The stand-alone sequel to ‘Moojag and the Auticode Secret’, endorsed by award-winning authors Patience Agbabi, Alex Falase-Koya, Ben Davis, and Daniel Aubrey.
A multigenerational story, featuring a neurodivergent cast and audhd, non-binary, POC, main characters, for readers 8 years and over.
When Nema returns to Gajoomdom, she discovers three forgetful grannies who have totally lost track of time. If she and Moojag can’t help them remember, everyone’s memories are in danger. But turns out not everyone is who they thought they were. Who will they rescue? Will they rescue them in time to save their perfect Real World from the nasty Conqip?
‘Lost Memories’, inspired by the author’s grandmother, and living with dementia and disability during the pandemic, shows us the impact of loss and the power of memory, as well as the importance of future technology when used for good.
Format: 288 pages, Paperback Published: November 9, 2020 by Spondylux Press ISBN: 9781838097806
Book description
When Nema and her friends discover a hidden sugar-hooked society holding lost kids, they find their perfect world in danger. The strange, sticky place hides the truth about Nema’s missing brother, and a plot to destroy the free world she knows. But only they can reverse a code to prevent a rock candy robot invasion and rescue the captives. Fail and they might never make it back home…
This dystopian, cli-fi mystery is a quirky adventure featuring a neurodivergent cast and autistic/dyslexic/adhd main characters, for readers 10 years and up. Highly recommended as a family read due to the thought-provoking concepts and subject matter introduced.
Set in the utopian world of post-catastrophe ‘Surrey Isles’, Britain 2054, where neurodivergents live in harmony with nature and technology, and the hidden dystopian ‘Gajoomdom’.
Anyone who has ever felt different or had trouble fitting in will identify with this story about finding the strength to be your true self. A fun, Alice-esque adventure revealing what it means to be neurodivergent, in a way that’s relatable to all.
Price: £20.00 Fiction: FICTION / Fantasy / Historical Product format: Hardback ISBN: 978-1-80552-020-7 Pages: 336 Imprint: FLAME TREE PRESS
Blurb
Mairead and Constance, two powerful witches, meet in the early days of the 1745 Jacobite uprising. While the men of the village are away fighting, the villagers face threats from both the Black Watch and raiders, and the women are confronted with their vulnerability. They enlist the help of Nicnevin, fae queen of witches, to bring men made of earth to life to help protect their village. But just who do they need protection from? And what will happen when the village men return?
Publisher Independently published Publication date 5 Aug. 2025 Language English Print length 284 pages ISBN-13 979-8284534489
BOOK DESCRIPTION
Murder has come to the city of Tronte…
Holtar didn’t become a necromancer for the prestige—he did it because talking to the dead is marginally easier than dealing with the living. Unfortunately, his latest case has given him a fresh problem: the corpses aren’t talking.
I woke up feeling off so I had a steady morning and made my appearance at the con hotel in time for my second panel – Queer in Fantasy at noon. It was supposed to be streamed but staffing changes prevented it. Sian took another picture of me. I’m pointing at the book on the table, it’s I Want That Twink Obliterated from Bona Books. I was expressing my excitement.
Chris McCartney, Katie Bruce, and Christopher Caldwell were also on the panel, which was moderated by Burdock Broughton, who writes as April Steenburgh. I was beginning to feel unwell so I didn’t have much helpful to add. I mainly listened to everyone else and asked for a list of the books they’d all recommended. People have said that I made good comments but I have my doubts. I was overwhelmed and had brain fog for most of it.
After this panel I went to the quieter area and did some embroidery. I also made a quick visit to the dealer’s room to buy a book from AK Faulkner, Blind Man’s Wolf, and then planned to head to the ‘Creative Lives’ panel, but I got into the room and the bright lights were too painful, so I sat in the dark corridor, ate my sandwich and read Blind Man’s Wolf.
I attending the only reading I’ve been to this con, by Stephen Cox and AK Faulkner. Stephen Cox read from his Sapphic Victorian murder mystery, The Crooked Medium’s Guide to Murder, while AK read from Jack of Thorns and Blind Man’s Wolf.
After that I attended the ‘The Role of Reviewers’ panel in the same room. As a reviewer I was interested in how others saw their role, and also I didn’t need to more from the sofa I’d taken up residence on. Then I moved on to the Academic Hour, and listened to early career researchers talk about their research. The talk about Romanian folklore in fantasy was particularly interesting.
At six in the evening my throat started to feel scratchy, and I coughed my way through the ‘Editing and Editors’ panel. Luckily I was at the back and out of the way so I don’t think I bothered anyone. It was interesting, but by this point I was not able to take a lot in. I learnt that editors generally want the best for the writers and there is tension when they work for publishers because they have to balance the demands of publishing as an industry with the needs of the writers they work with.
At 7 p.m. it was the charity raffle. This is a Fantasycon tradition and stalwart Red Cloaks Babs and Marleen came through once again. They announced the ‘big prizes’ and were drawing the smaller prizes afterwards. I didn’t win anything.
Finally, at 7.30p.m. I made it up to the main room for the British Fantasy Awards. The awards were streamed although there were some technical difficulties.
This is a new award, organised in partnership with the BFS, BSFA, and UKIE to recognise excellence in World Building in Speculative Fiction, whether in books or games. It was presented by Brian Aldiss’ son, Tim.
The BFS awards were compared by Joanne Harris after Tim and Allen finished talking. I’m going to share the results, which are now available on the BFS website.
I judged this one so I already knew the winner. It was actually the first award to be presented after the Aldiss Award, but I’m working through a pre-printed list. The award was presented by Anne Landmann and collected by the author.
This award was presented by the venerable Suniti Namjoshi, a Guest of Honour at the Convention. It was collected by someone I vaguely recognise but I don’t know their name.
Presented by BFS Chair and excellent author, who’s new book I will be reviewing 6th December, Shona Kinsella. Award collected by editor, Ian Whates.
Best Newcomer – Frances White – Voyage of the Damned – Penguin Michael Joseph
Award presented by Taika Bellamy and collected by the author. I reviewed Voyage of the Damned and enjoyed it, but after listening to the Christophers at the Queer in Fantasy panel I’m wondering about the validity of m/m romance written by women. Who is the target audience?
This was presented by Ian Whates and collected by a representative.
BFS Art Competition
Sophie Jonas Will – Snicket and the Fireflies
Madelina Gaubelonga – The Long Wait
Carlie AF – Lonely Spire
The announcement was made by Jenni Coutts and the artists will have their work printed in the Autumn 2026 issue of Horizons, the BFS periodical.
BFS Short Story Competition
Mull, by J.W. Anderson
The Sphinx, by Marian Gordon
Iterate, by Nathaniel Spain
The announcement was made by Stephen Poore and the winners will have their stories published in BFS Horizons.
The Karl E Wagner Award – Rosemary Pardoe
This award is presented for outstanding contributions to the genre, and this year’s winner was a founder member of the BFS. Shona Kinsella made the announcement.
Legends of Fantasycon – Marlene and Babs the Red Cloaks.
This award is presented to people who make Fantasycon what it is – a joyous celebration of Fantasy. The award was announced by Karen Fishwick and eventually accepted by Babs and Marlene after they’d got a pint at the bar.
After the awards I had a drink with a group of friends and headed back to my hotel because I felt unwell.
The first fantasy-writing textbook to combine a historical genre overview with an anthology and comprehensive craft guide, this book explores the blue prints of one of the most popular forms of genre fiction. The first section will acquaint readers with the vast canon of existing fantasy fiction and outline the many sub-genres encompassed within it before examining the important relationship between fantasy and creative writing, the academy and publishing. A craft guide follows which equips students with the key concepts of storytelling as they are impacted by writing through a fantastical lens. These
– Character and dialogue – Point of view – Plot and structure – Worldbuilding settings, ideologies and cultures – Style and revision
The third section guides students through the spectrum of styles as they are classified in fantasy fiction from Epic and high fantasy, through Lovecraftian and Weird fiction, to magical realism and hybrid fantasy. An accompanying anthology will provide students with a greater awareness of the range of possibilities open to them as fantasy writers and will feature such writers as Ursula Le Guin, China Miéville, Theodora Goss, Emrys Donaldson, Ken Liu, C.S.E. Cooney, Vandana Singh, Sofia Samatar, Rebecca Roanhorse, Jessie Ulmer, Yxta Maya Murray, and Rachael K. Jones. With writing exercises, prompts, additional online resources and cues for further reading throughout, this is an essential resource for anyone wanting to write fantastical fiction.
Format 344 pages, Paperback Published January 11, 2024 by Bloomsbury Academic ISBN 978135016692
In the dying port town of Gdansburg, Sir Konrad Vonvalt finds the unthinkable: a fellow Justice imprisoned for the murder of a young boy. Despite the furious insistence of the townsfolk, the only evidence is a question written on a piece of paper by a dead man: what is The Scour?
The answer begins in the town’s haunted lighthouse and ends in its past–where Vonvalt may dig up more than he bargained for.
When her cousin gets kidnapped by a dastardly trickster, Luzia is forced to sell herself in servitude to the Eoi in exchange for his life. But the terms of the deal turn out to be much more complicated than she ever imagined…
Luzia N.E. Drainway never really thought too much about the Astrosi. They lurk above and below Bastion City – a giant multileveled megalopolis she calls her home – and they tend to keep to themselves. On the rare occasions they use their magics to meddle with human affairs, most people with an ounce of sense steer clear of whichever unfortunate soul happens to be their victim. Luzia is far too dedicated to repairing and maintaining the frequently-damaged Bastion to pay them much attention, and prefers to ignore the Astrosi just like everyone else.
That disregard gets blown out of the water when a rogue Astrosi and nefarious trickster named Carrion kidnaps her nephew and sells him to the Eoi, one of the Astrosi courts.
With no other options to save her nephew, Luzia trades her life for his and finds herself in service to the Eoi. Unfortunately for her, Astrosi logic is acrobatic in ways even the most devious human mind can barely comprehend. It’s not until the deal is struck that she realizes she’s trapped in the most abstruse verbal contract imaginable. She is essentially conscripted into their ranks, and her devotion to her city becomes stretched to breaking point by her new masters’ orders.
As she struggles under this weight, she begins to uncover the secrets of the Astrosi people – the internal battles for power between the two kingdoms, the never-ending conflict between them, the trickster Carrion who somehow bridges that gap, and the very nature of the Bastion itself.
From sci-fi visionary and acclaimed author Annalee Newitz comes Automatic Noodle, a cosy near-future novella about a crew of abandoned food service bots opening their very own restaurant.
While San Francisco rebuilds from the chaos of war, a group of food service bots in an abandoned ghost kitchen take over their own delivery app account. They rebrand as a neighborhood lunch spot and start producing some of the tastiest hand-pulled noodles in the city. But there’s just one problem. Someone―or something―is review bombing the restaurant’s feedback page with fake “bad service” reports. Can the bots find the culprit before their ratings plummet and destroy everything they created?
My Review
It’s 2064. California has fought a war of Independence from the United States, and has freed robots above a certain level of intelligence. Well, not really free, they can’t own property, reproduce, or have bank accounts. Their licenses can be bought and sold, tying them to contracts and companies that can take them apart for scrap or sell them on saddled with debt. So not free at all.
Staybehind is an ex-military robot, free from contract and working wherever it wants. It happened to be working as manager of a terrible fast food franchise when it was shut down. Hands, the chef bot, Sweetie the front desk bot, and Cayenne, a former search and rescue octobot turned gastronome who likes to taste and smell food, slowly wake up after Staybehind is alerted to an emergency – their store is flooding. Once they work out what’s going on, the group make the decision to run the store for themselves, if they can find a way around the laws. Cayenne is on that.
Together with a human called Robles and an automatic minivan called Sloan, the robots go into business for themselves selling noodles. After a great review they get very busy, but then another review outs them as robots and starts review bombing the food delivery app everyone uses. While Staybehind searches for the culprit and discovers they have an artistic streak, Cayenne and Sweetie come up with other plans.
It’s a novella. I’ve read it in less than 3 hours this afternoon. I’d planned to go swimming but my lungs decided otherwise, so I’ve spent the afternoon on the sofa reading. I’m going back to bed as soon as I’ve written this because I’m sick once again!
I’ve read Annalee Newitz’s books in the past and enjoyed them; the author always seems to find the right tone for the subject and the right themes for the times. This is the case with Automatic Noodle too, with themes of found family, community resilience, and post-war rebuilding. The robots are stand-ins for the groups currently demonised by the right in the U.S. (and the U.K. honestly) – trans people, migrants, minority groups. There’s even a nod to the way African Americans were treated for the century between the end of the U.S. Civil War and the Civil Rights Act, in the way HEEI robots, and all robots, are treated.
The characters of Staybehind, Hands, Cayenne and Sweetie are all rounded, with backstories shared in vignettes. Reading them as they grow as people, and develop a community around them, facing their fears and the past, was sweet.
I think this is the sort of story we need right now. Things are going bad in the U.S., the U.K. government keeps pandering to the Right instead of telling them to go fuck themselves, and it’s scary for a lot of people. Me included. This novella is a story of hope – in community and community building, we can survive and thrive. I would read an expanded version of this novella or a sequel.
Format: 448 pages, Paperback Published: March 26, 2019 by Tor ISBN: 9781529001587
Ambassador Mahit Dzmare arrives in the center of the multi-system Teixcalaanli Empire only to discover that her predecessor, the previous ambassador from their small but fiercely independent mining Station, has died. But no one will admit that his death wasn’t an accident—or that Mahit might be next to die, during a time of political instability in the highest echelons of the imperial court.
Now, Mahit must discover who is behind the murder, rescue herself, and save her Station from Teixcalaan’s unceasing expansion—all while navigating an alien culture that is all too seductive, engaging in intrigues of her own, and hiding a deadly technological secret—one that might spell the end of her Station and her way of life—or rescue it from annihilation.
My Review
This is another one from my TBR Pile that I’ve been meaning to read for years. I finally sat down and read it a week or so ago.
Mahit is a 26 year old Stationer, sent to the imperial capital of Teixcalaan as Ambassador. There, she finds her predecessor has been murdered and then her implant with his memory on it breaks, leaving her flailing around without help. Her only ally is her cultural attaché, Seagrass. They are blown up, held prisoner by a friend of the old ambassador, and have to get help from rebels, as the Emperor weakens and several successors fight for the throne. Eventually, Mahit hears from a possible ally on her Station that aliens are attacking human space, and this is enough for the Emperor to bring a halt to the fighting at home by focusing forces on the alien threat, and away from Stationer space.
Mahit and Seagrass go through some terrifying events but the writing is so good that every emotional turn is understandable. Her immersion in a culture that she previously thought she knew so well when she was studying it, but finds so confusing in person, really captures the dislocation of immersion in a new culture. Without her imago to guide her, Mahit doesn’t have the local knowledge that she’d need to fit it, and she is made to feel alien and not quite human because she is not Teicalaanlitzlim. She is an amusing barbarian to her hosts. Mahit does use this to her advantage, and sometimes disadvantage, in the complex court of the Emperor.
I enjoyed the narrative, structure, and tone of this novel. It explores empire from the perspective of an outsider, showing the hypocrisy of imperial states. The descriptions of the city and the people are rich and detailed. There is a hint of both the Byzantine and the Aztec empires in the descriptions of the clothes, culture and architecture, but the living conditions in the out regions of the city feel more Victorian London. The author has clearly drawn on many sources but it feels cohesive and inspired by those sources, rather than direct copying.
I enjoyed this book, and I can see why it’s so lauded. I’ve started book two, so expect a review of A Desolation Called Peace at some point.
Everything Is Better With Dragons 