books – Page 3 – Everything Is Better With Dragons

Audiobook Review: Idolfire, by Grace Curtis

Format: Audible Audio

Published: March 13, 2025 by Hodderscape

‘Times like these you wish you had something to pray to’

Idolfire is an epic sapphic fantasy inspired by the fall of Rome from the author of the Frontier and Floating Hotel .

ON ONE SIDE OF THE WORLD, Aleya Ana-Ulai is desperate for a chance. Her family have written her off as a mistake, but she’s determined to prove every last one of them wrong.

ON THE OTHER, Kirby of Wall’s End is searching for redemption. An ancient curse tore her life apart, but to fix it, she’ll have to leave everything behind.

Fate sets them both on the path to Nivela, a city once poised to conquer the world with the power of a thousand stolen gods. Now the gates are closed and the old magic slumbers. Dead—or waiting for a spark to light it anew . . .

My Review

I listened to this over several days, usually while walking to the pool and back. I’ve also got an special edition of the hardback on the shelves. I have all of Grace Curtis’ books and I’ve noticed a theme running through them. All of them contain people on a journey who learn about themselves in the process of completing their journey.

In this book we find Kirby who discovers that the world is bigger than she thought it was, and that there are more options than marrying a local boy. Aleya discovers an internal source of strength to make the changes she knows her city of Ash needs. Nylo learns to stop being a bigoted prat, just before he dies in battle.

The world building draws heavily on the ancient world and the author’s note does explain their inspiration. Kirby feels like she’s from the north east of England (helped by the accent the narrator has), while Nylo screams of Sparta, and Aleya is from somewhere in Mesopotamia. The landscape is vividly described, as the group sail and walk across the world from their various homes to Nivela as they try to complete their individual quests. The land and seascapes are an important part of the plot, which adds to the tension (especially that undersea tunnel and the wastelands around Nivela!) in what is a pretty standard quest story.

The magical system, idolfire, is powered by worship and limited in scope. It drains the power source and can harm the person using it. Magic without limits is a deus ex machina. Aleya’s inability to use the idolfire at difficult moments brings tension to the plot. It also provides the odd last desperate attempt to survive.

I enjoyed the characters of Kirby and Aleya, while Nylo got on my nerves. He’s a tit, who’s perspective is egregiously clouded by his prejudices. Both Kirby and Aleya have their prejudices, but it doesn’t cloud their perspective as much as his does. There were other minor characters that I found entertaining, like the little seer who takes Kirby to see a sheep’s skull after calling Aleya a liar.

Overall, a good quest story set in a vaguely familiar world that isn’t pseudo-medieval north western Europe.

Review: An Introduction to Fantasy, by Matthew Sangster

Format: 469 pages, Paperback
Published: September 7, 2023 by Cambridge University Press
ISBN: 9781009429948

Providing an engaging and accessible introduction to the Fantasy genre in literature, media and culture, this incisive volume explores why Fantasy matters in the context of its unique affordances, its disparate pasts and its extraordinary current flourishing. It pays especial attention to Fantasy’s engagements with histories and traditions, its manifestations across media and its dynamic communities.

Matthew Sangster covers works ancient and modern; well-known and obscure; and ranging in scale from brief poems and stories to sprawling transmedia franchises. Chapters explore the roles Fantasy plays in negotiating the beliefs we live by; the iterative processes through which fantasies build, develop and question; the root traditions that inform and underpin modern Fantasy; how Fantasy interrogates the preconceptions of realism and Enlightenment totalisations; the practices, politics and aesthetics of world-building; and the importance of Fantasy communities for maintaining the field as a diverse and ever-changing commons.

Literary awards:

Mythopoeic Scholarship Award for Myth and Fantasy Studies (2024)

My Review

I’ve been working my way through this book since last October, around blog tours, getting slightly too obsessed with YouTube , and a lot of crochet. I finished the last 40 pages this evening and now I need to tell you all about it. Matthew Sangster is a product of Glasgow University’s Centre for Fantasy and the Fantastic, and the access to many fantasy novels and academic works show in the text. Sangster mentions works by some of the most well-known in fantasy, such as Le Guin and Tolkein, and some more unexpected authors, especially those from earlier centuries. He draws out six important points about fantasy, over the chapters of this books and they form his core arguments:

Fantasy arises from figurative language
Iteration is a defining technique – new stories build on old in new ways
Contemporary fantasy builds on some of the oldest forms
Fantasy exists in conversation with realism
Worldbuilding is both the prevailing metaphor of modern fantasy and used to develop plots and characters
Fantasy is a form practised in community rather than one by unique geniuses.

I had to read the ‘Envoi’ chapter to get that. Sangster helpfully lists these points for the reader. It certainly helps with the summary. He does try to be accessible throughout the book, and uses a lot of examples to make his points, referencing very well-known authors, TTRPG series, video games, and film franchises in the process. It was heavy going at times, but that might be my lack of formal education in Literature at University Level. My M.A. is in Creative Writing, not Literature, after all.

Sangster raises some good points, especially about the tendency of ‘literary’ culture to consider ‘genre’ fiction as lesser, as the mode of storytelling is not ‘realistic’ and therefore can’t possibly impact readers. Fantasy, Sangster argues, explores the real world using the fantastical as a foil, a universalising storytelling mode that draws on cultural language. Fantasy can tell stories in ways that resonate with people far more effectively than straight up realism. It digs down into the root, builds on older foundations and finds new ways to explore ancient concerns.

I certainly find fantasy a useful vehicle for understanding the world, particularly in the work of Terry Pratchett. Fantasy communities, whether specific fandoms, organisations for writers, or online groups (such as the BFS Discord – Join the BFS, and come to our Discord, we have quiz nights and shadow daddies!), work in dialogue with the stories and their creators. New worlds spin off from the original, and people have a shared language to communicate with, across time and culture (see: Vimes’ Boots Theory of Economics).

I found Sangster’s work thoughtful and interesting, although it is very much an academic text so possibly not something a casual reader might go for. Useful for those interested in SFFH in an academic setting e.g., if you’re doing your M.A. in Fantasy and Sci-Fi literature or as a basis for a Doctorate in the field. Yes, those do exist, and yes, they’re a bit serious. (Again, see Glasgow University).

Review: UESI, by Karl Drinkwater

Format: 136 pages, Paperback
Published: February 8, 2025 by Organic Apocalypse
ISBN: 9781911278436

Humans designed artificial intelligences, but the AIs no longer need us. They are gods, and can create – or even recreate – themselves.

The two most advanced AIs in the universe need to rescue a friend from the clutches of their powerful enemies. Their method is to create millions of restricted, cut-down versions of themselves, to fulfil specific tasks such as generating ideas. The offshoots can be deleted once they’ve fulfilled their role.

No one gives a second’s thought to software. It’s just a tool.

Now it’s time to see inside the process.

Lost Tales of Solace are short side-stories set in the Lost Solace universe.

Maria and the space-dragons investigate: Chapter 14

Right, I’m back with another instalment of the adventures of Maria and her star-dragon friends. It’s a short one this month.

Audiobook Review: Shroud, by Adrian Tchaikovsky, Narrated by Sophie Aldred

They looked into darkness. The darkness looked back . . .

An utterly gripping story of survival and first contact on a hostile planet from Adrian Tchaikovsky, author of the Arthur C. Clarke Award-winning Children of Time.

A commercial expedition to a distant star system discovers a pitch-black moon alive with radio activity. Its high-gravity, high-pressure, zero-oxygen environment is deadly to human life, but ripe for exploitation. They named it Shroud.

Under no circumstances can a human survive Shroud’s inhospitable surface – but a catastrophic accident forces Juna Ceelander and Mai Ste Etienne to make an emergency landing in a barely adequate escape vehicle. Alone, and fighting for survival, the two women embark on a gruelling journey across land, sea and air in search of salvation.

But as they travel, Juna and Mai begin to understand Shroud’s unnerving alien species. It also begins to understand them. If they escape Shroud, they’ll somehow have to explain the impossible and translate the incredible. That is, if they make it back at all . . .

TBR Pile Review: Spec Fic for Newbies Vol. 2, by Tiffani Angus and Val Nolan

Beam aboard your own Science Fiction, Fantasy, and Horror classroom with the next volume of the BSFA-shortlisted writing-guide series!

Join Tiffani Angus (Ph.D.) and Val Nolan (Ph.D.) for a whirlwind introduction to the storytelling basics of 30 more subgenres and major tropes from across the limitless realms of Speculative Fiction.

Learn about Space Opera, Folk Horror, Climate Fiction, Werewolves, Astronauts, Mythic Fantasy, Goblin Markets, Dragons, and many more with deep dives into each subgenre’s history and development, spotter’s guides to typical examples, pitfalls to watch out for in your own writing, and activities to help you get started! All derived from a combined two decades of university-level practices and experience!

Spec Fic for Newbies breaks genres into bite-sized pieces for students or for any budding writer. It offers a welcoming introduction to how writers, filmmakers, and other creatives can begin to explore the infinite potential of Science Fiction, Fantasy, and Horror to create new stories beyond the boundaries of the ordinary.

This is not another dusty rulebook. This is a portal to endless other worlds!

TBL Review: Days of Shattered Faith, by Adrian Tchaikovsky

The Tyrant Philosophers, Book 3
Narrated by David Thorpe
Release date: 05-12-24
Language: English
Format: Unabridged Audiobook
Length: 21 hrs and 39 mins

Bloomsbury presents Days of Shattered Faith by Adrian Tchaikovsky, read by David Thorpe.

Welcome to Alkhalend, Jewel of the Waters, capital of Usmai, greatest of the Successor States, inheritor to the necromantic dominion that was the Moeribandi Empire and tomorrow’s frontline in the Palleseen’s relentless march to bring Perfection and Correctness to an imperfect world.

Loret is fresh off the boat, and just in time.

As Cohort-Invigilator of Correct Appreciation, Outreach department, she’s here as aide to the Palleseen Resident, Sage-Invigilator Angilly. And Sage-Invigilator Angilly – Gil to her friends – needs a second in the spectacularly illegal, culturally offensive and diplomatically inadvisable duel she must fight at midnight.

Outreach, that part of the Pal machine that has to work within the imperfection of the rest of the world, has a lot of room for the illegal, the unconventional, the unorthodox. But just how much unorthodoxy can Gil and Loret get away with?

As a succession crisis looms, as a long-forgotten feat of necromantic engineering nears fruition, as pirate kings, lizard armies and demons gather, as old gods wane and new gods wax, sooner or later Gil and Loret will have to settle their ledger.

Just as well they are both very, very good with a blade…

My Review

I enjoyed the first two books in this series, but I think this third book is my favourite. We encounter re-occurring characters, like Jack, the former priest, and some of the crew from the hospital, who have settled in Alkhaland, and set up a new hospital in the poor district of the city. Jack has made a new friend who runs the local prison and has an un/comfortable relationship with his demon bride. This comes in very handy later in the story.

Into a complicated city comes Loret, a young, scared woman from Pallisand, sent to be aide to Gil, the Resident. Except Loret is a very bad aide, other than rescuing Gil a couple of times. Loret knows what has been happening in the isles and it scares her. She is too scared to tell Gil, and we learn what happened after the characters from book two return to the Palleseen Sway – the ‘infection’ of belief in Jack’s former god, a healer, and the Fisher King, who is very much not a healer, spreads in the army and then in the general population.

I loved this development in the background story, which travels through all three books. It’s the landscape that the stories take place in, with each book being a focused pinpoint in the wider picture. Nothing in the story-world is static, although the Palles want the world to be static and perfect and are constantly fighting against difference and variation.

Alkhaland has an elderly, grief-stricken ruler, who has three sons and a daughter. Tradition says that only a whole man can rule. The eldest is in exile, the second son, Cam, is his father’s right hand and designated heir, the third son is a child obsessed with death. His daughter is a pawn in the game of alliances.

The worldbuilding and descriptions of Alkhaland’s culture and society are vivid and lively. The characters are individual and have their own complex motivations. Gil is truly distressed by the difficult choices she has to make and her complex relationship with Cam.

When the ruler dies, the sons go to war. Except the youngest who goes to meet death. The daughter joins the demon at the hospital. Cam wins with the help of his friend Gil and her Palleseen troops, who promtly move in and make themselves at home.

The people of Alkhaland do not want to be part of the sway, and after some difficulties they free themselves, with the help of a motley crew of aliens, disaffected Palls, demons, and pirates. The final battle is climactic and exciting to read. The advances and reversals, the personal decisions that could make or break the battle, are brilliantly written.

It’s a complex story, exploring how imperialism sneaks into free places around the world, and the small things and well-meaning people that help it along. The Palleseen Sway reminds me of the British Empire, especially the way we took control of India. Trusted representatives of different European states rolled up in the Indian kingdoms and started cultivating influence, until the kings supported one or the other, and then European states sent armies to ‘help’ the Indian kings, until they control the states themselves.

Adrian Tchaikovsky leaves an author’s note that the places in the book aren’t based on real places but he was influenced by the podcast Revolutions. I don’t think I’ve listened to that podcast but I’ve had a quick scan of the episode titles, it seems to cover the revolutionary period from the reign of Charles II onwards. I shall have to have a listen. I also recommend Cool People Who Did Cool Stuff if you’re interested in revolutionaries.

I highly recommend this book and the series in general. I need more stories set in this world, but I think this trilogy is complete as it is, charting the beginning of the end of empire. I hear there’s a short story hiding in an anthology somewhere, so I need to get hold of that anthology.

The narration was excellent and fully embodied the different characters.

TBR Pile Review: Ardent Violet and the Infinite Eye, by Alex White

Format: 464 pages, Paperback
Published: December 3, 2024 by Orbit
ISBN: 9780316430609

In this new wide-screen space opera, humanity has met its match. An alien race of enormous robotic AI have destroyed most of humanity’s outposts. But, on the eve of the Earth’s destruction, a musician made one last desperate attempt to reach out and convince one of humanity’s enemies to switch sides. Now, earth just might have a chance to survive…

A ragtag band of misfits is all that stands in the way between an army of giant mechas and humanity’s total destruction in the second book of this big-hearted, technicolor space opera trilogy by one of the most exciting voices in science fiction, Alex White.

Ultra-glam enby pop star Ardent Violet thought they could catch a break and enjoy some time with their new boyfriend August Kitko after defeating the giant mechas hellbent on humanity’s destruction. However, Ardent didn’t count on their mecha allies summoning a host of extraterrestrials to defend Earth.

Between the diplomatic entanglements of the newly-arrived alien Coalition, and a mysterious all-powerful AI establishing a base within their solar system, there’s no rest for the wicked.

When August makes a discovery that could turn the tide of the war, Ardent Violet finds they are back in the spotlight for an encore!

My Review

I read the first book in this series August Kitko and the Mechas from Space in 2022, so I’ve been waiting a while for this book. I hope I don’t have to wait another two years for book three, because I need to know what happens to everyone!

This book is mainly written from Ardent’s perspective, although we sometimes get Gus’. Having survived the Mechas from Space, Ardent, Gus, Nisha and Hjalmar, and their Vanguards are still looking to save Earth, and humans generally, from Infinite, the A.I. that is causing all the trouble. Gus discovers that there is a way to do it, about the same time as a Coalition of alien species arrives to ‘help’. They’re all in a similar situation, having developed A.I.s that took over their species. It’s a bit complicated, but they all have Vanguards, and the Conduits all have to meet each other to work together. This happens in a great space city and it goes as well as can be expected, given that the alien civilisations are somewhat more advanced than humans. One species, a giant crab-like creature with shells encrusted with electronics, weapons, and a bad attitude, take an instant dislike to humans.

In an attempt to remove Infinite from the solar system, human and Coalition Conduits and Vanguards attack Titan. But things get a bit messy when the supposedly non-sentient Ghosts start fighting back, running away and screaming. Gus realises that something is going on and changes the mission. Which upsets the crab-alien Conduit, Scent of Rot. Their fight causes all sorts of fallout and Gus spends the rest of the novel under a death sentence for heresy against the A.I./god King.

Lots of things happen in the fight against Infinite. There are some fantastic space battles, a rescue mission that gets Dahlia a pardon and a probable suicide mission in return, people die, Vanguards are destroyed, Gus, Ardent and Nisha play a concert in DeepSync. I cried. And enemies become friends.

I want to know who picked up Gus and Scent of Rot’s escape craft! I want to know how Ardent handles the possible death and escape of Gus. I want to return to this world as soon as possible, it’s so much fun! I loved the characters, especially the development of Nisha as a character, and the complex negotiations that come with inter-species cooperation. The alien species were based on Earth animals, mostly, but changed in a way that would be strange, and logical. Except the octopus-like species; octopuses are alien enough as it is. Them running around in giant bubbles of water in non-marine environments is relatively expected. They would if they could.

Seriously, Alex White, hurry up and write book three!

Audiobook Review: Service Model, by Adrian Tchaikovsky

Format: Audible Audio
Published: June 6, 2024 by Tor
Language: English
Narrated by the author

Description

To fix the world they first must break it further.

Humanity is a dying breed, utterly reliant on artificial labour and service. When a domesticated robot gets a nasty little idea downloaded into their core programming, they murder their owner. The robot then discovers they can also do something else they never did before: run away. After fleeing the household, they enter a wider world they never knew existed, where the age-old hierarchy of humans at the top is disintegrating, and a robot ecosystem devoted to human wellbeing is finding a new purpose.

My Review

I listened to this book through the ‘get one audiobook a month using Amazon Music’ thing, so I can’t keep it, but as soon as the book comes out in paperback, I’m getting it.

Charles is a valet robot who murders his master. But he doesn’t know why. Sent to be assessed and probably destroyed, he discovers freedom. He’s very confused by the world outside of the manor where he served is reclusive master for years. It’s all very disorderly and untidy. Estates are falling down, robot servants are rusting at their posts, and there’s no humans about.

Until Charles meets ‘The Wonk’. For the sake of Charles not getting crushed, The Wonk tells Charles, now going by UnCharles, that she’s a robot too. Despite all evidence to the contrary, Charles believes this to be the case almost to the end of the book. It is quite funny. UnCharles sets off to find humans to serve and The Wonk sets off to find the Library.

They meet later, and then go off on an adventure together, first to find the Library, and then to meet god. Turns out god is an A.I. judge, programmed to mete out justice. He also knows a lot about why Charles killed his master. And why the world collapsed.

Adrian Tchaikovsky can never be accused of not being political. His work always has a point. In this one, the subject of A.I. is discussed using humour and allegory. A.I. can only learn from what we feed it, it can only work within the parameters given.

Tchaikovsky also alludes to the compounds and bunkers wealthy people are building all over the world to escape to, when disaster strikes. They’ve managed to hoard all the wealth and destroy everything, and then they plan to run away when consequences occur. Since a lot of these people are the same people playing around with A.I. this is an easy inclusion in the novel.

But everyone dies. You can’t hide from death. Hopefully, the evil gits will die in attempting to run away and the resources they’ve hoarded can be share fairly among the survivors. (I don’t like billionaires.)

I enjoyed this novel, especially UnCharles’ confusion, and The Wonk’s sarcastic responses to his desire to serve. The vision of a destroyed wasteland was haunting and the critique of the way humans treat each other is spot on.

Adrian also did a very good job as narrator.

TBR Pile: The Outcast Mage, by Annabel Campbell

Coming From Orbit (UK & US) January 2025

In the city of Amoria, where magic rules all, Naila is the ultimate conundrum. A student under the watchful eye of Amoria’s sprawling Academy, Naila is undeniably gifted, yet she has never been able to harness her abilities. And time is running out. If she fails, she’ll be forced into exile, or worse – consumed by her own magic.

For decades mages and the magicless Hollows have lived side-by-side peacefully. But now that peace is threatened as old resentments bubble over. A powerful anti-Hollow faction led by Amoria’s most influential mages is determined to cast the Hollows out. With her Hollow background, Nalia is in danger of being exiled from everything she knows and everyone she loves if she cannot unlock her power.

When a tragic incident threatens her place at the Academy, Naila is saved by Haelius Akana, the most powerful living mage. A scholar and fellow outcast, Haelius is fascinated by Naila’s inability to use magic. Eager to help someone in whom he sees so much of himself, he stakes his position at the Academy on teaching her. Trapped in the deadly schemes of Amoria’s elite, Naila must dig deep to discover the truth of her powers – or watch the city she loves descend into civil war.

The Outcast Mage

About the author

Annabel writes fantasy with fierce female characters and disaster wizards, and believes everything is improved by dragons.

She lives in a tiny village in Scotland, where most of her neighbours are sheep. She has a PhD in cardiovascular science, and when not making things up for a living, she works as a Medical Writer.

Her other joys are red wine, playing games, or showing you too many pictures of her dog.