvellous as the Wastelands: a terrain of terrible miracles that lies between Beijing and Moscow.
Nothing touches this abandoned wilderness except the Great Trans-Siberian Express: an impenetrable train built to carry cargo across continents, but which now transports anyone who dares to cross the shadowy Wastelands.
On to the platform steps a curious cast of characters: a grieving woman with a borrowed name, a famous child born on the train and a disgraced naturalist, all heading for the Great Exhibition in Moscow.
But the old rules are changing, and there are whispers that the train isn’t safe. As secrets and stories begin to unravel the passengers and crew must survive their journey through the Wastelands together, even as something uncontrollable seems to be breaking in . . .
My Review
I picked this book up at the ‘It’s Strange Up North’ event in June. Sarah Brooks is delightful, and signed this book for me. Actually, I think the books sold at that event were officially sold before publication date.
We have here a tale of a train that runs through the Siberian landscape from Beijing to Moscow, but a landscape transformed by some magical power. The land is utterly strange and bizarre creatures live there. It’s dangerous for humans to travel across the ‘Wasteland’, but trade demands that they must, so ‘the Company’ built a railway track and sends one train back and forth across it.
But the landscape is changing, it’s mimicking the the world that is intruding on it and eventually things go very wrong.
In this novel, set in 1899, we follow Marya, a young woman grieving the deaths of her parents, out to find the truth of the last crossing, and Weiwei, the child of the train – born on the train and raised by the crew – who also wants to know what happened. In the process of their separate investigations, they rouse the suspicions of the Company consultants, known as ‘Crows’.
As they seek answers they are changed, and the choices they, and their allies make – the Wasteland Girl, Elena, Alexei the engineer, Suzuki the Cartographer, and The Professor – bring changes to the whole world.
The action builds up as the train travels, there’s tension as they struggle with water shortages and mad English naturalists running off to get samples, while a Russian priest screams about blasphemy, and French aristocrats laze about. Someone has clearly been reading Agatha Christie.
This was something like Murder On The Orient Express, in that there’s a mystery to be solved – what happened on the last crossing? It’s also a historical fantasy of the late nineteenth century, with luxury carriages for the wealthy, crowded third class accommodation, steam trains, fantastical technology, and a landscape that is utterly strange but entrancing. The transformation of the train from a mechanical wonder to another kind of wonder, a terrifying, moving forest, luxuriant and free, a travelling Eden, is the central narrative, around which everything else is built, everything else is just the humans trying to understand it, understand their places in this new reality, and decide if they want to be a part of it or not.
It reminds me a bit of the magic used by Priya in Tasha Suri’s The Burning Kingdoms series. Except the magic isn’t controlled by anyone, the train and the landscape decides where it’s going.
The train and the landscape are intertwined, and the people realise they are intertwined with the landscape too, and the Walls are false promises of strength holding up ultimately weak Empires and greedy corporations.
How lovely! What a wonderous thought, a wonderous world it would be, if the old empires fell because a magical forest rose, rather than because we started murdering each other by the millions.
‘The Company’ is clearly modelled after the East India Companies of the 17th to 19th centuries (Dutch and British – both equally greedy and murderous, with their own armies), with a Victorian railway company thrown into the mix. If the East India Company hadn’t fallen apart by the 1850s, they might have got into trans-continental railways, I suppose, and the trans-Siberian train route has been around for about 100 years. It’s actually three or four connected routes, that started when the Russian Empire decided it would quite like to get to it’s furthest eastern reaches, near China, more easily. You can travel all the way from Moscow to Beijing, which would be fun, if you didn’t have to go to multiple dictatorships to do so. The train network made it easy for Russian troops to support China during the Japanese invasion in the 1940s, but also meant the Chinese and Russians could kill each other easily over bits of territory they both claimed in the 1910s.
I would call them silly buggers, but come on, we didn’t do much better. Empires are bad for everyone.
Anyway, I was quite enthralled by this book. I loved the lavish descriptions of the Wastelands and the way the train transformed. I found Marya and Weiwei, two very different people, to be sympathetic and engaging characters, and the narrative tightly constructed.
Enjoyable historical fantasy. Especially if you like trains. And magical, murderous landscapes.
Format: 416 pages, Paperback Published: May 27, 2021 by Orion Publishing ISBN: 9781473231160 (ISBN10: 1473231167)
Kinch Na Shannack owes the Takers Guild a small fortune for his education as a thief, which includes (but is not limited to) lock-picking, knife-fighting, wall-scaling, fall-breaking, lie-weaving, trap-making, plus a few small magics. His debt has driven him to lie in wait by the old forest road, planning to rob the next traveler that crosses his path.
But today, Kinch Na Shannack has picked the wrong mark.
Galva is a knight, a survivor of the brutal goblin wars, and handmaiden of the goddess of death. She is searching for her queen, missing since a distant northern city fell to giants.
Unsuccessful in his robbery and lucky to escape with his life, Kinch now finds his fate entangled with Galva’s. Common enemies and uncommon dangers force thief and knight on an epic journey where goblins hunger for human flesh, krakens hunt in dark waters, and honor is a luxury few can afford.
My Review
I appear to be late to the party on this one. I only realised this book existed in June because The Broken Binding sent me an email about a special edition set they’re doing of The Blacktongue Thief and The Daughters’ War, the first book’s stand-alone prequal about Galva. I didn’t order them in the end because I’m trying to save money for FantasyCon in October, but I did like the sound of the books, so I ordered a paperback copy of this book, and I have a paperback of The Daughters’ War on pre-order. It’ll be out next March.
Kinch is a thief who owes his Guild money, so they send him on a mission. With a blind cat. Who has swallowed an assassin. Don’t ask, it makes sense in context. Galva is a veteran of the goblin wars and is heading west to find her king’s niece, heir to the throne, lost in the giant-ravaged capital of her husband’s kingdom. Galva needs help, and Kinch has no choice, so off they go. Along the way they pick up a witchlet, who turns out to be more than anyone expected; an old neighbour of Kinch’s who resents Kinch for going to be a thief instead of a soldier; and Galva’s old sword master, who is faster than lightning.
They also fight a kraken, goblins, and giants, meet the powerful magician who created the war ravens that won the goblin wars, (and who might be Kinch’s father), after which Kinch may or may not have lost a bet with a criminal boss that resulted in him going to bed with said criminal boss in the city of Hrava (Kinch isn’t into men, but needs must when a queen needs rescuing).
In the mountains they find their answers, and more questions, before Galva and her queen leads an army riding the only stallion in the world, and Kinch heads further west, running from his Guild with the weapons that could potentially defeat them for good.
Other stuff happens, but I’ve summarised the salient points. Hopefully, I haven’t given away too much.
I enjoyed this book, Kinch is a funny narrator, and as the story is told from his perspective he has to be to keep things interesting. First -person limited and be quite a difficult point of view, but Buehlman does it well. the story is told in chronological order, but Kinch gives us the important bits of his memories and his reactions, missing the dull days of traveling where nothing happens. He includes the odd ballad or piece of history to locate us in the world he’s traveling through and add depth.
Kinch falls in love with Norrigal, a witchlet, great niece of Deadlegs, a famous witch who has to cut off the legs of the dead because her own have died. The relationship is short but intense and I was quite lost at the end of the book. I want to know what happens to them, even changed as they are. Norrigal utterly entrances Kinch and his falling in love is described delightfully, although not graphically.
The other characters, seen from Kinch’s perspective, aren’t as solid, but then that’s one of the difficulties of writing 1st person limited. We don’t get the interiority of other characters, only what they do and say in the view of the narrator and the narrator’s thoughts about them. Kinch develops a lot of respect for Galva and his shock at certain aspects of her character and physicality helps flesh her out. I definitely want to know what happens next for Galva, and also how she came to be a warrior of the Death Goddess. So, I need to read The Daughters’ War, and hopefully there will be a follow up, with events after The Blacktongue Thief as well.
I hope the giants find out they were tricked by the Takers too, and help bring down the Guild. We only really get to know one giant, Misfa, at the end, who tells the humans what happened, and helps them defeat the assassin in the cat (again, it makes sense in context) but Kinch hints, when he first encounters giants in the city of Hrava, that he knows more about giants at the time he’s writing his narrative than he did at that time, so presumably, at a later date, after the narrative in the novel, he spends time around Misfa’s people and learns about their culture? I want to know what they do with all those horses tattooed on to her.
The magical systems were really well thought out, clearly drawing on folk traditions, like the power of iron to break a spell, or with rules found in ttrpg (like you can only use a spell once and it only lasts a certain amount of time) but were also original enough to be entertaining. The hand tattooed on Kinch’s cheek which can only be seen in firelight, but allows someone to slap him without retaliation in return for an alcoholic drink, made me laugh. Especially when Norrigal made some alterations of her own.
The descriptions of places and people are very memorable, from the upside down tower of Deadlegs, to the cities they travel through and the creatures they meet, to the fights with other humans, goblins and giants. They’re all very vivid.
The underlying conspiracy is slowly revealed, with some dropped hints and interesting consequences, and sets the main characters on their future paths. It leaves the story open ended, the author could leave the novel where it is, as a stand-alone work, but I hope he doesn’t. I want to see how Kinch and Deadlegs reveal the conspiracy to the world and the fall out for everyone, what the giants do after conquering Oustrim, and how Galva and her queen fight the false king in Ispanthia.
This is clearly a world based on a pseudo-Renaissance Europe, and written by someone who’s played a bit of D&D or other fantasy table-top role-playing games (ttrpg). It has the structure you’d expect, with magical artifacts appearing that might or might not be useful later, random unexpected events that throw off the expected narrative, and traps everywhere.
Criticisms: The pseudo-Irish got a bit much at times, almost parodying Irish accents and turns of phrase. The same with Galva and the Spanth – they’re patterned on the people of the Italian or Greek regions of the Mediterranean – black hair, fanatic cleanliness, wine, olive oil, and garlic. I get that the author is using real world inspirations to people his secondary world, but it was a bit much. Felt like he was taking the piss, at times, honestly, or was working from caricatures rather than reality.
A fun bit of fantasy and an enjoyable world I’d happily come back to for more adventures.
From the award nominated author of Bluebird comes a tale of seduction, sadism, and survival featuring malevolent vampires and a locked-room escape adventure…
Locked in a castle with a clan of devious vampires, one woman is caught in a literal fight for her life.
Vampires have always fascinated Kazan Korvic, so much so that she’s made it her life’s work to craft weapons designed solely to kill them. But when she is attacked and captured by an entire clan, Kazan’s fascination turns ferocious.
In their Citadel, Kazan is forced to attend the Vampire Court where she must act as their Queen. She is told that she will be waited-and-doted upon, until the end of her reign in three days’ time. Then, an extravagant and lavish feast will be held… where the vampires will consume their newly crowned Queen.
Desperate and afraid, Kazan finds no allies in the castle except for a pair of distractingly alluring vampires who seem sympathetic to her plight. But as she devises her escape plan, she comes to realise that she is not the only one who is trapped, and no one is prepared for how far she’s willing to go to survive…
● Genre – contemporary horror > psychological thriller ● ISBN paperback – 978-1-78758-809-7 ● ISBN ebook – 978-1-78758-811-0 ● Pricing [USD] $16.95 (PB) / $4.99 (EB) ● Pricing [GBP] £12.95 (PB) / £4.95 (EB) ● Releases 11 June 2024 ● Published by Flame Tree Press ● Distributed by Hachette UK
SYNOPSIS It’s been ten years since the events of Until Summer Comes Around. Lucky to be alive, Rocky roams his beachside hometown, waiting for life to start again.
November Riley has never been far from the boy that stole her heart. She watches from the shadows, knowing she can never make things right between them, but just hoping they could try one more time…
A new documentary is bringing Gabriel Riley, the Beach Night Killer, back to national consciousness.
The dead serial killer has a trio of new fans that are ready to make Old Beach their home for the end of the summer season. When the new strangers in town discover Rocky’s relationship to the past of one of their own, he becomes their number one target. Can November protect him, or will these other vampires prove too strong?
When the night falls, blood will spill, and death will reign.
Format: 565 pages, Paperback Published: April 25, 2024 by HarperVoyager ISBN: 9780008517649 (ISBN10: 0008517649) Language: English
From the ashes of an empire, a hero will rise…
Jai has spent his life forced to serve the cruel empire that killed his family and now rules his people.
To grow ever more powerful, the emperor’s young son is betrothed to Princess Erica of the Dansk Kingdom. An unconquerable realm, where ancient beasts roam. The princess brings with her a priceless gift: dragons. Only Dansk Royalty can bond with these magical beasts to draw on their power and strength. Until now.
When the betrothal goes wrong, a bloody coup leads to chaos at court. Finally, Jai has a chance to escape. He flees with a fierce Dansk warrior, Frida, but not before stealing a dragon egg.
To vanquish the empire, he must do the impossible: bond with a dragon. Only then he can seize his destiny, and seek his revenge …
An epic new fantasy, where dragons fly and empires fall.
My Review
I really need to get better at writing these summaries. I have three different editions of this book. Two are special editions, one each from Goldsboro Books and The Broken Binding, and the third is an ARC I won in a competition the publisher held in February. I’ve had it since March. I wanted to finish it long before now, but blog tours kept getting in the way. In the last few days, I’ve had time to read about two thirds of this chonker of a novel. So, read on of you don’t mind an outline of the first four hundred pages and some background, before you get to my opinions.
Spoilers below! Scroll quickly down to the separator if you don’t want to see them. I don’t spoil the ending or any of the real details.
Genre – fantasy > mythology > magical realism ● ISBN paperback – 978-1-78758-908-7 ● ISBN ebook – 978-1-78758-910-0 ● Pricing [USD] $16.95 (PB) / $4.99 (EB) ● Pricing [GBP] £12.95 (PB) / £4.95 (EB) ● Releases 14 May 2024 ● Published by Flame Tree Press ● Distributed by Hachette UK
SYNOPSIS
A world where petals are currency and flowers are magic.
A man battling a curse of eternal old age. A girl who can be his boon. But it’s not all tulips and roses. There are also nettles and thorns. Where Delights persist, Sorrow must follow.
In the city of Sirvassa, where petals are currency and flowers are magic, the Caretaker tends to the Garden of Delights. He imparts temporary magical abilities to the citizens of Sirvassa, while battling a curse of eternal old age.
No Delight could uplift his curse, and so he must seek out a mythical figure. A god.
When a Delight allows a young girl the ability to change reality, the Caretaker believes he’s at the end of his search. But soon a magical rot takes root in his Garden, and the Caretaker must join forces with the girl and stop it from spreading.
My Review
Thanks to the publisher for sending me a copy of this book and to Anne Cater for organising this blog tour.
The blurb doesn’t do this book justice. Also, the Caretaker doesn’t realise what Iyena could do, and who she was, until after she cures the rot and dies.
Okay, that’s a bit of a spoiler. Iyena dies and is reborn, and it’s magnificent!
We start with an epic battle between a Florral and a Champion, the semi-divine magicians of the Inishtis and Abhadis, two tribes of humans who have been fighting forever. The Inishtis use floral technology; the Abhadis use metal technology. In the centuries that follow the epic battle, two cities rise: Sirvassa, home to floral technology, a stronghold of the Inishtis, a city of flowers and petal rains, and the Garden of Delights, overseen by the Caretaker, one of the few remaining Florrals; and Alderra, industrial capital of the Three Realms, the Abhadis stronghold, a place of flying machines and railways, a place where the Champions still have a home, a city they protect.
The Caretaker, protector of the Garden of Delights, and Sirvassa in general. He gives Delights made from the flowers in his Garden to the people of Sirvassa, giving them a temporary taste of the magic Florrals used at will. He is worried about developments in the city, something is going on, especially after Ministry officers from Alderra arrive and the Mayor of Sirvassa becomes weak. The Caretaker is dealing with his own problems. His experiments in curing the curse have made things worse.
Meanwhile, a girl, 15, arrives in Sirvassa, with her father. Iyena is the daughter of an Abhadi father and and Inishti mother, and born in Alderra. Separated, Iyena has no idea where her mother is or why she left her with her father, but immediately feels at home in Sirvassa, her mother’s home city. Her father is a stern, distant man, who works for the Ministry of Miscellany in Alderra, has brought them to stay with Maani-Ba, her mother’s sister, ostensibly to see about trading agreements between Sivassa and Alderra.
Iyena goes to school, and is enchanted by everything, from learning from books rather than oral learning, to the beasts that pull the carriages, to the fluttering ribbons that cross the city above the roofs, to a boy named Trehan. Making friends and learning about this new society, her maternal inheritance, brings her joy. She learns about the Garden of Delights after Trehan shows off his current Delight. With some forgery, she gets permission to visit the Garden and receives a Delight.
After that it all gets a bit political; there are explosions, sudden changes to the school curriculum and teaching, a fancy dinner at the mayor’s bungalow, fights between the Caretaker and Champions, death and rebirth, freedom and battles to maintain the cultural diversity of the Three Realms.
I was enchanted by this novel. I was about two thirds through it when I got a sense of terrible dread, that Sirvassa would be destroyed by the Minister’s plots; I had to put the book down because I couldn’t face the thought. After a couple of days I went back to the book, because I had to know what happened next. I think I struggled because the sneaky colonialism of Sirvassa by the Alderrans reminded me too much of events in the real world. The wholesale changing of school curricula, the re-writing of history, trying to co-opt Sirvassan cultural traditions, and the ‘if we can’t have it, destroy it’ attitude, remind me of historical colonialism and current colonial states. We’re bearing witness to several such colonial events right now, with all the attendant propaganda, murder and re-writing of history. Anyone with empathy would feel dread at reading it in fiction, when we’re already bearing witness in the real world.
The novel has a much happier ending than the consequences of historical colonialism and the realistic consequences of current colonial efforts. Any Florrals around who can save the world?
The writing is quite lyrical, and compelling reading. The descriptions are beautiful and colourful.
The relationship between the Caretaker and Trulio is paternal, and the way it ends is devastating. The confusing relationship Iyena has with her parents, her distant but present father, and absent but close in memory mother, especially after she meets her aunts, prompt many of Iyena’s actions. She’s pushed from one to the other, by the actions of her father and his friends. I particularly found the relationship between Iyena and Maani-Ba touching. There’s a lot of love and care between them, and secrets. Maani-Ba stands by Iyena when she goes through her change of state, and is instrumental in the rebellion after Iyena becomes afraid of her own abilities. The character development of the main characters is gentle but present.
The touches of Indian culture and inspired mythology, the contrast between the industrial Alderra and the floral Sivassa, the hints of a greater world beyond, really bring the world building to life.
Highly recommended.
ABOUT THE AUTHOR
Amal Singh is a writer of science fiction and fantasy from Mumbai, India. He has numerous short story publications to his credit, in venues such as Clarkesworld, F&SF, Apex, Fantasy, among others. His story What is Mercy?, published in Fantasy Magazine, was longlisted for the BSFA Award in 2021. While he has held jobs of IT Analyst, Database Administration, and SOP consultancy in the past, he is now fortunate enough to do something that involves full-time writing. By day, he juggles screenwriting, audio-writing, and Creative Production, working on web-shows and movies. In his spare time, he enjoys cooking and running. amalsingh.substack.com / X: @Jerun_ont
FLAME TREE PRESS is the imprint of long-standing independent Flame Tree Publishing dedicated to full-length original fiction in the horror and suspense, science fiction & fantasy, and crime / mystery / thriller categories. The list brings together fantastic new authors and the more established; the award winners, and exciting, original voices. Learn more about Flame Tree Press at http://www.flametreepress.com and connect on social media @FlameTreePress
Format: 400 pages, Hardcover Expected publication: May 28, 2024 by Angry Robot Books ISBN: 9781915202680 (ISBN10: 191520268X) Language: English
Description
The Devil knows your name, David Aristarkhov.
As a teen, David Aristarkhov was a psychic prodigy, operating under the shadow of his oppressive occultist father. Now, years after his father’s death and rapidly approaching his thirtieth birthday, he is content with the high-powered life he’s curated as a Boston attorney, moonlighting as a powerful medium for his secret society.
But with power comes a price, and the Devil has come to collect on an ancestral deal. David’s days are numbered, and death looms at his door.
Reluctantly, he reaches out to the only person he’s ever trusted, his ex-boyfriend and secret Society rival Rhys, for help. However, the only way to get to Rhys is through his wife, Moira. Thrust into each other’s care, emotions once buried deep resurface, and the trio race to figure out their feelings for one another before the Devil steals David away for good…
The first book in a spellbinding and vibrant new series from The Sunday Times bestselling author of A Dowry of Blood.
My Review
I have a limited edition proof copy of this book, sent by the publisher in December last year. I started reading it in January, but then life and blog tours got in the way, so I managed one chapter before I had to put it down. Last night, I read it all. In about five hours. I think the cover of my edition is way cooler that the standard edition. And I got a mini chocolate bar with my book.
From reading the first chapter I didn’t know if I’d enjoy the book. David is not a likeable character at the start. However, as the story progresses and the reader meets Rhys and Moira, and then other people in their circle, we learn something of them all. David, particularly, makes major character changes over the course of the novel as he becomes sick and is forced to confront his dead father, and a demon. Rhys and Moira are both antagonistic to him at the start, which we learn is due to David misdiagnosing the cause of a haunting in their house and blaming Moira. This is apparently the plot of the novella that precedes this novel. I haven’t read the novella, but picked up some of the story from mentions in this novel.
Rhys has ambitions of becoming important, while Moira suppresses her ambitions under the rules her mother taught her, and David has the insouciance and confidence of old money. They clash, because they all need therapy. David is driven by the fear of failure, of perfectionism, beaten into him by his abusive father. He’s a sober alcoholic, who copes with his stress by obsessively working both as a medium and a lawyer, while maintaining a punishing food and exercise regimen (he’s clearly struggling with orthorexia). Rhys has a load of Catholic guilt about being bisexual, about being an occultist, about having ambition. Moira needs to learn to put herself first sometimes, and to accept her own power.
Moira is the first one to realise, with the help of her friend Kitty, also a powerful magic worker, and wife of one of David and Rhys’ friends at the Society, that there is more than one way to do relationships. Moira at times acts as the hinge that keeps the two men from killing each other, holding them together when they’re falling apart, fighting demons or dying. As the story develops, and they all confront their feelings and trauma, they realise they can form a family that works for them.
It feels a bit like Moira is the one who is doing a lot of the work, of parenting two men in their late twenties who clearly didn’t get the parenting they needed as children. It’s unfortunate that this dynamic is one often found in heterosexual relationships (a woman becoming wife and surrogate mother to a man), and I found criticism of S.T. Gibson in other reviews of this book for that dynamic, but it’s what relationships are often like, and in a book that has demons and magic, the reality is grounding. I enjoyed the character growth they all go through and the resolution is satisfying.
S.T. Gibson is a really talented writer who knows enough about a variety of occult, magic and religious traditions to write convincingly about the many traditions that make an appearance in this book. It was fun playing ‘spot the tradition or folklore reference’ as I read the book. I want more of these books, more adventures for David, Rhys and Moira. And Leda, David’s half sister – who is utterly cool. I reckon if Kitty, Moira and Leda decided to, they could take over the Society, although Lorena would still be more powerful.
Recommended for fans of urban fantasy. Not much sex, for those who aren’t into it, but lots of angst and romance.
Enter the circus at your own risk… and discover the greatest show on earth in this explosive
and darkly magical fantasy novel.
For humans, the circus is a place filled with wonder and amazement. For Harrow, it’s a place to hide
from those who slaughtered her entire clan. Disguising her abilities as part of her act has kept her
true identity safe for years.
Until he arrives.
A strange new attraction with no name, no memory of who – or even what – he is, let alone an explanation for his odd yet deadly powers. But beneath the layers of anger and isolation, one
glimpse into his inky eyes reveals a soul that calls out to the loneliness in her own. And so, she chooses him.
Harrow is drawn to the darkness, to her insatiable need to soothe the beast who threatens their very existence. But with every secret she unlocks from his past, another from hers is revealed – luring
enemies who will stop at nothing to get their final revenge on Harrow. And she’s afraid she’s given
them the perfect weapon against her because he’s not what he seems.
But maybe it’s time they finally learn neither is she…
Everything Is Better With Dragons 