25th November 2025 | PB | 9781915998927 | £9.99/$18.99 | Also available in ebook | Fiction | Fantasy | Paranormal
ABOUT THE BOOK:
Conversing with the dead is nothing new for Lou. It’s a curse she’s learned to hide from everyone – including herself. After running away from a past that took advantage of those abilities, Lou finally carves out a normal life for herself. Until a mysterious message from a ghost – the Veil is thinning – and a cult of necromancers infesting her small town puts that normal life in jeopardy.
In a race to discover and defeat her foe, Lou learns she’s not alone in the fight. She grudgingly leans on her allies but wonders who to trust. What’s more impossible is suddenly finding herself the romantic interest of a man who somehow isn’t afraid of all the dark, creepy things about her… but even he has secrets for her to discover.
Time is running out, and reality seems to be slipping away. To save her new life and the people she loves, Lou must learn to accept who she is and embrace her true abilities, no matter where they might take her.
Format: 352 pages, Paperback Published: January 24, 2023 by Tor Trade ISBN: 9781250778543
Titanic meets Event Horizon in this SF horror novel in which a woman and her crew board a decades-lost luxury cruiser and find the wreckage of a nightmare that hasn’t yet ended.
Claire Kovalik is days away from being unemployed―made obsolete―when her beacon repair crew picks up a strange distress signal. With nothing to lose and no desire to return to Earth, Claire and her team decide to investigate.
What they find is the Aurora, a famous luxury spaceliner that vanished on its maiden tour of the solar system more than twenty years ago. A salvage claim like this could set Claire and her crew up for life. But a quick search of the ship reveals something isn’t right.
Whispers in the dark. Flickers of movement. Messages scrawled in blood. Claire must fight to hold on to her sanity and find out what really happened on the Aurora before she and her crew meet the same ghastly fate.
My Review
I ordered this book after seeing it on one of the GoodReads challenge lists. I hadn’t heard of it before although the author’s name pinged something in my brain. I liked the description and thought it would be entertaining.
Oh boy! I read the hype at the beginning of the book when it arrived and thought it might be exaggeration, just a touch.
I was wrong! It’s really good!
I read this book in an evening. At one point I had to skip forward to find out what happened, and then I went back once I was reassured at least some people would be alright.
The story is told from the perspective of the traumatised and quite likely psychic Claire Kovalik, team lead for a maintenance crew. The five-person crew service the comms network that’s scattered across the solar system, they live for weeks at a time on a tiny space vessel, being picked up and dropped off by larger freighters. It’s Claire’s last rotation, at 33 she’s considered too old, and due to her history, too unstable, to carry on.
Then, they hear a beacon. After an argument, they head out into uncharted territory to find the source of the beacon. What they find is the first and only luxury space liner. Twenty years lost, the Aurora’s disappearance destroyed the company that built it, allowing Verux, the company Claire works for, to take over. It’s worth a fortune to those who find and salvage it. But there are secrets.
Claire and her crew go aboard the Aurora and find terrible things.
We swap to Claire in the mental hospital, some time after she boards the Aurora with her crew. She doesn’t remember much. Her old mentor, Max, and a bully from Verux, Reed, a nepo-hire, who is determined to prove she murdered her crew for money, are questioning her. Claire tells them everything she can remember, up to the point where her skull is fractured. The hallucinations, the violent deaths of her colleagues, the developing romantic relationship between her and Kane, her number two, and the plan to get the Aurora back to the comms network so they can call for help.
Reed fails and Max recruits Claire to go back to the Aurora with him – she’s the only person who survived. Her mental illness might actually have helped. When they get there, Claire finds the neatly wrapped bodies of three of her colleagues and the last hallucinating in a room padded with mattresses. She also finds a conspiracy that Verux really don’t want to get out.
There is madness. There are explosions.
I loved it!
Claire is a beautifully flawed character. She blames herself for everything when it’s clearly not her fault, she refuses to let people care for her and fears what will happen when they do – convinced she’ll cause their deaths somehow, and she’s severely traumatised by events of her childhood. Also, she can see ghosts.
The relationship between Claire and Kane is sweet and develops naturally as they go through difficult events. The resistance Claire feels about getting close to people is a response to her trauma, and Kane’s calming presence, knowing her past, slowly helps her build trust in herself and him.
The corporate evil of Varux is entirely believable – destroy a competitor and then try to clear up the mess by murdering people. I know this has happened in real life, although usually the firms involved distance themselves by saying it was rogue contractors – see VWs slave plantations in the Amazon during the 1980s, or mining companies that regularly allow their ‘security contractors’ to murder local activists – especially in the Amazon. Putting it in space makes it sound like fiction, but this shit is happening in the real world now. I direct you to Silent Coup: How Corporations Overthrew Democracy by Claire Provost and Matt Kennard ( I have a Left Book Club copy that I’m reading at the moment) for more information.
I was absolutely rivetted by this book, by the mystery of how the people went mad and what happened to Claire, allowing her to escape and return to rescue what was left of her crew. Definitely going on my favourites list for this year.
Format: 176 pages, Hardcover Published: May 28, 2024 by Tordotcom ISBN: 9781250290311 (ISBN10: 1250290317) Language: English
Description
Kill the dragon. Find the blade. Reclaim her honour.
It’s that, or end up like countless knights before her, as a puddle of gore and molten armor.
Maddileh is a knight. There aren’t many women in her line of work, and it often feels like the sneering and contempt from her peers is harder to stomach than the actual dragon slaying. But she’s a knight, and made of sterner stuff.
A minor infraction forces her to redeem her honor in the most dramatic way possible, she must retrieve the fabled Fireborne Blade from its keeper, legendary dragon the White Lady, or die trying. If history tells us anything, it’s that “die trying” is where to wager your coin.
Maddileh’s tale contains a rich history of dragons, ill-fated knights, scheming squires, and sapphic love, with deceptions and double-crosses that will keep you guessing right up to its dramatic conclusion. Ultimately, The Fireborne Blade is about the roles we refuse to accept, and of the place we make for ourselves in the world.
My Review
Bond builds a world in very few words, with dragons that possess unique abilities and melt on death. It’s a traditional knights killing dragons story with a few twists and horror elements.
The characters come to life in a few words and the twist is unexpected. The ending is quite dramatic and leads into the next novella. The use of extracts from archives of other dragon slaying and magical adventures flesh out the world with extra details, so that the reader discovers the social structure of the world and Maddileh’s place in it. Through her interactions with mages we understand the internal conflicts of both Maddileh herself and the magical order.
There are hints of a wider world and the future that suggests more novellas will follow and I look forward to reading them.
Hardcover, 320 pages Published: February 6th 2020 by Trapeze ISBN:1409192172 ISBN13: 9781409192176 Edition Language: English
Feminist gothic fiction set between the late 19th century and the early 20th century – an era of burgeoning spiritualism and the suffragette movement – that couldn’t be more relevant today.
England, 1925. Louisa Drew lost her husband in the First World War and her six-year-old twin sons in the Spanish Flu epidemic of 1918. Newly re-married to a war-traumatised husband and seven months pregnant, Louisa is asked by her employer to travel to Clewer Hall in Sussex where she is to photograph the contents of the house for auction.
She learns Clewer Hall was host to an infamous séance in 1896, and that the lady of the house has asked those who gathered back then to come together once more to recreate the evening. When a mysterious child appears on the grounds, Louisa finds herself compelled to investigate and becomes embroiled in the strange happenings of the house. Gradually, she unravels the long-held secrets of the inhabitants and what really happened thirty years before… and discovers her own fate is entwined with that of Clewer Hall’s.
England 1917, and VAD nurse, Stella Marcham is home from the front after the death of her fiancé, Gerald Fitzwilliam. Broken by grief, and feeling trapped at home, she needs a change of scene. As it happens, her sister Madeleine is pregnant and feeling anxious at Greyswick, her husband’s family home, and when Hector, her brother-in-law, asks Stella to visit, she readily accepts.
Stella finds Greyswick to be the gauche house of a nouveau riche family. Dark, over-decorated, staffed only by Cook, Maisie the maid and the glowering Mrs Henge, it is not a happy place. Madeleine is anxious but she won’t say why. Slowly things start to fall into place and Stella starts to experience things she can’t explain.
Unfortunately, the lady of the house refuses to believe them. Hector arrives with an amateur supernatural investigator, Tristan Sheer, to convince the sisters that they’re being hysterical.
With Stella is Annie Burrows, maid and daughter of the man who died trying to rescue the youngest Marcham sister from a fire. Annie is unusual. She can see ghosts. And she knows who is haunting Madeleine and why. A decades old murder is at the root of their problems. So, in parallel with Sheen’s investigation, the women set about solving the murder to end the haunting.
Winter 1917. As the First World War enters its most brutal phase, back home in England, everyone is seeking answers to the darkness that has seeped into their lives.
At Blackwater Abbey, on an island off the Devon coast, Lord Highmount has arranged a spiritualist gathering to contact his two sons who were lost in the conflict. But as his guests begin to arrive, it gradually becomes clear that each has something they would rather keep hidden. Then, when a storm descends on the island, the guests will find themselves trapped. Soon one of their number will die.
For Blackwater Abbey is haunted in more ways than one . . .
Family curses don’t exist. Sure, some families seem to suffer more pain than others, but a curse? An actual curse? I don’t think so.’
A family tragedy was the catalyst for Ian Perkins to return to the isolated cottage with his wife and young son. But now they are back, it seems yet more grief might befall the family.
There is still time to act, but that means Ian must face the uncomfortable truth about his past. And in doing so, he must uncover the truth behind the supposed family curse.
Everything Is Better With Dragons 