‘Times like these you wish you had something to pray to’
Idolfire is an epic sapphic fantasy inspired by the fall of Rome from the author of the Frontier and Floating Hotel.
ON ONE SIDE OF THE WORLD, Aleya Ana-Ulai is desperate for a chance. Her family have written her off as a mistake, but she’s determined to prove every last one of them wrong.
ON THE OTHER, Kirby of Wall’s End is searching for redemption. An ancient curse tore her life apart, but to fix it, she’ll have to leave everything behind.
Fate sets them both on the path to Nivela, a city once poised to conquer the world with the power of a thousand stolen gods. Now the gates are closed and the old magic slumbers. Dead—or waiting for a spark to light it anew . . .
My Review
I listened to this over several days, usually while walking to the pool and back. I’ve also got an special edition of the hardback on the shelves. I have all of Grace Curtis’ books and I’ve noticed a theme running through them. All of them contain people on a journey who learn about themselves in the process of completing their journey.
In this book we find Kirby who discovers that the world is bigger than she thought it was, and that there are more options than marrying a local boy. Aleya discovers an internal source of strength to make the changes she knows her city of Ash needs. Nylo learns to stop being a bigoted prat, just before he dies in battle.
The world building draws heavily on the ancient world and the author’s note does explain their inspiration. Kirby feels like she’s from the north east of England (helped by the accent the narrator has), while Nylo screams of Sparta, and Aleya is from somewhere in Mesopotamia. The landscape is vividly described, as the group sail and walk across the world from their various homes to Nivela as they try to complete their individual quests. The land and seascapes are an important part of the plot, which adds to the tension (especially that undersea tunnel and the wastelands around Nivela!) in what is a pretty standard quest story.
The magical system, idolfire, is powered by worship and limited in scope. It drains the power source and can harm the person using it. Magic without limits is a deus ex machina. Aleya’s inability to use the idolfire at difficult moments brings tension to the plot. It also provides the odd last desperate attempt to survive.
I enjoyed the characters of Kirby and Aleya, while Nylo got on my nerves. He’s a tit, who’s perspective is egregiously clouded by his prejudices. Both Kirby and Aleya have their prejudices, but it doesn’t cloud their perspective as much as his does. There were other minor characters that I found entertaining, like the little seer who takes Kirby to see a sheep’s skull after calling Aleya a liar.
Overall, a good quest story set in a vaguely familiar world that isn’t pseudo-medieval north western Europe.
Format: 469 pages, Paperback Published: September 7, 2023 by Cambridge University Press ISBN: 9781009429948
Providing an engaging and accessible introduction to the Fantasy genre in literature, media and culture, this incisive volume explores why Fantasy matters in the context of its unique affordances, its disparate pasts and its extraordinary current flourishing. It pays especial attention to Fantasy’s engagements with histories and traditions, its manifestations across media and its dynamic communities.
Matthew Sangster covers works ancient and modern; well-known and obscure; and ranging in scale from brief poems and stories to sprawling transmedia franchises. Chapters explore the roles Fantasy plays in negotiating the beliefs we live by; the iterative processes through which fantasies build, develop and question; the root traditions that inform and underpin modern Fantasy; how Fantasy interrogates the preconceptions of realism and Enlightenment totalisations; the practices, politics and aesthetics of world-building; and the importance of Fantasy communities for maintaining the field as a diverse and ever-changing commons.
Literary awards:
Mythopoeic Scholarship Award for Myth and Fantasy Studies (2024)
My Review
I’ve been working my way through this book since last October, around blog tours, getting slightly too obsessed with YouTube , and a lot of crochet. I finished the last 40 pages this evening and now I need to tell you all about it. Matthew Sangster is a product of Glasgow University’s Centre for Fantasy and the Fantastic, and the access to many fantasy novels and academic works show in the text. Sangster mentions works by some of the most well-known in fantasy, such as Le Guin and Tolkein, and some more unexpected authors, especially those from earlier centuries. He draws out six important points about fantasy, over the chapters of this books and they form his core arguments:
Fantasy arises from figurative language
Iteration is a defining technique – new stories build on old in new ways
Contemporary fantasy builds on some of the oldest forms
Fantasy exists in conversation with realism
Worldbuilding is both the prevailing metaphor of modern fantasy and used to develop plots and characters
Fantasy is a form practised in community rather than one by unique geniuses.
I had to read the ‘Envoi’ chapter to get that. Sangster helpfully lists these points for the reader. It certainly helps with the summary. He does try to be accessible throughout the book, and uses a lot of examples to make his points, referencing very well-known authors, TTRPG series, video games, and film franchises in the process. It was heavy going at times, but that might be my lack of formal education in Literature at University Level. My M.A. is in Creative Writing, not Literature, after all.
Sangster raises some good points, especially about the tendency of ‘literary’ culture to consider ‘genre’ fiction as lesser, as the mode of storytelling is not ‘realistic’ and therefore can’t possibly impact readers. Fantasy, Sangster argues, explores the real world using the fantastical as a foil, a universalising storytelling mode that draws on cultural language. Fantasy can tell stories in ways that resonate with people far more effectively than straight up realism. It digs down into the root, builds on older foundations and finds new ways to explore ancient concerns.
I certainly find fantasy a useful vehicle for understanding the world, particularly in the work of Terry Pratchett. Fantasy communities, whether specific fandoms, organisations for writers, or online groups (such as the BFS Discord – Join the BFS, and come to our Discord, we have quiz nights and shadow daddies!), work in dialogue with the stories and their creators. New worlds spin off from the original, and people have a shared language to communicate with, across time and culture (see: Vimes’ Boots Theory of Economics).
I found Sangster’s work thoughtful and interesting, although it is very much an academic text so possibly not something a casual reader might go for. Useful for those interested in SFFH in an academic setting e.g., if you’re doing your M.A. in Fantasy and Sci-Fi literature or as a basis for a Doctorate in the field. Yes, those do exist, and yes, they’re a bit serious. (Again, see Glasgow University).
‘A bloodcap, an angelus and a Jack Russell terrier. They’re all I had by me to face mortal combat with the Queen of the Ælves. I’d be dead in minutes…’
The historic streets of Edinburgh hide a parallel realm of shadowy killers, vicious ælves and deranged shades. All that stands between them and the unsuspecting populace are a daemon called Archer and the group of angelii he’s feuding with.
Drew Macleod is caught in the middle. Someone, somewhere is hunting him. But why? Delving deeper into this parallel realm, Drew finds allies in a feisty herbalist, an ancient creature in disguise and an old clock-maker – but are any of them really who they seem to be?
Touchpaper takes us on an exciting journey in the footsteps of Neverwhere and Rivers of London. This original and imaginative story lets a quirky cast of characters lead us into a hidden and dangerous world. The contemporary setting and the richness of the characters holds our attention in a fast-paced and at times humorous read, full of plot twists and quirky details.
Format: 508 pages, Paperback Published: July 12, 2022 by Angry Robot ISBN: 9780857669827
Inar is Master Builder for the Kingdom of Mishig-Tenh. Life is hard after the Kingdom lost the war against the League of Free Cities. Doubly so since his father betrayed the King and paid the ultimate price. And now the King’s terrifying chancellor and torturer in chief has arrived and instructed Inar to go and work for the League. And to spy for him. And any builder knows you don’t put yourself between a rock and a hard place.
Far away Anton, Blade Priest for Craithe, the God Mountain, is about to be caught up in a vicious internal war that will tear his religion apart. Chosen from infancy to conduct human sacrifice, he is secretly relieved that the practice has been abruptly stopped. But an ancient enemy has returned, an occult conspiracy is unfolding, and he will struggle to keep his hands clean in a world engulfed by bloodshed.
In a series of constantly surprising twists and turns that take the reader through a vividly imagined and original world full of familiar tensions and surprising perspectives on old tropes, Inar and Anton find that others in their story may have more influence on their lives, on the future of the League and on their whole world than they, or the reader imagined.
My Review
I picked up this book at FantasyCon last year, although more precisely the author gave me a copy after the final panel about the essentials an adventurer needs and I asked why no one ever took a map and compass? I think it’s being raised by a former Scout, and being a Guide myself from a young age, I just naturally just consider maps, compasses and spare change for a phone, as essentials for adventuring off the beaten track. These days of course, finding a pay phone is hard, so you should take your phone charger and a spare battery pack in your bag. If you can get a signal, you can get help!
Okay, so back to the book.
Our first main character is Inar, a master builder from the recently conquered kingdom of Mishig-Tenh. The League want him to help them find a way into the Hidden Kingdom. And they won’t take no for an answer. Since his father and brother were executed as traitors, and Inar will go the same way if he doesn’t spy for the remaining leaders of the kingdom, he agrees. He has to lead a team of explorers through the mountains to meet representatives from the Mountain God. Things go very wrong, and secrets are revealed that probably should have been kept hidden, including a girl, called Duna, who can bring down mountains.
Our second main character is Anton, one of the last Blade Priests, vertzan of the God Mountain, Craithe. At nineteen, Anton has only one friend in the monastery-fortress, his sister-priestess, Elecy. They have been trained from a young age to perform the human sacrifices required by the demi-gods on the Mountain, until the demi-gods (giant vultures, called Guardians) decided that they don’t want human sacrifice anymore. This has caused a rift in the faith, between the traditionalists and the progressives. Anton is chosen to be the successor to the altzan-al (high priest/pope?) until he’s set up for the murder of the altzan-al. Rescued by Elecy and a young scout, he sets out to find allies in the outside world, while Elecy stays behind to keep an eye on the new regime.
There’s a war and invasions, gods die. Things explode. Duna gets high and goes a little bit battle-mad. At the end, the world has changed for everyone involved, while Duna and Elecy meet up and head out into the world, probably causing mayhem in the future. I can’t wait to read the second book, which isn’t out for another year.
Mad elves, high on mushrooms, kidnap the main characters and their parties. It’s a unique idea – elves are humans who take a mushroom that makes them feel immortal, and not feel pain as their ears and face are cut. I
One of the people in the League party is a surveyor, and Inar is amazed by the idea of accurate surveys. I love the idea of introducing new ideas into a world and seeing how they play out with the different cultures. Inar doesn’t understand why they were traveling so slowly, although a reader would when the mentions of notes and poles, sighting on mountains, that sort of thing.
The League is obviously an empire in waiting, despite the rhetoric of freedom, logic and science. Some of the characters from the League have good intentions, but some are very obviously looking to build a legacy. The church of the God Mountain have, or had, an empire and are shrinking, while some factions are looking to accept the change of status, others want to rebuild it. They are mirrors of each other.
I enjoyed the twist at the end, as Anton realises the Guardian’s prophecy is not about him. He’s a bit slow on the uptake; an attentive reader would have picked that up fairly quickly.
The book is chunky at 508 pages, but the story flies along; the world is complex, the characters are fascinating, and the plot kept me engaged.
Beam aboard your own Science Fiction, Fantasy, and Horror classroom with the next volume of the BSFA-shortlisted writing-guide series!
Join Tiffani Angus (Ph.D.) and Val Nolan (Ph.D.) for a whirlwind introduction to the storytelling basics of 30 more subgenres and major tropes from across the limitless realms of Speculative Fiction.
Learn about Space Opera, Folk Horror, Climate Fiction, Werewolves, Astronauts, Mythic Fantasy, Goblin Markets, Dragons, and many more with deep dives into each subgenre’s history and development, spotter’s guides to typical examples, pitfalls to watch out for in your own writing, and activities to help you get started! All derived from a combined two decades of university-level practices and experience!
Spec Fic for Newbies breaks genres into bite-sized pieces for students or for any budding writer. It offers a welcoming introduction to how writers, filmmakers, and other creatives can begin to explore the infinite potential of Science Fiction, Fantasy, and Horror to create new stories beyond the boundaries of the ordinary.
This is not another dusty rulebook. This is a portal to endless other worlds!
The Tyrant Philosophers, Book 3 Narrated by David Thorpe Release date: 05-12-24 Language: English Format: Unabridged Audiobook Length: 21 hrs and 39 mins
Bloomsbury presents Days of Shattered Faith by Adrian Tchaikovsky, read by David Thorpe.
Welcome to Alkhalend, Jewel of the Waters, capital of Usmai, greatest of the Successor States, inheritor to the necromantic dominion that was the Moeribandi Empire and tomorrow’s frontline in the Palleseen’s relentless march to bring Perfection and Correctness to an imperfect world.
Loret is fresh off the boat, and just in time.
As Cohort-Invigilator of Correct Appreciation, Outreach department, she’s here as aide to the Palleseen Resident, Sage-Invigilator Angilly. And Sage-Invigilator Angilly – Gil to her friends – needs a second in the spectacularly illegal, culturally offensive and diplomatically inadvisable duel she must fight at midnight.
Outreach, that part of the Pal machine that has to work within the imperfection of the rest of the world, has a lot of room for the illegal, the unconventional, the unorthodox. But just how much unorthodoxy can Gil and Loret get away with?
As a succession crisis looms, as a long-forgotten feat of necromantic engineering nears fruition, as pirate kings, lizard armies and demons gather, as old gods wane and new gods wax, sooner or later Gil and Loret will have to settle their ledger.
Just as well they are both very, very good with a blade…
My Review
I enjoyed the first two books in this series, but I think this third book is my favourite. We encounter re-occurring characters, like Jack, the former priest, and some of the crew from the hospital, who have settled in Alkhaland, and set up a new hospital in the poor district of the city. Jack has made a new friend who runs the local prison and has an un/comfortable relationship with his demon bride. This comes in very handy later in the story.
Into a complicated city comes Loret, a young, scared woman from Pallisand, sent to be aide to Gil, the Resident. Except Loret is a very bad aide, other than rescuing Gil a couple of times. Loret knows what has been happening in the isles and it scares her. She is too scared to tell Gil, and we learn what happened after the characters from book two return to the Palleseen Sway – the ‘infection’ of belief in Jack’s former god, a healer, and the Fisher King, who is very much not a healer, spreads in the army and then in the general population.
I loved this development in the background story, which travels through all three books. It’s the landscape that the stories take place in, with each book being a focused pinpoint in the wider picture. Nothing in the story-world is static, although the Palles want the world to be static and perfect and are constantly fighting against difference and variation.
Alkhaland has an elderly, grief-stricken ruler, who has three sons and a daughter. Tradition says that only a whole man can rule. The eldest is in exile, the second son, Cam, is his father’s right hand and designated heir, the third son is a child obsessed with death. His daughter is a pawn in the game of alliances.
The worldbuilding and descriptions of Alkhaland’s culture and society are vivid and lively. The characters are individual and have their own complex motivations. Gil is truly distressed by the difficult choices she has to make and her complex relationship with Cam.
When the ruler dies, the sons go to war. Except the youngest who goes to meet death. The daughter joins the demon at the hospital. Cam wins with the help of his friend Gil and her Palleseen troops, who promtly move in and make themselves at home.
The people of Alkhaland do not want to be part of the sway, and after some difficulties they free themselves, with the help of a motley crew of aliens, disaffected Palls, demons, and pirates. The final battle is climactic and exciting to read. The advances and reversals, the personal decisions that could make or break the battle, are brilliantly written.
It’s a complex story, exploring how imperialism sneaks into free places around the world, and the small things and well-meaning people that help it along. The Palleseen Sway reminds me of the British Empire, especially the way we took control of India. Trusted representatives of different European states rolled up in the Indian kingdoms and started cultivating influence, until the kings supported one or the other, and then European states sent armies to ‘help’ the Indian kings, until they control the states themselves.
Adrian Tchaikovsky leaves an author’s note that the places in the book aren’t based on real places but he was influenced by the podcast Revolutions. I don’t think I’ve listened to that podcast but I’ve had a quick scan of the episode titles, it seems to cover the revolutionary period from the reign of Charles II onwards. I shall have to have a listen. I also recommend Cool People Who Did Cool Stuff if you’re interested in revolutionaries.
I highly recommend this book and the series in general. I need more stories set in this world, but I think this trilogy is complete as it is, charting the beginning of the end of empire. I hear there’s a short story hiding in an anthology somewhere, so I need to get hold of that anthology.
The narration was excellent and fully embodied the different characters.
Format: 432 pages, Hardcover Published: January 16, 2025 by Hodderscape ISBN: 9781399723176 (ISBN10: 1399723170) Language: English
Description
Marisha’s life is not going as she expected. With the sleeping plague only a few months away, she’s as desperate for money as she is to escape her aunt’s torturous marriage prospects. Leaving all that she’s known behind, Marisha accepts a job working with the notorious koldunya, Baba Zima in her house that glides on chicken feet through the snow.
But Baba Zima is renowned for being both clever and cruel. And most difficult of all is her current apprentice, Olena, who wants nothing to do with Marisha. Despite her fears and Olena’s cold demeanour, Marisha finds herself drawn into the magical world of koldunry and delves further into Olena’s research – a cure for the sleeping plague.
Accompanying Olena on an increasingly dangerous, seemingly impossible search for a cure, she finds hidden connections between the sleeping plague, her own family’s history, and her bizarre, recurring dreams: dreams of a masked ball where the deep sleepers are trapped endlessly dancing – and a monstrous beaked man haunts her every step . . .
My Review
I found an ARC of this book at FantasyCon, one of the Hodderscape team must have left it lying around after a book launch event. It has a matching bookmark. Essentially I have paperback version of the hardback now available. The book was published 16th of this month. The paperback from HarperVoyager will be published in June. It has a different cover, so I might get it. This book is the February BFS Book Club book, and since I had it and felt like reading something different yesterday evening, I started reading it.
When I went to bed I was over 220 pages in and only stopped reading because my eyes were stinging with tiredness. I planned to go swimming this afternoon, but decided to stay home and finish the story instead. I’m going swimming tomorrow instead.
Marisha is cursed. Her mother, then her father, succumb to the sleeping plague, ten years apart. Her brother loses their fortune and she is, after finishing school, thrown on the mercies of her wealthy maternal aunts. Who pity and hate her, fearing she’ll bring the curse to them next time the sleeping plague strikes. Determined to get away from her aunts and the prospect of marriage to a man twice her age with evil eyes, she applies to be a koldunya’s assistant.
She’s too old.
She doesn’t believe in magic or curses.
She doesn’t have koldunya quality.
Her parents are victims of the sleeping plague and her brother has disappeared.
She is stubborn, logical, and hardworking. She knows how to scrub pans, read Old Slavonic, and the house didn’t squash her immediately.
Baba Zima takes her on for a year.
But she’s assistant to Olena, Baba Zima’s apprentice, who is stubborn, spiky, doesn’t let people in, and really doesn’t want an assistant.
The household is completed by two other young assistance, Dunya and Anka-ny, and they are later joined by Baba Zima’s son Valdim
For three months the household travels across the land, dispensing advice, cures, and spirit work to supplicants. Marisha develops a complicated relationship with Olena, especially after they kidnap a victim of the sleeping plague from a sanitorium and Marisha starts having terrifying dreams of a masked ball in the other world. When not hiding their kidnappee in a linen closet, Marisha helps Olena by reading a mountain of books and finding hints about the plague, while picking up the skills of a koldunya, although she doesn’t want to be one.
Olena has complicated feelings about Valdim, Marisha, and Baba Zima, while she struggles with finding a cure for the plague. Her plans seem to work then go awry, Baba Zima tests her loyalty frequently, and abuses her trust as often.
Baba Zima is suspicious; an old rival, Anatoli, is rumoured to have found a way to cure the plague, and has been making overtures to Olena. She doesn’t trust Olena not to betray her, so she distracts her by asking for help with the demonstration they will perform for other koldunya.
As winter comes to an end, the house on chicken legs takes the household to a clearing in the forest, to a gathering of koldunya, the krug. Here, events become tangled further, as Olena is tempted by her mentor’s rival, and Marisha is ‘helped’ by a kolduni who seems familiar, Pan Volya.
The actions of Marisha’s parents, Baba Zima, Anatoli, and their presumed dead matron, Baba Fima, and Pan Volya, before Marisha was born, bears fruit in the present, as Marisha, Dima (her brother), Olena, and Voldam, face the consequences and fight to save the entire world from the sleeping plague.
An imaginative fantasy of redemption, drawing heavily from Slavic mythology and folklore. Witches and wizards (to use English equivalents) flying around in giant mortars, or living in houses that walk about of chicken legs; the waters of life and death, that can heal the body and the spirit if applied appropriately, but which are hidden; deep dark forests, and poor villages, where disabled children are considered cursed, a punishment for the sins of their parents.
The name of the country, Chernozemlya, seems to be a reference to black earth. The black soil of Slavic regions of Europe are incredibly fertile and produce vast amounts of grains. It’s one of the reasons the Russian Empire, then the USSR, and the current Russian Republic, fought, killed, murdered, starved and displaced so many people. Can’t claim the soil if your own people aren’t living there. No really, it partially explains the current Russian war in Ukraine. Apart from control of the Black Sea, and Putin’s delusions of Tzarship.
The story turns on the relationships of the main characters, as they learn to work together and develop friendships or at least respect for each other. I didn’t like Baba Zima very much, she’s intentionally cruel, but as I read the last chapters, which showed her relationship with her own matron, Baba Fima, it’s clear she’s acting from fear, guilt, and a bad example of how a matron koldunya should treat her apprentices and assistants.
Olena’s history of being abused by her family and then manipulated by Zima make her reluctant to trust anyone, even the boy she grew up with, Valdim, and certainly not her assistant Marisha. She finds Marisha useful when she can be bothered to ask for her assistance, and Valdim confusing. Zima plays the three off against each other, so that until the Baba leaves unexpectedly, that make little progress. Every two steps forward in relationship building is met with a little trick by Zima, that forces them each back one step. Her removal gives them space to realise what’s been happening, and they still decide to rescue her. I found her stubbornness frustrating but understandable. She’s visibly disabled in a world that hates disability, she’s been badly treated by the people who are supposed to love her, and she feels guilt at accidentally hurting her brother. Her defence mechanism to hide from the pain is to view everything through a lens of attack, to build a wall around herself and drive people away.
Marisha seems a bit of a dolt at times; she’s blinded by her prejudices against the ‘irrational’, afraid that she’ll be the next victim of the sleeping plague, and she won’t ask for help when nightmares stop her sleeping! It’s obvious that she’s dream walking, at least it is to the reader, once we discover who is helping her. Between Marisha and Olena they have all the clues to the cure that they need, but they don’t talk to each other! I wanted to bash their heads together.
It felt like a realistic depiction of two very different and traumatised people trying to work through their differences and find new perspectives on events. Some real people never get to a point where their trauma is manageable and doesn’t colour everything in negativity, so it’s almost refreshing when fictional people do.
I enjoyed the depiction of Valdim’s sensory sensitivities and synaesthesia, and the way Olena’s foreshortened arm was still a functioning arm. Valdim’s ‘invisible’ disability makes him an over sensitive weirdo, who might see people’s souls, while Olena’s highly visible arm and birthmark are a punishment for her mother’s transgressions and a sign she is cursed. It suggests the author is aware of and sensitive to different forms of disability and the way disabled people and their families/friends make adjustments, even in cultures and societies that don’t recognise some disabilities or that treat disabled people badly.
Yay for sensitive disability representation!
I enjoyed the use of Slavic mythology and folklore in the story, it gave it a richness and depth that was immersive. There’s a rich and deep vein of story to draw on, that few English-language fantasy writers have tapped, and there are probably a lot of good fantasy novels not yet published in English that we’re missing out on.
This book left me feeling melancholy but satisfied. There’s a sense that everything has changed, and the characters are still catching up with themselves and their hopes for the future.
I do want to know what happens next for the trio. Do Olena and Valdim make a go of things? Does Kiril finally remember who Marisha is? What happened when Marisha visits her parents and brother? Do Dunya and Anka-by return to the house of chicken’s legs and continue with their training? Will Baba Zima catch up with Baba Fima? What will Anatoli and Pan Volya do next? Has the bird-faced man been defeated? How does Chernozemlya react to the sudden awakening of all the Sleeping Plague victims?
So many questions! I a bit invested in this world, aren’t I? I wonder if there will be a sequel?
I hope so, because Wiesebron’s writing is evocative, her characters grab attention, and the story was engrossing.
Published: Aug 08 2024 Paperback ISBN: 9780356516509 £10.99
Description
The Trials of Empire is the epic conclusion to the bestselling Empire of the Wolf series, where Sir Konrad Vonvalt – the most powerful and feared of the Emperor’s Justices – must finally face the dark powers that seek to detroy the Empire. THE TIME OF JUDGEMENT IS AT HAND
The Empire of the Wolf is on its knees, but there’s life in the great beast yet.
To save it, Sir Konrad Vonvalt and Helena must look beyond its borders for allies – to the wolfmen of the southern plains, and the pagan clans in the north. But old grievances run deep, and both factions would benefit from the fall of Sova.
Even these allies might not be enough. Their enemy, the zealot Bartholomew Claver, wields infernal powers bestowed on him by a mysterious demonic patron. If Vonvalt and Helena are to stand against him, they will need friends on both sides of the mortal plane – but such allegiances carry a heavy price.
As the battlelines are drawn in both Sova and the afterlife, the final reckoning draws close. Here, at the beating heart of the Empire, the two-headed wolf will be reborn in a blaze of justice . . . or crushed beneath the shadow of tyranny.
Everything Is Better With Dragons 