Format: 245 pages, Hardcover Published: November 14, 2023 by Tor Publishing Group/Tordotcom ISBN:9781250826978 (ISBN10: 1250826977)
Description
Am I making it worse? I think I’m making it worse.
Everyone’s favorite lethal SecUnit is back.
Following the events in Network Effect, the Barish-Estranza corporation has sent rescue ships to a newly-colonized planet in peril, as well as additional SecUnits. But if there’s an ethical corporation out there, Murderbot has yet to find it, and if Barish-Estranza can’t have the planet, they’re sure as hell not leaving without something. If that something just happens to be an entire colony of humans, well, a free workforce is a decent runner-up prize.
But there’s something wrong with Murderbot; it isn’t running within normal operational parameters. ART’s crew and the humans from Preservation are doing everything they can to protect the colonists, but with Barish-Estranza’s SecUnit-heavy persuasion teams, they’re going to have to hope Murderbot figures out what’s wrong with itself, and fast.
Art expert Emma Lindahl is anxious when she’s asked to appraise the antiques and artefacts in the infamous manor house of one of Sweden’s wealthiest families, on the island of Storholmen, where a young woman was murdered nine years earlier, her killer never found.
Emma must work alone, and with the Gussman family apparently avoiding her, she sees virtually no one in the house. Do they have something to hide? As she goes about her painstaking work and one shocking discovery yields clues that lead to another, Emma becomes determined to uncover the secrets of the house and its occupants.
When the lifeless body of another young woman is found in the icy waters surrounding the island, Detective Karl Rosén arrives to investigate, and memories of his failure to solve the first case come rushing back. Could this young woman’s tragic death somehow hold the key? Battling her own demons, Emma joins forces with Karl to embark upon a chilling investigation, plunging them into horrifying secrets from the past – Viking rites and tainted love – and Scandinavia’s deepest, darkest winter…
Format: 352 pages, Hardcover Published: November 21, 2023 by Hodderscape ISBN: 9781399724685 (ISBN10: 1399724681) Language: English
Blurb
Marriage isn’t always sunshine and unicorns… sometimes it’s monsters and necromancy.
In a world of magic and adventure, Logan “the Bear” Theaker had hung up his axe and settled down with his sunshiny bard husband, Pie. But when Pie disappears, Logan is forced back into the world he thought he left behind.
The kingdom is in turmoil, and Logan must come out of retirement to save it. But first, he must save his beloved husband from whatever danger he’s in. With the help of an old adversary and a ghost from his past, Logan discovers that Pie has been blackmailed into stealing a powerful artifact capable of creating an undead army.
The fate of the kingdom hangs in the balance as Logan and his team set out to stop the brewing war and put an end to the king’s ban on magic. But in doing so, Logan must confront his own hero complex and come face to face with the one man who’s ever made him feel worthy of love.
Legends & Lattes meets Kings of the Wyld in this thrilling, queer, light fantasy. Follow Logan and Pie’s journey as they fight to save their love and the kingdom they call home.
My Review
I got myself a signed copy of this book from Goldsboro Books a couple of weeks ago and started reading it when it arrived two days ago. I’ve been busy with work and blog tours so I only got three chapters in, until this evening. Four and a half hours later I’ve finished reading the book.
We meet Pie and Logan at a village festival, a few months after they marry and settle down from their lives on the road as a bard and a hero. But things quickly go wrong when Pie disappears on a trip to the nearest city and Logan has to search for him. He calls on a necromancer he once arrested and that sets off a chain of events that eventually include grave robbing, nearly drowning, killing a king and unicorns, lots of unicorns.
This romp of a story is a D&D campaign! Seriously, it has the sorts of characters and structures you get in a really good game, with a really good DM. There’s an inciting event, a quest, a collection of characters who appear and join the expedition, monsters to defeat, an even bigger challenge to over come when it looks like you’ve got to the end, and a final big boss to destroy. It was a lot of fun to read.
It was also heart-breaking at times! Pie and Logan are absolutely wretchedly in love and their arguments are caused by love and their insecurities as they face their pasts and their feelings. I cried, a few times. I
I’m soppy, I know.
They’re so lovely though, and they develop over the course of the novel as they confront their fears and insecurities about being left behind, and express how overwhelming their love for each other is.
I found the countess hilariously funny, relentlessly positive and of all the secondary characters she’s my favourite. She has a sad history, uses her magic for seemingly trivial things like getting the gardening done, and is feared because she’s a necromancer. Yet, she comes through in the end, even though she sort of betrayed Logan before the story started. And she has a CHARTER!
I loved the descriptions of places and people in the book, they were very evocative and quite, quite amusing at times. The contrast between the ‘real’ world, the ‘pocket’ world of the unicorns, and death’s realm were very clear and stark. I loved the descriptions of the library in the capital. Also, totally agree with Logan on the suspended walkways. They are a baaaaaad idea.
A riveting technological thriller following a woman whose life is upended when her husband and son disappear in a mysterious plane crash and she is left alone with an unnerving home robot, only to get caught up in an AI-related conspiracy.
In near-future Japan, Susie Sakamoto is mourning the loss of her husband and son to a plane crash. Alone in her big modern house, which feels like more of a prison, Susie spends her days drinking heavily and taking her anger out at the only “sentient” thing left in her life: Sunny, the annoying home robot her husband designed. Susie despises Sunny, and sometimes even gets a sinking feeling that Sunny is out to hurt her.
To escape her paranoia and depression, Susie frequents the seedy, drug-fuelled bars of the city, where she hears rumours of The Dark Manual, a set of guidelines that allow you to reprogram your robot for nefarious purposes. In the hopes of finding a way to turn off Sunny for good, Susie begins to search for the manual, only to learn it’s too late: the machines are becoming more sentient and dangerous. Thrust into the centre of a dark, corporate war, Susie realizes there’s someone behind the code, pulling the strings. And they want her dead.
With a darkly humorous yet propulsive voice, O’Sullivan presents us with an unsettling look at a future that feels all too real. Gripping and thought-provoking, Sunny is a haunting character study of an anxious woman teetering in an anxious time.
Genre: steampunk historical fiction Publication Date 27 November 2023 ISBN 978-1-3999-5773-1 Dimensions 229 x 152mm Extent 306 pages RRP £9.99 BIC FL, FV Rights Worldwide
Published by Open Door Books. Page design and typesetting by SilverWood Books.
Key Selling Points
From the author of The Mechanical Maestro and The Copper Chevalier, a new story following the Abernathy siblings as they face an enigmatic adversary.
Character-driven story centred around three genius siblings.
A steampunk-tinged tale with Gothic overtones sure to enthral fans of clockwork, androids and the Victorian era alike.
Immersive world filled with colourful characters.
Blurb
1863
Six years have passed at Ravenfeld Hall. The Abernathy siblings’ fortunes continue to improve as George and Douglas’s android-building business thrives. But change looms on the horizon. Douglas’s engagement to the sweet, charming Clara Marsden threatens to take him from his family, while sister Molly contemplates whether a future with the man she loves means sacrificing her independence and academic pursuits.
Then the family face more pressing concerns…
One night, George’s latest invention escapes the Hall. Four months later, a charismatic inventor by the name of Gearhart appears in London, with an intellect to rival that of the Abernathys’. George senses there’s something sinister about the mysterious Mr Gearhart, who’s planning to unveil an invention that could change the world. But does he have far grander ambitions? And can George uncover the truth about him in time?
) Published February 28th 2023 by Head of Zeus Hardcover, 460 pages Author: Django Wexler ISBN: 9781801101424 Format:460 pages, Paperback Published: February 28, 2023 by Orbit ISBN: 9780316519663 Publisher : Head of Zeus — an AdAstra Book (9 Nov. 2023) Paperback : 528 pages ISBN-10 : 1801101442 ISBN-13 : 978-1801101448Format: Audiobook Published: August 8, 2023 by Orbit ISBN:9781668634899
Blurb
Two siblings divided by magic and revolution must finally join forces and rally the people to take down the Twilight Order once and for all in the final book of this brilliantly imagined epic fantasy trilogy. The last surviving Chosen, Ashok has finally risen up and taken control of The Twilight Order. He promises equality and prosperity, but Gyre and Maya know the truth. Only death follows in Ashok’s wake. To take him down, Gyre will have to unite old allies from all across The Splinter Kingdoms and the depths of Deepfire. And Maya will have to seek out a legendary weapon hidden in the mountains that could turn the tide in their battle for freedom.
Format: 352 pages, Paperback Published: November 7, 2023 by Tor Trade ISBN: 9781250886101 (ISBN10: 1250886104) Language: English
When an injury throws a young, battle-hungry orc off her chosen path, she may find that what we need isn’t always what we seek.
In Bookshops & Bonedust, a prequel to Legends & Lattes, New York Times bestselling author Travis Baldree takes us on a journey of high fantasy, first loves, and second-hand books.
Viv’s career with the notorious mercenary company Rackam’s Ravens isn’t going as planned.
Wounded during the hunt for a powerful necromancer, she’s packed off against her will to recuperate in the sleepy beach town of Murk—so far from the action that she worries she’ll never be able to return to it.
What’s a thwarted soldier of fortune to do?
Spending her hours at a beleaguered bookshop in the company of its foul-mouthed proprietor is the last thing Viv would have predicted, but it may be both exactly what she needs and the seed of changes she couldn’t possibly imagine.
Still, adventure isn’t all that far away. A suspicious traveller in grey, a gnome with a chip on her shoulder, a summer fling, and an improbable number of skeletons prove Murk to be more eventful than Viv could have ever expected.
My Review
Viv the coffee selling orc returns, but twenty years younger, and with less enemies. Injured in a raid, she’s left in Murk, a seaside town, while her crew, Rackham’s Raven’s continue hunting for Varine the Pale, a necromancer and her hoard of wights. Bored, Viv takes a chance visit to bookshop and discovers a love of reading. In time, she makes friends, falls in love with a dwarf and deals with an undead problem. She meets a famous romance author and a bony homunculus called Satchel in the process. She also meets Galina, the gnome we first meet in Legends & Lattes, in Murk, as a young, untired mercenary.
I have several copies of this book, a hardback special edition from The Broken Binding, a standard Tor hardback, and this Tor US paperback. I have the UK paperback on order for next year. I am a completist with my books, especially when I like them. That’s why I have multiple copies of the Burningblade & Silvereye series (UK and US editions), and many, many editions of The Lord of the Rings.
I really enjoy Travis Baldree’s cosy fantasy novels. That’s why I spend the money to get The Broken Binding special editions, as well as the standard hardback and paperback. Isn’t it glorious? I love the artwork!
Other editions I have
Back to the actual story. Viv is a young, over-confident orc on a mission to prove herself. Right up until she gets stabbed in the leg and is shipped off to a dull seaside town. We see Viv, the young orc who becomes the Viv of Legends & Lattes, learning her first lessons in being a mercenary, and that there is a chance at life afterwards, if you find out what you really want to do. We see the start of the yearning that leads to her eventually opening her café and finding a partner. First though, she has to learn to temper her impatience, that sometimes you meet the right person, in the right place, but at entirely the wrong time. Someone who’s had their adventures and found a place, while you are just starting yours and haven’t found your place yet. These bittersweet lessons in life and love are handled well.
There’s the cosy bakery, a dank bookshop that needs modernising, and a gnome with a chip on her shoulder as big as she is. It’s all so delightful. I loved the use of a bookshop – Viv dives in to helping her new friend in return for being given the joy of books. The spread the joy by sharing books with other people and bringing in innovations in bookselling (at least they’re innovative in Murk). Between that, falling in love with a baker, and saving Murk from the undead hoards, Viv has a lot going on, as she impatiently waits for the return of Rackham’s Ravens. Her stay in Murk is a temporary one, she hopes, and dreads both staying and leaving by the end.
This story is about books. It’s a book about stories, too. Mostly. It’s about what books can do for you, about how books, and stories, can explain the world and help us through difficult times and turbulent emotions, by acting as mirrors. It’s about finding the story after the end of the story. In LOTR, Sam talks about how they’re characters in a story, that one day, their great adventure will be another part in a greater story. Viv, Fran, and, Maylee say it differently, but it’s the same concept: we’re all stories, our story streams become part of the greater river of stories that all join each other in the sea of history.
Oh, great, I’m getting metaphorical and poetic!
I was deeply affected by this book, which might sound daft, considering characters include a gryphon-dog hybrid, a cake baking dwarf, a snake-person who runs the town police force, a rat-person who runs a bookshop, a homunculus that need dusting with bone dust to form, and a poetic orc. Then there’s the romance writing elf, who is wildly popular with everyone but a bit of a recluse, until Viv and Fran visit with cakes from Maylee’s bakery. I loved the characters, they’re so squishy. I could cuddle them all day. That’s what I enjoy about cosy fantasy, everything turns out fine in the end, even if the ending is a bittersweet one. The main character leaves wherever they are better than they found it and people’s lives better for their presence. It’s soft and cosy and just the thing for a winter’s evening.
Once again, Travis Baldree has written a cracking good book. The epilogue promises more to come, and I’d definitely read more about Viv’s adventures in between the events of L&L and B&B.
Thanks to Anne for organising this tour and to the publisher for my copy of this book.
Patience Leaton, 20ish, I think, and lean to emaciation, is the daughter of a Vicar. Her family (father Hector, brother Earnest) have been forced from their parish in Ely for reasons hinted at by Patience, to the Durham dales parish of Mutton Clog, a sheep farming village of farmers. The previous vicar has died at a fortunate time for the disgraced Leaton family and they’ve been given the meagre living. Used to a richer life in the town of Ely, and with a puritan conviction, Patience disdains the people of Mutton Clog before they even meet. The Leatons have secrets, and Patience has an urge to find witches.
Young Rose Driver is 16 and a skilled shepherdess on her family farm. The farm is prosperous but life is blighted by her bullying father and widowed grandmother. Her step-mother, May, is her mother June’s best friend. Marriage to Rose’s Widower Da, Andrew Driver, was an escape from an abusive father, and she took her sister Tilly with her.
Rose and Patience meet the day after the Leaton’s arrive in Mutton Clog. Rose also meets Earnest. He seems sweet, intelligent, and very handsome. He charms Rose while Patience looks on id disgust, immediately blaming Rose for Earnest’s behaviour. Patience decides Rose is a witch and goes about finding evidence to prove it.
One day, the pious, hypocritical, zealous Patience sees Rose at her work with the lambing ewes, and believes her to have engaged in a satanic ritual. From then on, everything bad that happens is Rose attempting to kill her. Rose meanwhile has sheep to care for. Earnest comes to visit her at the shepherding shed, and presses his suit, although Rose fights him off.
Things go down hill from there, involving a midsummer millpond, a death at the wool fair, and another at sea, imprisonment at Durham, and a death by hanging. Finally, there’s birth and life returning. Just as it should be.
I must admit that while I first started reading this book 3rd November, thinking it would be a quick read, but then I realised Patience was a bitch out to ruin Rose and that Rose was going to suffer unnecessarily. I put the book down to concentrate on another book I’m reviewing this week, The Lost Supper, because I struggle with stories that involve the unjust punishment of a good character by someone acting from malice. Today, 12th November, I decided to deal with that by looking at the last chapter. It helped, because I knew that I could get through the nasty stuff because I knew Rose would come out of things fairly well, although she loses a lot of people along the way. So I dived in. Took me three hours, maybe, to get through the book in the end, and it wasn’t as upsetting as I though it would be.
Through the novel we discover the lies Patience is telling people, and herself, to hide her family secrets, and I realised she was probably seriously mentally ill, at a time when there was only two possible ways to view mental illness – either madness or witchcraft. Patience is a ‘respectable girl’ so she can’t be mad (poor people or those not considered respectable could be mad, but they were probably curse), and she’s a god-fearing, diligent, vicar’s daughter, so she can’t be a witch.
Even I can tell she’s probably got some sort of religious mania, possibly anorexic, and with some delusions. There’s nothing inherently wrong with having any of these mental illnesses, and with treatment people can live a normal life and none of them usually cause murderous behaviour. Her neighbours and victims put it all down to her being a spoilt miss with too much time on her hands and not enough reading material to keep her mind educated and active. The magistrate in Durham thinks she’s a plain girl jealous of a pretty girl. I get the feeling, if she was in the North American colonies, she’d have murdered dozens. We learn that she has already killed one woman, and as the book goes on, it looks like her mania might actually be the reason her family is forced from Ely. Then we find out something else. Everyone else is always to blame, for Patience. It’s never her fault, her actions cause terrible consequences, but she always pushes it on to her victims.
It’s also interesting that we learn Patience is probably bisexual and is in conflict with herself for being attracted to anyone. She sees sexuality as a sin; her mother is dead to Patience because she is ‘promiscuous’, her brother is cursed with their mother’s promiscuity and needs to be guarded, her attraction to Tilly and Tom is their fault for being wanton (Tilly lifts her skirt up to cross a river, and Tom works shirtless in the graveyard on a hot day). It doesn’t occur to her that her parents’ marriage was loveless, and her mother almost dies giving birth to the twins. It doesn’t occur to her that Earnest is a creep who uses his position as a curate to seduce young women and then blames them for his own actions. It doesn’t occur to Patience that sex is a part of life and some people really enjoy it, and some people don’t, and social conventions will constrain people’s actions, and her religious convictions are constraining her thinking.
Earnest got a better death than he deserved after seducing Rose (and Tilly), blaming her for his actions, and then trying to force her to abort their child. His actions encourage Patience in her campaign against Rose. His behaviour is hypocritical and it seems his father knows how bad he is and is desperate to send him to sea, while Patience believes he’s just young and easily led, not the pillar of religious rectitude that she is. They’re twins; he was born first by a few minutes.
Rose is a steady farmer, daughter and granddaughter of farmers, daughter and granddaughter of herbalists, murdered as ‘witches’. She’s the backbone of her household, and continues to be so after her father dies, until she’s forced to live with the Leatons, who abuse her. Her time in Durham North Gate Gaol is wretched, and so evocatively described. People died before they even got their day on court in gaols, because they had to wait for the quarterly assizes.
Rose’s experiences as a child, which we only learn about when Rose learns about them, and later in court, are foreshadowed in childhood games and fears of going to church. The family she has in Mutton Clog are mostly not blood relatives, but they treat her as their child and grandchild, because that’s the right thing to do. We learn that Rose’s Da is a much worse man than we know from his actions in life, but he helped save Rose from a monster. The psychological damage she received as a child explains many things and it’s actually a fairly reasonable explanation. I don’t know enough about the sort of trauma seeing a violent murder as a young child would cause to be able to say it’s a realistic depiction, but it seems reasonable.
I love the way the community of Mutton Cleg come together to help Rose in gaol and in court; it’s clear no-one understands why Patience is targeting Rose, but they are there to get the truth out. That they will suffer for witnessing to the truth of events from the past and the present occurs to some of them. I haven’t read any of the other books, but the events of this book suggest they are good. I should probably get the first two in the series and The Running Wolf, which is set in 1687, when the baby born at the end of Solstice is an adult.
I’m assuming this book is set sometime in the 1650s or 1660s, during the puritan period. People in neighbouring dales are still having Midsummer Bonfires, and many of them stopped during the Civil Wars of the 1640s (yes, British, not English, because the civil wars engulfed all four countries/both main islands of the archipelago). Mutton Clog is rural enough that it might not have been involved. The church still has stained glass windows and the manse is comfortably furnished, which is very much not puritan practice.
I love the way Rose and the villagers are bemused by the plainness of the Leaton’s clothes and food. Hector Leaton seems to be fairly balanced, in that he’s comfortable with the changes in his housing and, when Tilly joins the household, his meals. He resists a lot of Patience’s stranger ideas and only weakens when he’s grieving; she is consciously manipulative of him. Even after his estranged wife returns and he’s grieving, he’s able to recognise that he was partly responsible for his wife leaving and that he needs to make amends. His actions speak when Patience refuses to record his words.
Tom Verger is an absolute hero in this novel. The history that develops through the novel shows that he was a hero in the earlier novels too. He is stoic and loving, and stands up to bullies for his community.
I really enjoyed this novel; it explores the psychological and cultural environment of the 1650s to explain the witch-obsessions. It draws on real events and realistically describes the lives of rural farmers in Northern England. Finally, it brings the Widdershins series to a satisfying conclusion, with hope and new life.
Helen Steadman’s first novel, Widdershins and its sequel, Sunwise were inspired by the 1650 Newcastle witch trials. Her third novel, The Running Wolf is about a group of master swordmakers who defected from Germany to England in 1687. Helen’s fourth novel, God of Fire, is a Greek myth retelling as seen through the eyes of Hephaestus, perhaps the least well known of all the Olympians.
Helen is particularly interested in revealing hidden histories and she is a thorough researcher who goes to great lengths in pursuit of historical accuracy. To get under the skin of the cunning women in Widdershins and Sunwise, Helen trained in herbalism and learned how to identify, grow and harvest plants and then made herbal medicines from bark, seeds, flowers and berries.
The Running Wolf is the story of a group of master swordmakers who left Solingen, Germany and moved to Shotley Bridge, England in 1687. As well as carrying out in-depth archive research and visiting forges in Solingen to bring her story to life, Helen also undertook blacksmith training, which culminated in making her own sword.
Lost among the dune-swept ruins of ancient glass towers, 14-year-old Spiric hunts for his stolen memories. Guided by the exiled scholar that found him, he embarks on a perilous journey across the Droughtlands to uncover his origins.
He’s told his red eyes mark him as a Hytharo, one of the long-extinct storm callers that sealed all water into the air itself before they were erased from history. In the thousand years since, thirst has been quenched simply by breathing, but that hasn’t stopped the surviving runic peoples from wanting water any less.
For without it, there’s no ink, no runes, no magic, and in the vast desert wastes of the Droughtlands, magic means power.
To Spiric, the mantra is eerily familiar.
Word of his presence ripples across the Droughtlands and pressure mounts on him to reverse the Hytharo’s final, sacrificial act. It’s only as his memories begin to return that he realises the true reason his people were wiped out.
With the fragments of Spiric’s memories growing bloodier and more desperate, he must determine whether carrying out his supposed fate will cause history to repeat, or if he can forge a new destiny, both for himself and the Droughtlands.